[rohrpost] Fwd: TImelapse Opening at the National Art Museum of
China, Nov. 24 2009
Oliver Grau
oliver.grau at donau-uni.ac.at
Mit Nov 18 08:52:31 CET 2009
>>> z <zhangga at namoc.org> 11/17/2009 4:20 pm >>>
For immediate release
The National Art Museum of China is pleased to announce the opening of
the exhibition Timelapse curated by Zhang Ga. The first installment of
this Chinese and Swiss media art exhibition will open on November 25,
2009, in Beijing and will travel to Biel, Switzerland, in March 2010.
In the summer of 2008, the National Art Museum of China (NAMOC)
successfully staged Synthetic Times: Media Art China 2008,
International New Media Art Exhibition. The exhibition showcased the
latest trends in global media art development, establishing Beijing as
a platform for international dialogue in the field of new media art
and providing an opportunity for a Chinese audience to recognize and
appreciate rich and multifaceted artistic visions of the twenty-first
century. Timelapse is the result of NAMOC*s continued commitment to
exhibit media art.
Time-lapse describes a cinematographic technique in which pictures are
taken with long intervals between each frame. Time-lapse as a process
of delaying or prolongation constructs an obviously accelerated
artificial effect when synchronized at a twenty-four-frame-per-second
playback speed, which typically creates the illusion of real-time
movement in human visual perception. Time-lapse therefore manipulates
an illusionary reality to achieve yet another level of syntheticity *
a virtual reality as opposed to the *reality* arrived at by
simulation.
Time represents itself by movement, which is the continuous covering
of space. In space where movement unfolds, abound the actions and
happenings of distinct progression, that of heterogeneity. In time-
lapse, through the drastic slowing down of speed in space, in between
the delays and elongation for the finale of speediness and continuity,
elasticity metamorphoses into virtuality, transcending ordinary
perception of the temporal and the spatial, creating memory in a
succession of variations.
By metaphorically invoking photographic terminology in the spirit of
Bergsonian / Deleuzian time-movement interpretation as inspiration,
the exhibition Timelapse in which a dozen artists from both
Switzerland and China will participate, attempts to examine the
fundamental constituent of digital media: the concept of time and its
embodiment in space, its evocation of passage and memory, its movement
of differentiation and its state of representation in diverse formal
grammars to reveal the social implications of the fast in the disguise
of the slow, the multiplicity in temporality, and disparity in
spatiality, both psychologically and geographically. The exhibition
scrutinizes the nuances and ramifications of cultural being within the
disparate frameworks of time in distance and space in locality, and
the potential collapse of a time-space duality.
Participating artists:
Peter Aerschmann, Cao Fei, Chen Shaoxiong, Arthur Clay, Hervé
Graumann,
Alexander Hahn, Hu Jieming, Jin Jiangbo, Timo Loosli, Qiu Zhijie,
Valentina Vuksic, Zhang Peili, Daniel Werder
The exhibition is a project of NAMOC*s Media Art China 2009, co-
organized by the National Art Museum of China and CentrePasquArt (Biel
Contemporary Art Museum) in Switzerland, and in partnership with Pro
Helvetia, the Swiss Arts Council, as part of the exchange and
cooperation program "Swiss Chinese Cultural Explorations" , which aims
to support a rapprochement between the two countries on a cultural
level, placing importance on establishing long-term relationships
between artists and institutions from Switzerland and China. The
exhibition is also supported by Presence Switzerland and Swissnex
Shanghai, Switzerlands*s Outpost for Science, Technology and Culture
in China.
National Art Museum of China, Beijing, China
November 25, 2009 * December 19, 2009
CentrePasquArt, Biel, Switzerland
March 28, 2010 * May 30, 2010
Catalogue designed by: Project Projects, New York