[spectre] (Lots of) Fwd: [charmlist] Competitions for Electronic
Composers
Alexei Shulgin
alexei at easylife.org
Tue Aug 26 12:29:34 CEST 2003
Forwarded message from Petri Kuljuntausta petriear at nic.fi:
PK> INSULAE ELECTRONICAE
PK> 1st international competition of electroacustic music for young composers
PK> The Cultural Association Quadrifonica, in Milan, announces the first
PK> international competition of electroacustic music dedicated to young
PK> composers. In this way, the Association means to promote the diffusion of
PK> electroacustic music and to stimulate young authors to realize new works and
PK> to emphasize the concepts and the aesthetic of their own artistic
PK> conception.
PK> - This competition is open to composer who are less than 31 years old on
PK> august 31st 2003, regardless of nationality or origin worldwide.
PK> - Composers have to send to the address indicated below not more than two
PK> works for tape solo (recorded on cd), realized not before 2001, which
PK> haven¹t ever been performed in public manifestations nor awarded in other
PK> competitions.
PK> - Every piece has to be completed with a clear and complete description,
PK> both on practical than conceptual level. You¹re invited to send a copy of
PK> the score, if written.
PK> - The length of the work cannot be more than thirteen minutes.
PK> - The composer has to submit also a short resume, completed with personal
PK> information, postal and e-mail address.
PK> - Participation is free of charge; participants will have to cover their
PK> postal expenses (or their material won¹t be considered). The works will not
PK> be sent back. The application implies the acceptation of this regulation.
PK> - Completed entries must be received by Aug. 31, 2003.
PK> - The jury (Giovanni Cospito, Raffaele De Tintis, Pietro Polotti) will meet
PK> at the beginning of September, will evaluate the works and will notify the
PK> results before Sept. 20th 2003. Winner¹s will be notified by mail or
PK> telegram.
PK> - Selected compositions will be executed in a public concert at the Castello
PK> Visconteo of Pandino (CR). The description of selected works, sent by their
PK> composers, will also be published on the Cultural Association bulletin.
PK> Compositions classified in the first three positions will be diffused by
PK> radio and included in a compact disc out of commerce enclosed in the
PK> bulletin itself.
PK> info:
PK> Cultural Association Quadrifonica, via F. Juvara 11,
PK> 20129 Milano Italy
PK> gianluca.vergani at tin.it
PK> www.informamusica.too.it
PK> +++++++++++++++++++++++++++
PK> MUSICA NOVA 2003
PK> International Electro-acoustic Music Composition Competition
PK> Society for Electro-acoustic Music of the Czech Republic, Under the
PK> patronage of Czech Music Council
PK> - Composers, irregardless of their age and nationality are invited to submit
PK> their works of electro-acoustic music created after 1st January 2000.
PK> - Category A is open to compositions of autonomous art electro-acoustic
PK> music (tape music), or only one independent movement.
PK> - Category B is open to compositions of autonomous art electro-acoustic
PK> music, or only one independent movement, for acoustic
PK> instrument/voice/ensemble plus electronic media. Send one of realized
PK> complete version of the composition, sent only electro-acoustic without the
PK> instrumental or voice part will be excluded.
PK> - Each composer may submit only one entry to each category in duration of no
PK> longer than 20 minutes, and the work may not have been awarded a prize in
PK> another competition, nor been submitted to previous Musica Nova
PK> competitions.
PK> - Competition entries in both categories must be submitted with the name of
PK> the composer specified.
PK> - The jury of the competition shall be appointed by the leadership of the
PK> Society for Electro-acoustic Music and composed of leading composers of
PK> electro-acoustic compositions, musicologists, critics, and recording
PK> engineers specializing in the electro-acoustic music field.
PK> - Entries must be sent postmarked no later than 10 October 2003.
PK> - The entry fee for each composition is 20 American dollars (or equivalent).
PK> The fee can be remitted on your written request in special case (f. e. your
PK> social situation).
PK> - The audio recordings entered in the competition shall not be returned to
PK> the composers and shall remain in the Society for Electro-acoustic Music
PK> archives.
PK> - By entering his/her work in the competition, the composer consents to
PK> public performances of his/her work in concerts and/or radio broadcasting.
PK> The composer retains the copyright.
