[rohrpost] Buch - Programming Electronic Music in Pure Data

[Cornelia Sollfrank]

> --english text below--
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> Bekanntgabe: Pd-Buch veröffentlicht
>
> Ich freue mich bekannt geben zu können, dass das große Pure Data  
> (Pd) - Tutorial, das ich dank eines Stipendiums der Musikhochschule  
> Freiburg in den letzten Jahren geschrieben habe, nun online ist in  
> deutsch und englisch.
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> Außerdem ist es als Buch bei Wolke erschienen.
>
> http://www.pd-tutorial.com
>
> http://www.wolke-verlag.de/musik_u_t/loadbang.html
>
> http://www.buecher-zur-musik.de/assets/s2dmain.html?http://www.buecher-zur-musik.de/53108697370a2cb3f/5310869bc400a7a02.html
>
> Pd ist eine professionelle, leistungsstarke Programmiersprache zur  
> elektronischen Klangverarbeitung. Sie ist open source, also frei im  
> Internet erhältlich. Dieses Handbuch ist für Einsteiger und  
> Fortgeschrittene, die Pd im Selbststudium erlernen wollen.
>
> Die dargestellten Patches können frei heruntergeladen werden.
>
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> Announcement: Pd Book is released
>
> I am pleased to announce that the big Pure Data (Pd) tutorial I wrote
> in the last years with the help of a grant by the Music University of
> Freiburg / Germany, is now online, in english and in german.
>
> It is also available as a book (paperback) at Wolke Publishing House.
>
> http://www.pd-tutorial.com
>
> http://www.wolke-verlag.de/musik_u_t/loadbang.html
>
> http://www.buecher-zur-musik.de/assets/s2dmain.html?http://www.buecher-zur-musik.de/53108697370a2cb3f/5310869bc400a7a02.html
>
> Pd was initiated by American software engineer Miller Puckette, who
> previous co-developed the well known and similarly structured software
> Max/Msp. Pd is not commercial software; i.e., it was not developed by
> a corporation and is not for sale. Instead, it is “open source”: its
> source code is not the (patented) property of a corporation, but is
> rather freely available to all. One drawback to this is that a
> detailed operating manual for users who lack programming experience
> has not existed until now. In contrast to a corporation— which has a
> monetary interest in ensuring that first-time users can easily operate
> new software—the open source movement lacks such a driving force to
> make itself accessible. This book is an attempt to fill that gap.
>
> This tutorial is designed for self-study, principally for composers.
> It begins with explanations of basic programming and acoustic
> principles then gradually builds up to the most advanced electronic
> music processing techniques. The book’s teaching approach is focused
> primarily on hearing, which we consider a faster and more enjoyable
> way to absorb new concepts than through abstract formulas.
>
> The patches described are available for download.
>
> Grüße / Regards,
> Johannes Kreidler
>
> www.kreidler-net.de
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