[spectre] VIDEONALE 11 - Festival of Contemporary Video Art
Andreas Broeckmann
ab at tesla-berlin.de
Sun Mar 11 13:04:56 CET 2007
VIDEONALE 11 - Festival of Contemporary Video Art
Exhibition in the Kunstmuseum Bonn from 15 March to 15 April 2007
Red, erotic, carnal, halfway between glamour and cannibalism: this is
how the mouth with its impeccable white teeth filling the screen of
the monitor shows itself. This work by video artist Lia Anna Hennig
is one of the 48 exhibits presented at the VIDEONALE in the
Kunstmuseum Bonn. Besides the latest video creations by artists such
as Jeanne Faust, Christoph Girardet or Mischa Kuball, the exhibition
also presents works by young artists like the Japanese Hideyuki
Tanaka, who shows the strange rites surrounding a godlike figure
called Jappy.
"We want to show the whole spectrum of video art today. Above all, we
are interested in the appeal of the contemporary", says Georg Elben,
curator of VIDEONALE 11.
HIGH-PROFILE JURY
The five-strong preliminary jury chose 48 works from the more than
600 submitted which the VIDEONALE 11 now presents at the Kunstmuseum
Bonn. From these works the final jury will choose the winner of the
VIDEONALE PRIZE worth 5.000 euros. This jury consists of media artist
Candice Breitz from Berlin, Rudolf Frieling, curator of media arts at
SF MOMA, and Susanne Titz, director of the Moenchengladbach Abteiberg
Museum.
FESTIVAL PROGRAMME: Thursday, 15 March - Sunday, 18 March
Workshops, lectures by experts and artistic statements: The
supporting programme of the VIDEONALE 11 deals with theoretical and
practical aspects of video art. For details see<
http://www.videonale.org> http://www.videonale.org
EXHIBITION DESIGN: FULFILLING FUNCTIONAL AND AESTHETIC REQUIREMENTS
Our aim is to present video art in an authoritative exhibition in a
museum. One of the things the VIDEONALE allows us to do is to find
and explore adequate forms of presentation for the particular
reception requirements of video art, says Georg Elben. The challenge
was to avoid the video works overlapping each other visually and
acoustically, and to steer clear of small, darkened rooms the
so-called black box.
The design by Frank Leuwer, Muna Sawas and Anke Rohlfing solved the
problem by interleaving three different forms of presentation and by
grouping together the works with heterogeneous content by means of
identical framing. Plain cubes in black and white determine the
appearance of the exhibition space. A symbolic power cord in the
shape of a silver-coloured pipe system traverses all exhibition
elements, guides the visitor and contains part of the wiring.
Visitors sit down on benches inside boxes resembling beach chairs and
watch the video works on the back of the beach chairs in front. The
second component consists of sound bonnets with small, integrated
loudspeakers, which visitors can adjust to fit their individual
height. A row of monitors with headphones is used as the third form
of presentation, predominantly with those works where the visitor is
meant to be isolated in order to focus on quiet, subtle sounds.
QUESTIONS AND ANSWERS: VIDEOVOICES
As an alternative to the conventional guided tours the VIDEONALE 11
introduces art in direct conversations with the help of the so-called
VIDEOVOICES: art history students who have studied the contents of
the VIDEONALE and who will present art in a personal dialogue.
THE STORY OF VIDEONALE 11
VIDEONALE has "
for the past 20 years had the advantage, as a
quasi-film-festival for Video Art, of being able to map the current
state of filmic development. This accounts for its function as an
aesthetic indicator." (K.WEST)
The Videonale e.V. - founded in Bonn in 1984 - is the organiser of
one of the oldest Video Festivals in the world. The festival has
grown continually and since 2004 been able to use the premises of the
Kunstmuseum Bonn.
SPONSORS
VIDEONALE 11 is sponsored by the Federal Cultural Foundation, the
State of North Rhine-Westphalia, the Arts Foundation NRW, the City of
Bonn, Stiftung Kunst der Sparkasse in Bonn and the KfW Bankengruppe
as principal sponsor.
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