PK> - Prizes in Categories A and B include: First Prizes, Honorable Mentions and
PK> Special Prizes for Czech composers and for young composers (until 30 years).
PK> - Prizes will be presented during the award concert in December 2003 in
PK> Prague.
PK> - The awarded compositions will be performed in concerts in 2003 organized
PK> by the Society for Electro-acoustic Music and broadcast by radio. The
PK> outcome of the competition will be published in the network of International
PK> Music Council too.
PK> info:
PK> Society for Electro-acoustic Music,
PK> Radlicka 99, 15000,
PK> Prague,5, Czech Republic
PK> Lenka Dohnalova, Ph.D, tel/fax +420/222540809, dohnalova at email.cz
PK> www.musica.cz/musnova
PK> ++++++++++++++++++
PK> emsPrize 2003
PK> Text-Sound competition
PK> The emsPrize is a competition in text-sound composition. This is a genre
PK> that originated in Sweden more than thirty years ago and has by now been
PK> disseminated throughout the world. We think there is good reason to focus on
PK> this electroacoustic hybrid form and to emphatically uphold the artistic
PK> possibilities inherent in it.
PK> - The jury will consist of three persons. The winner/s will be announced and
PK> the work/s performed in November 2003.
PK> - Deadline for contributions is set to the 15th of October 2003.
PK> - Competition rules and form can be downloaded as PDF-files from the
PK> website.
PK> info:
PK> EMS Söder Mälarstrand 61,
PK> S-118 25 Stockholm, Sweden,
PK> tel: +46-8-6581990, fax: +46-8-6586909,
PK> adm at ems.rikskonserter.se
PK> www.ems.rikskonserter.se
PK> ++++++++++++++++++++
PK> EAR¹03
PK> Hungarian Radio announces a competition for the composition of
PK> electroacoustic music in the following categories:
PK> 1. Electroacoustic music without instruments
PK> (¹tape¹ music, music on a fixed medium)
PK> 2. Live/mixed/real-time electronic music, with or without
PK> instruments or voices
PK> The rules of the contest are as follows:
PK> 1. Submission to the competition is open to anyone, regardless of age.
PK> 2. Only works composed after 1 November 2001 are eligible.
PK> 3. Participants may submit a maximum of two works to the competition, but
PK> no more than one in each category.
PK> 4. The length of the submitted works in either category is limited to a
PK> maximum of 20 minutes.
PK> 5. Works which have already been awarded prizes in other competitions, the
PK> results of which are in the public before 3 Nov. 2003, are not eligible for
PK> the competition.
PK> 6. Prize-winning composers from the previous competition (EAR ¹01) may not
PK> submit works to EAR ¹03; composers who were awarded mentions in EAR ¹01 may
PK> enter EAR ¹03.
PK> 7. An independent international jury will decide on all the prizes in
PK> each category. The decision of the jury is final.
PK> 8. There are two prizes available in each category, any of which may be
PK> jointly awarded to more than one work; mentions may also be awarded at the
PK> jury¹s discretion. The jury has the right not to award a particular prize
PK> if, in its opinion, there is no work of an appropriate standard.
PK> 9. Recordings of the compositions should submitted in stereo digital
PK> format, on either DAT or CD.
PK> 10. Submissions should be arrive to the address below, no later than
PK> Friday 10 October 2003. attached the completely filled entry form.
PK> 11. In category 2, please enclose:
PK> a) recorded materials (sound tracks)
PK> b) the score of the composition or directions for improvised performances.
PK> c) a recorded version of the work which includes all its component elements
PK> (Additional performance information - such as technical details, schematics,
PK> patches, etc. - may be included for reference)
PK> 12. Hungarian Radio will not accept any responsibility for lost
PK> materials or for submissions which arrive after the deadline.
PK> 13. Hungarian Radio will return material only on application from the
PK> composer,and at the composer¹s own expense.
PK> 14. Prize-winning compositions will be broadcast by Hungarian Radio.
PK> Each participant agrees to provide, free of charge, the materials for this
PK> broadcast and also for one broadcast by each of the other participating
PK> organisations.
