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<!--as good a symbol as any of what they had
lost: their humanity. They had lost the capacity to feel for others.
They could not perceive the suffering of Lane during his death, nor
of his family members after his death. They had lost that singular,
defining human quality called empathy.My 20 years as a forensic psychiatrist
tell me that, in all three cases, it will be found that
traumatic life events, perhaps coupled with head trauma, drug use and disordered
brain chemistry from birth, left these young men detached from their own
thoughts and feelings and those of others. I would venture that
on August 16, 2013, more than one of Chris Lanes assailants was,
for all intents and purposes, psychologically dead. Thats why one of the
three alleged assailants said they killed because they were boredbecause
his very disordered mind was like an echo chamber that allowed his
feelings of being annihilated, dehumanized and dead to boomerang back to
him as an impulse to kill.Dr. Keith Ablow is a psychiatrist and
member of the Fox News Medical A-Team. Dr. Ablow can be reached
at info@keithablow.com.
er, Joan of Arc in Lillian Hellman's adaptation of Jean Anouilh's
"The Lark." The play had a six-month run, primarily because of the
notices for Harris.The actress was something of a critics' darling, getting
good reviews even when her plays were less-well received. These included
such work as "Marathon `33," "Ready When You Are, C.B.!" and even
a musical, "Skyscraper," adapted from an Elmer Rice play, "Dream Girl."Her
third Tony came for her work in "Forty Carats," a frothy French
comedy about an older woman and a younger man. It was a
big hit, running nearly two years.Harris won her last two Tonys for
playing historical figures -- Mary Todd Lincoln in "The Last of Mrs.
Lincoln" and poet Emily Dickinson in "The Belle of Amherst" by William
Luce. The latter, a one-woman show, became something of an annuity for
Harris, a play she would take around the country at various times
in her career.The actress liked to tour, even going out on the
road in such plays as "Driving Miss Daisy" and "Lettice & Lovage"
after they had been done in New York with other stars.Harris' last
Broadway appearances were in revivals, playing the domineering mother in
a Roundabout Theatre Company production of "The Glass Menagerie" (1994)
and then "The Gin Game" with Charles Durning for the National Actors
Theatre in 1997.In 2005, she was one of five performers to receive
Kennedy Center honors.Harris was born on Dec. 2, 1925, in Grosse Pointe,
Mich., the daughter
-->
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