[rohrpost]FW: Reminder about Delueze conference and electronic music webcasts

[Kai Weber]

------ Weitergeleitete Nachricht
> Von: Honor Harger <honor.harger@tate.org.uk>
> Datum: Thu, 20 Sep 2001 15:14:14 +0100
> Betreff: Reminder about Delueze conference and electronic music webcasts
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> REMINDER ABOUT TWO WEBCASTS LIVE FROM TATE MODERN:
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> http://www.tate.org.uk/modern/programmes/webcasting/
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> ______________________________________________________________________
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> * IMMANENT CHOREOGRAPHIES: DELEUZE AND NEO-AESTHETICS *
> http://www.tate.org.uk/modern/programmes/webcasting/live2.htm
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> Friday 21 September & Saturday 22 September
> 1000 - 1730 [ GMT ]
> 1200 - 1930 [ Central European Time ]
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> The writings of Gilles Deleuze, and his collaborations with F=E9lix Guattar=
i,
> have had a major impact on theory and practice in many disciplines. This
> two-day event, a series of presentations and performances, will bring
> together an international range of contributors to consider some of the w=
ays
> in which Deleuze's thought has been taken up and put to work in different
> media and art forms. It sets out to explore the power of Deleuzian
> neo-aesthetics, and also its limits. To what extent has it transformed th=
e
> production and reception of contemporary art practices? What is at stake,
> artistically, politically and philosophically, in the adoption of Deleuze=
 by
> such practices? The conference is divided into six sessions.  THE FULL
> PROGRAMME IS AT:
> <http://www.tate.org.uk/modern/programmes/webcasting/live2.htm>
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> _______________________________________________________________________
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> * OVAL + SCANNER + KIM CASCONE
> http://www.tate.org.uk/modern/programmes/webcasting/live3.htm
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> Friday 21 September
> 1830 - 2030 [ GMT ]
> 2030 - 2230 [ Central European Time ]
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> Performances by three major contemporary electronic musicians, Oval,
> Scanner, and Kim Cascone complement the conference.
> - Scanner - British sound artist, Robin Rimbaud - creates absorbing,
> multi-layered soundscapes that twist technology in unconventional ways.
> - Oval - German sound sculptor, Markus Popp - explores the process and
> systems behind the design of electronic music. Popp has developed his own
> software, Oval Process, which manipulates looping sound samples.
> - American electronic musician Kim Cascone works at the intersection betw=
een
> academic computer music and contemporary digital listening.
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> ABOUT FORTHCOMING EVENTS
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> For more details, and a full programme of future webcasts,
> visit:<http://www.tate.org.uk/modern/programmes/webcasting/timetable.htm>=
.
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> TECHNICAL DETAILS
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> If you haven't experienced Tate Modern's webcasts before, please visit ou=
r
> technical help page:
> <http://www.tate.org.uk/modern/programmes/help.htm>.  Until the webcast
> begins at 1730 GMT on Tuesday 18 September, there will be no live audio o=
r
> video available.
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> FEEDBACK=20
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> If you would like to ask the presenters questions, please email them to t=
he
> Webcasting Curator <honor.harger@tate.org.uk>, who will endevour to deliv=
er
> them.
> Qualitative feedback that will help shape the character of live webcasts
> from Tate Modern in the future is always appreciated.
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> MORE INFORMATION:
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> For more on webcasting, and a programme of future webcasts contact:
> Honor Harger, Webcasting Curator, Interpretation & Education, Tate Modern
> Email: honor.harger@tate.org.uk
> PH: (44) 020 7401 5066
> URL: <http://www.tate.org.uk/modern/programmes/webcasting>
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> For more information about Tate or getting tickets for events:
> Tate Ticketing
> Email: tate.ticketing@tate.org.uk
> PH: (44) 020 7887 8888
> URL: <http://www.tate.org.uk>
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