PK> 15. Prizes:
PK> One 1st prize in each category: EUR 1000,-
PK> One 2nd prize in each category: EUR 500.-
PK> 16. Applications should be sent to the following address:
PK> EAR ¹03 - HEAR STUDIO
PK> Magyar Rádió RT (Hungarian Radio)
PK> Bródy Sándor u. 5-7.
PK> H-1800 Budapest
PK> Hungary
PK> Enquiries regarding EAR ¹03 may be sent to:
PK> hear at mail.radio.hu
PK> Download the info and entry form
PK> www.extra.hu/hearstudio/
PK> ++++++++++++++++++++
PK> SOUND POETRY CONTEST
PK> http://www.acsr.be/concours.php
PK> "Language is only a way of understanding or not understanding . You prefer
PK> language to understand platitudes that everyone already knows by heart. We
PK> prefer language that brings you a new feeling for new times" -Kurt
PK> Schwitters
PK> "LAtelier de création sonore radiophonique" is organising an international
PK> sound poetry contest. This contest is open to all.
PK> The contest fits in with what is commonly called sound poetry. We would
PK> like to avoid sticking to a more precise or sharp definition. We ask the
PK> participants to create an original work including a corporal work on voice
PK> and a editing and mixing work also: a mix of sound and voice. The idea is
PK> to create a "sound object" in a Schaefferian way of speaking.
PK> Will be excluded from the contest works limited to:
PK> - a simple declamation of text
PK> - a purely sound or musical form
PK> "Considering sound poetry, where words may lose their so-called meaning or
PK> new words be created at random, the question arises as to what line can be
PK> drawn between music and poetry, with specific reference to the music of
PK> composers like John Cage who construct symphonies from juxtaposed sounds.
PK> The answer is that there is no such line. The lines separating music and
PK> poetry, writing and painting, are purely arbitrary, and sound poetry is
PK> precisely designed to break down these categories and to free poetry from
PK> the printed page without dogmatically ruling out the convenience of the
PK> printed page"
PK> William Burroughs. Excerpt from an introductory text for Henri Chopin's
PK> book on Poésie Sonore international
PK> Maximum length of a sound poem is 3 minutes.
PK> Participants can hand in up to 3 creations with only one recording for each
PK> support. Participants can work alone or in a group.
PK> Registration :
PK> The registration to the contest is free of charge.
PK> Date limit for handing in works has been set on the 1st of octobre 2003.
PK> The jurys decisions will be publicly announced during "RADIOPHON'iC 2003"
PK> which will take place in Bussels in november of the same year.
PK> Two prizes in cash will be granted to the winners. The complete list of
PK> prizes will be specified later on.
PK> Download the register form and the rules as a .pdf :
PK> http://www.acsr.be/concours.php
PK> email: concours at acsr.be
PK> ++++++++++++++++++++
PK> ++++++++++++++++++++++++++++++++++++++
PK> Drift: Sound Art + Experimental Music
PK> Call For Participation
PK> ++++++++++++++++++++++++++++++++++++++
PK> New Media Scotland calls for participation for Drift - an exploration
PK> of sound art and experimental music which comprises live events,
PK> radio broadcasts, moving image and publications.
PK> The accessibility of the Internet together with new tools and methods
PK> for digital recording, manipulation, reproduction and distribution
PK> have changed forever the way that we think about and interact with
PK> sound, giving us new ways to communicate our ideas. An increasing
PK> number of artists, producers, DJ's and sonic creators, from a broad
PK> spectrum of disciplines and varying modes of practice, are exploring
PK> streaming media as a viable format. We want to open up this channel
PK> further.
PK> We are offering four opportunities to take part in Drift, details
PK> follow. Further information, guidelines and application forms
PK> available from the Drift web site:
PK> http://www.mediascot.org/drift
PK> ++++++++++++++++++++++++++++++++
PK> Drift Radio Art Commission 2003
PK> ++++++++++++++++++++++++++++++++
PK> New Media Scotland invites proposals for radio art projects for
PK> Drift. We aim to commission a new radio art work for broadcast both
PK> online and on-air, via audio streaming and FM transmission.
PK> Fee - £1,000
PK> Support - We will provide practical assistance, access to streaming
PK> media tools, and can offer some limited technical support on a
PK> negotiated basis. New Media Scotland will facilitate the broadcast of
PK> the commissioned work.
