[spectre] Updates: re:place 2007 conference, Berlin, 15-18 November 2007

ad al alejo.duque at europeangraduateschool.net
Fri Nov 2 11:14:13 CET 2007


hi andreas, list..

will there be streams (audio/video) of this conference? i seem unable to find info related to...hope at least there will be some archive for later viewing at least.

cheers
/a


> 
> Message: 2
> Date: Fri, 2 Nov 2007 09:38:35 +0100
> From: Andreas Broeckmann <ab at tesla-berlin.de>
> Subject: [spectre] Updates: re:place 2007 conference, Berlin,	15-18
> 	November 2007
> To: spectre at mikrolisten.de
> Message-ID: <a06240827c3508b7128d3@[192.168.4.15]>
> Content-Type: text/plain; charset="iso-8859-1" ; format="flowed"
> 
> re:place 2007
> 
> The Second International Conference on the Histories of Media, Art,
> Science and Technology
> 
> Location: Haus der Kulturen der Welt, Berlin
> Date: 15-18 November 2007
> 
> ++++++++++++++++++++++++++++++++++++++++++++++++++++++
> 
> Conference ticket (3 days): EUR 50 (full) / EUR 20 (concessions)
> Day ticket: EUR 25 (full) / EUR 10 (concessions)
> 
> Registration and further information: http://tamtam.mi2.hr/replace
> 
> Download the new programme flyer!
> 
> (All talks in English with simultaneous 
> translation into German *only in the Auditorium*.)
> 
> Contact: replace at mikro.in-berlin.de
> 
> ++++++++++++++++++++++++++++++++++++++++++++++++++++++
> 
> In addition to the panels, keynotes, workshops 
> and discussions listed at the end of this 
> message, a number of special events will be 
> taking place during the re:place 2007 conference:
> 
> 
> *** A Visit to the Flusser-Archive
> The Vilem Flusser Archive was moved to Berlin's 
> University of the Arts in 2007. Its director, 
> Silvia M. Wagnermaier, and Prof. Dr. Siegfried 
> Zielinski will offer a special introduction to 
> the archive for re:place 2007 participants.
> 15 November, Thursday, 10.00 h
> Universität der Künste, Berlin-Schöneberg, 
> Grunewaldstr. 2-5 (U7 Kleistpark, Bus 187)
> 
> 
> *** Lunchtime Discussion: Gerd Stern / USCO
> Gerd Stern (*1936, Saarbrücken) is a pioneer of 
> multi-media art who co-founded the USCO ('Company 
> of Us') group, that was esp. active during the 
> 1960s and 70s, based in a building north of New 
> York City that still belongs to USCO's Intermedia 
> Foundation, formed in 1968. Stern is currently in 
> residence with the DAAD in Berlin.
> 16 November, Friday, 13.00-14.00, Conference Hall  2
> 
> 
> *** Forum Discussion: ISEA2008
> Gunalan Nadarajan, Artistic Director of the 
> International Symposium on Electronic Art in 
> Singapore (25 July - 3 August, 2008), will 
> discuss the themes and current state of planning 
> of ISEA2008.
> 16 November, Friday, 18:30-20:00, Conference Hall 3 (dinner discussion)
> 
> 
> *** Lunchtime Discussion: Woody Vasuka and Don Foresta / MARCEL
> MARCEL is a permanent broadband interactive 
> network and web site dedicated to artistic, 
> educational and cultural experimentation, 
> exchange between art and science and 
> collaboration between art and industry. Woody and 
> Steina Vasulka have been working for some time to 
> build an online archive of film and video art for 
> free distribution over the MARCEL network. 
> Vasulka and Foresta will explain the value of 
> their resource to the academic community and 
> potential future partners.
> 17 November, Saturday, 13.00-14.00, Conference Hall  2
> 
> 
> *** Forum Discussion: Access for International Scholarship
> An exchange about Archiving MediaArtHistory.
> 17 November, Saturday, 18:30-20:00, Conference Hall 3 (dinner discussion)
> 
> 
> *** Exhibition: Exploding Camera by Julien Maire
> This celebrated new installation transforms the 
> exhibition space into an experimental film studio 
> reminiscent of a battlefield. Through a 
> deconstruction of media image production, the 
> absurdity and the lure of facts are brought to 
> light.
> 14-18 November, daily, 10:00-20:00, HKW, Lower Foyer
> In cooperation with Kunstfabrik (Am Flutgraben 3, 
> Berlin-Kreuzberg/Treptow), where two other recent 
> works by Julien Maire will be on show during 
> re:place 2007: "Digit" and "Low Resolution 
> Cinema". (open Tue-Sun, 14:00-19:00; opening Wed 
> 14 November, 19:00-21:00)
> 
> TESLA media>art<laboratory, Berlin-Mitte
> Klosterstr. 68 (U2 Klosterstrasse, U/S Alexanderplatz, Bus 100)
> Info: http://www.tesla-berlin.de
> 
> *** 9 Evenings Reconsidered: Art, Theatre, and Engineering, 1966
> An exhibition organized by the MIT List Visual 
> Arts Center, curated by Catherine Morris.
> 9 November - 2 December 2007, Tue-Sun 18-22h
> Special opening hours during re:place: Thu 15 - Sat 17, 18:00-24:00
> 
> *** Documentary exhibition: Dick Raaijmakers
> Documentary films, photographs, and audio 
> material documents illustrate aspects of the work 
> of the most influential Dutch electronic artist 
> and composer, Dick Raaijmakers (*1930).
> 9 November - 2 December 2007, Tue-Sun 18:00-24:00
> 
> *** Takuro Osaka - History and Present of Space Art in Japan
> For years, Osaka has been dealing with light, 
> radiation and forces beyond human perception, 
> like for instance gamma rays that he translates 
> into audible sounds.
> tesla salon, 13 November, Tuesday, 20.30
> 
> *** Timothy Druckrey - Cinemedia: Archaeologies of Computation and AI in
> Cinema
> tesla salon, 15 November, Thursday, 21:00
> 
> *** Two Evenings - Performances and Installation
> Composer and sound artist Matt Rogalsky (US) will 
> perform his own works, as well as Tudor's 
> "Microphon", which was created in 1970 for the 
> Pepsi pavilion of the Osaka world fair. And with 
> "Tesla Transmissions", composer and sound artist 
> Hans W. Koch and musicologist Volker Straebel 
> take up a subject which John Cage treated in 
> "Variations VII" of the "9 Evenings": the process 
> of transmission and live electronic manipulation 
> of various sounds.
> Friday 16 and Saturday 17 November (both nights):
> performance: Matt Rogalsky “Transform" / David Tudor “Microphon", 21:00,
> Klub
> performance: Hans W. Koch & