[spectre] Fwd: CALL for ENTRIES & PARTICIPATION
kristin bergaust
kristin@anart.no
Tue, 19 Nov 2002 15:32:19 +0100
Begin forwarded message:
> From: "duba sambolec" <dubasambolec@hotmail.com>
> Date: Mon Nov 18, 2002 3:53:49 PM Europe/Oslo
> To: intermedia@anart.no
> Subject: CALL for ENTRIES & PARTICIPATION
>
>
> bitshift
>
>
> a series of sound events in gallery Kapelica in collaboration with=20
> SKUC Gallery, Ljubljana, Slovenija
>
>
> CALL FOR ENTRIES FOR PARTICIPATION ON SOUND WORKSHOPS FOR "BJCEM"
>
>
> In the beginning of December 2002 gallery Kapelica is organizing two=20=
> sound events and workshops. We are hosting two groups: FLEX and U.M.A=20=
> + GINSENG.
>
>
> 10. december, FLEX: live & electronic music, short films, slides,=20
> poetry sonic art & sound ambient:
> Felix Profos/ composer, Rudiger Meyer /composer, Tamar Kordzaia/piano
> Rosa Eja Barsland/dance, voice
>
> Event:
> Finding that the traditional concert situation no longer provides an=20=
> appropriate place for their creation, two composers in search of new=20=
> formats aiming for something that is between concert, happening, party=20=
> and installation, a simultaneous layering of electronic, players text=20=
> and visual information.
>
> Workshop:
> After the event Felix and Rudiger will lead two days workshop (11. and=20=
> 12. Dec. 02).The theme will be "Shopping: Finding the Material of=20
> Daily Life". That will take two directions. The first is taking=20
> concrete everyday aural material and using that as the basis of=20
> soundscapes/ installations (using pro tools and max/msp for example).=20=
> The second will focus on using found materials as the basis for actual=20=
> pieces of music - processing found melodies into pieces of=20
> instrumental music for example. The participants should bring along=20
> with them a recording of ambient sound and a found melody from=20
> everyday life - a supermarket melody, advertising jingle or something=20=
> of that sort.
>
>
> 13. december, U.M.A. + GINSENG
> U.M.A =3D Gato Leiras (Buenos Aires): sampler, Michael Renkel =
(Berlin):=20
> sampler
> GINSENG =3D Sonja Bender (Berlin): videosampling
>
>
>
> Event:
> U.M.A. investigates in an "open and mobile composition" process=20
> (Evangelisti) the possibilities of mutation of reality, and gives as a=20=
> feedback this heterogeneity of time inversion/distortion.
> GINSENG adds a new layer in time. Through free combination and=20
> overlay, found-footage continuosly gives birth to new, mutating=20
> images, revealing the mechanisms of image coding.
>
> Workshop:
> Day after the event (14. Dec.02) U.M.A and GINSENG will lead one day=20=
> workshop with theme "Sampling & Instant Composing".
> PARTICIPANTS FOR THE WORKSHOPS:
>
> The workshops are adressed to participants who are making experimental=20=
> electronic music and/or are involved with contemporary music=20
> composition and master at least one software program for manipulation=20=
> of sound material - Max/msp, ProTools, Logic Audio, Cubase, Soundhack,=20=
> and have some experience with music composition.
>
> The participants should bring along with them a recording of ambient=20=
> sound and a found melody from everyday life - a supermarket melody,=20
> advertising jingle or something of that sort.
>
> The number of participants is limited. The language is English.
>
>
>
>
> APPLICATION:
>
> There is no fee for the workshops.
> The deadline for application is 1. Dec. 2002
>
> Please, fill in the application form:
> -Name, Address, E-Mail, Telephone:
> -Curriculum Vitae:
> -Motivation (short text why you want to participate):
>
> To be sent to:
> jurij.krpan@kapelica.org
> gregatao@hotmail.com
>
>
>
> BIOGRAPHIES OF THE PERFORMERS:
>
> R=B8diger Meyer, born in 1968 in Johannesburg, South Africa, studied =
at=20
> the University of the Witwatersrand for the degree of Bachelor of=20
> Music (specialising in composition) and undertook further=20
> musicological studies at the same university with a doctoral thesis on=20=
> Change and Continuity in the Works of Morton Feldman. He furthered his=20=
> studies with Younghi Pagh-Paan at the Hochschule f=B8r Kunste, Bremen =
on=20
> a DAAD scholarship and Diderik Wagenaar, Gilius van Bergeijk and=20
> Clarence Barlow at the Royal Conservatory in The Hague. He has also=20
> attended master classes with Klaus Huber, was a finalist in the=20
> Gaudeamus International Music Week (1997) as well as being selected=20
> for the Fourth International Composers Meeting in Apeldoorn (1998) and=20=
> Nieuw Ensemble Composer's Workshop (1998).
> Recent areas of interest and activity have included the interaction of=20=
> music with dance (he has participated as a composer in the EDDC's=20
> composer/choreographer workshop - 2000,2001,2002) and the visual arts.=20=
> Together with Swiss composer Felix Profos he forms part of the duo=20
> Flex which aims to provide a platform for a growing number of=20
> (multimedia) works no longer fitting the traditional concert format.=20=
> In 2002 he created Seven Spaces, an installation and radio broadcast=20=
> as part of Upstream festival, an art-event in the Dutch towns of Hoorn=20=
> and Amsterdam.
>
>
> Felix Profos was born 1969 in Switzerland. He studied piano with=20
> Hans-J=B8rg Strub in Winterthur and composition with Roland Moser in=20=
> Basel and Vladimir Tarnopolsky in Moscow.
> His oeuvre contains orchestra and chamber music compositions as well=20=
> as electronic and multi media works, performed and recorded across=20
> Europe and other countries at festivals as Gaudeamus Amsterdam,=20
> Berliner Festwochen, Musikmonat Basel, Jeune musique Marseille or=20
> Forum Nueva Musica Mexico. Currently he is working on a large scale=20
> composition for the avantgarde-rockband "Steamboat Switzerland".
> 1999 Felix Profos was awarded the composition prize of the=20
> International Youg composer?s Meeting in Apeldoorn, Netherlands, in=20
> 2001 he received a fellopwship by the Civitella Foundation New York.=20=
> Since this year he is teaching music theory at the Winterthur-Zurich=20=
> conservatory.
>
>
> U.M.A + GINSENG:
>
> www.geocities.com/umaginseng/GatoLeiras.html
> www.geocities.com/umaginseng/MichaelRenkel.html
> www.geocities.com/umaginseng/ginseng.html
>
>
>
> Prof. Duba Sambolec
> Norwegian University of Science and Technology
> Faculty of Architecture and Fine Art
> Trondheim Academy of Fine Art
> Head of Sculpture
> Postal address:
> NTNU/7491 Trondheim, Norway
> Tlf: +47 73 59 79 14
> Fax: +47 73 59 79 20
> mobil: +47 92 46 61 06
> E-mail: dubasambolec@hotmail.com
>
>
>
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