[spectre] Re: SPECTRE Digest, Vol 6, Issue 2

Sat Aug 2 13:15:31 CEST 2003

Please let me know when you got my   URL address ,please

http://www.chutiwongpeti.info

Also ,please let me know the possibilities to participant with your progarms 
.

Thank you very much for your kindly attention ..

I am looking forward to partcipant with your progarm.

Best Regards,

Sarawut

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>Today's Topics:
>
>    1. August on -empyre- .microsound with Trace Reddell, john
>       hudak, Glenn Bach, John Kannenberg, and tobias c. van Veen
>       (Michael Arnold Mages)
>
>
>----------------------------------------------------------------------
>
>Message: 1
>Date: Fri, 01 Aug 2003 12:36:35 -0600 (MDT)
>From: Michael Arnold Mages <marnoldm at du.edu>
>Subject: [spectre] August on -empyre- .microsound with Trace Reddell,
>	john hudak, Glenn Bach, John Kannenberg, and tobias c. van Veen
>To: spectre at mikrolisten.de
>Message-ID:
>	<Pine.OSF.4.33.0308011236190.510572-100000 at odin.cair.du.edu>
>Content-Type: TEXT/PLAIN; charset=US-ASCII
>
>
>Please join us at -empyre- for a month's discussion of .microsound with
>five practitioners of the art form. Sound at the molecular level - slices
>of sound that are less than .1 second in length, made accessible by
>digital sound editing technologies - are the realm of .microsound.
>Microsound artists stretch and massage these tiny bits of sound into
>spatially intense, surprisingly expressive works that cover a wide range
>of styles.
>
>
>---> Trace Reddell { http://www.du.edu/~treddell/ } has been exploring the
>intersections of audio and multimedia production, digital networks, media
>theory, literary criticism, and the history of drug culture for almost
>fifteen years. He resides in Lafayette, Colorado, where he spends much of
>his time in Pharmakopolis. Trace's literary sound and multimedia pieces
>include LITMIXER (2001) { http://www.altx.com/ebr/ebr12/litmix/index.htm
>}, featured in Electronic Book Review's music/sound/noise issue, and
>"Machinery for Dreaming" {
>http://llc.du.edu/faculty/treddell/palimpsest/reddell_machinery_for_dreaming.mp3
>}, an exercise in .txt-to-.midi conversion exploring the work of Thomas De
>Quincey. Collaborative projects and affiliations include the pharmakon.t
>remix { http://www.djrabbi.com/ } work at djrabbi.com with Mark Amerika,
>Chad Mossholder of Twine, and Rick Silva; and Pharmakopolis Broadcasting
>Services, an upcoming series of live webcast animations created for
>Randall Packer's Tel-SPAN network. Publications on networked laptop
>performances are forthcoming from Leonardo Music Journal and Electronic
>Almanac and Contemporary Music Review.
>
>---> john hudak { http://www.johnhudak.net/ } bio: I began piano lessons
>in first grade. I remember the teacher was Japanese, and her home had a
>feeling of preciseness. The piano I had my lessons on was immaculate...
>the keys were smooth, cool, ivory, with a definite weight under my little
>fingers.
>
>---> Glenn Bach { http://www.csulb.edu/~gbach/sound.html } is a sound
>artist who maps the sonic terrain of the city through detailed sound
>walks, manipulated field recordings, blind sound drawings, and found
>poems. His audio works include a recently released four-track EP on the
>Stasisfield label { http://www.stasisfield.com/ }. With a recent
>appearance at Sound/Shift Oakland, Bach has upcoming performances at the
>Big Sur Experimental Music Festival and the CPEACH Summer Series in
>Eureka, California. He improvises with two other musicians as Luminous
>Flux, and directs a larger group, The Double Blind Ensemble, for his
>composed works. His poetry has been published in numerous small press
>literary journals, and he received three Pushcart Prize nominations for
>his poetry in print. He currently lives in Long Beach, California, with
>his future wife.
>
>---> Sound and visual artist John Kannenberg {
>http://www.whistlingpariah.com } formed the experimental improvisational
>duo Wireshock with guitarist Scott Kane in 1997 and began exploring
>electronics and computer-aided composition. In 1999, John began work as a
>solo sound artist using manipulated field recordings as the foundation for
>loop-based generative electronic pieces. His major audio and visual works
>deal with a variety of themes, including atmospherics, transmissions and
>interference { http://www.stasisfield.com/releases/aero/ }, melancholy and
>nostalgia { http://www.stasisfield.com/releases_02/2002-miles/ }, and
>abstracted narrative tales. John has exhibited several sound art
>installations, alone and as part of a collective known as J3. In April
>2002 John created Stasisfield.com { http://www.stasisfield.com/ }, an
>experimental mp3 record label and digital art gallery.
>
>---> tobias c. van Veen { http://www.quadrantcrossing.org } is a sound &
>net.artist { http://www.thisistheonlyart.com }, curator,
>techno-turntablist, and writer. He has been enmeshed with musikal
>resistance culture since 1993 / working with -- tactical radio {
>http://www.citr.ca }, TAZ occupations { http://www.shrumtribe.com } /
>performance & tactical media { http://www.quadrantcrossing.org/blog  }. ||
>tobias is currently a researcher on the "Culture of Cities" Project {
>http://www.arts.mcgill.ca/programs/ahcs/cultureofcities/  } at McGill
>University in MontrC)al, Canada, where he is completing his MA in
>Communications on the politics of sonic microcultures {
>http://amsterdam.nettime.org/Lists-Archives/nettime-l-0307/msg00035.html }
>& remixing a book of collaborative sonic writings on electrofied sounds
>and events.
>
>
>
>--
>Michael Arnold Mages
>mailto:marnoldm at du.edu
>--
>
>
>------------------------------
>
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>End of SPECTRE Digest, Vol 6, Issue 2
>*************************************

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