[rohrpost] Guy Debord 1931-1994

[Karl Dietz]

Guy Debord zusammen lesen:
Die Gesellschaft des Spektakels
... mehr
<http://groups.google.com/group/aki20/msg/6388cbd32b216?utm_source=digest&utm_medium=email>



+ some more


On Fri, Nov 30, 2018

> Debord, Guy 1931-1994
> 438 works in 1,497 publications in 19 languages and 13,177 library holdings
> https://www.worldcat.org/identities/lccn-n85228329/
>
>
> On Fri, Nov 30, 2018 at 11:58
> > some little action wg debord + 30.11.
> >
> >
> > > > http://www.nothingness.org/SI/ eine englisch-u. eine
> > > > französischsprachige Version bereit zum Download!
> > > > (http://library.nothingness.org/articles/SI/en/pub_contents/4
> > >
> > > hier ein text von guy debord in engl.
> > >
> > > In fact, it is necessary to finish with any notion of personal
> > > property in this area. The appearance of new necessities outmodes
> > > previous "inspired" works. They become obstacles, dangerous habits.
> > > The point is not whether we like them or not. We have to go beyond
> > > them.
> > >
> > > Any elements, no matter where they are taken from, can serve in making
> > > new combinations. The discoveries of modern poetry regarding the
> > > analogical structure of images demonstrate that when two objects are
> > > brought together, no matter how far apart their original contexts may
> > > be, a relationship is always formed. Restricting oneself to a personal
> > > arrangement of words is mere convention. The mutual interference of
> > > two worlds of feeling, or the bringing together of two independent
> > > expressions, supersedes the original elements and produces a synthetic
> > > organization of greater efficacy. Anything can be used.
> > >
> > > It goes without saying that one is not limited to correcting a work or
> > > to integrating diverse fragments of out-of-date works into a new one;
> > > one can also alter the meaning of those fragments in any appropriate
> > > way, leaving the imbeciles to their slavish preservation of
> > > "citations."
> > >
>