PK> Eligibility - Only artists based in Scotland can apply
PK> We will not accept proposals for:
PK> - audio documentation of projects that exist in another form
PK> - projects which have already been produced
PK> Guidelines and application form available from http://www.mediascot.org/drift
PK> ++++++++++++++++++++++++++++++++
PK> Drift Radio Programme Proposals
PK> ++++++++++++++++++++++++++++++++
PK> New Media Scotland invites proposals for radio art programmes. We
PK> want to provide a platform for your ideas - one-off events, regular
PK> shows, experimental sound projects, radio art work for broadcast both
PK> online and on-air, via audio streaming and FM transmission.
PK> We cannot pay a fee for this opportunity, but we will support you to
PK> realise your programme ideas.
PK> Support - We will provide practical assistance, access to streaming
PK> media tools, and can offer some limited technical support on a
PK> negotiated basis. New Media Scotland will facilitate the broadcast of
PK> your programmes.
PK> Eligibility - Open to artists, musicians, producers based in Scotland
PK> and the UK
PK> Guidelines and Programme Summary form available from
PK> http://www.mediascot.org/drift
PK> ++++++++++++++++++++++++++++++++++++++
PK> Resonant Cities: Call for Sound Works
PK> ++++++++++++++++++++++++++++++++++++++
PK> New Media Scotland seeks sound works for 'Resonant Cities': Internet
PK> radio streaming that explore the sonic identity of our surrounding
PK> space and that engage with the fragmented 'noise' of the city
PK> soundscape: people, traffic, communication intrusions, mobile phones,
PK> radio traffic, city wildlife, buildings...
PK> We are particularly interested in audio works which involve one or
PK> several of the following ideas or processes:
PK> - Acoustic Ecology - Acousmatics - Phonography - Sonic research -
PK> Radio art, Internet radio - Microsound - Lowercase sound - Internet
PK> communication media and audio streaming - Electronic communities -
PK> Artists' software for sound and music - Sound work developed using
PK> open source processes and principles - Generative sound - Sound
PK> archives - Spoken word / oral history - Field recordings - The
PK> re-purposing / representing of existing analogue sound recordings,
PK> such as amateur recordings, scientific recordings, and accidental,
PK> lost or abandoned recordings -
PK> The works selected by the Drift team will then be curated into themed
PK> streams that will be available via this web site.
PK> Our intention is to expand the audience for the work, encourage
PK> appreciation of sound art, and broaden access to a genre which is too
PK> often labelled as esoteric and inaccessible.
PK> We cannot pay a fee for this opportunity, but we will facilitate the
PK> broadcast of your work.
PK> Eligibility - Open to artists, musicians, producers in the UK and
PK> across the globe.
PK> Guidelines and submission form available from http://www.mediascot.org/drift
PK> +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
PK> Drift Touring Video Programme: Call for Moving Image Works
PK> +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
PK> New Media Scotland seeks sound-based moving image works for Drift. We
PK> plan to curate and tour a feature-length programme of short moving
PK> image works. We are looking for films and videos which take as their
PK> starting point sound art or experimental music. This can include
PK> experimental moving image works by artists and films made by
PK> musicians, as well as pieces which combine performance aesthetics
PK> with sound.
PK> The Drift moving image programme will tour to venues in Scotland, the
PK> UK and internationally. A specially designed brochure will be
PK> produced featuring information on the artists and their works.
PK> Fee - Selected artists will be paid a fee for the rights to tour the work.
PK> Eligibility - Open to artists, musicians, producers based in Scotland
PK> and the UK.
PK> Guidelines and submission form available from http://www.mediascot.org/drift
PK> ++++++++++++++++++++++++++++++++++++++
PK> Drift organised by New Media Scotland. Supported by the Scottish Arts
PK> Council and the Daniel Langlois Foundation for Art, Science and
PK> Technology.
PK> For further information, visit the Drift web site
PK> http://www.mediascot.org/drift
PK> or contact New Media Scotland at the address below.
PK> --------------------------------------------------------
PK> info at mediascot.org
PK> --------------------------------------------------------
PK> New Media Scotland tel: +44 131 477 3774
PK> P.O. Box 23434, Edinburgh EH7 5SZ fax: +44 131 477 3775
PK> Scotland, UK http://www.mediascot.org
PK> --------------------------------------------------------
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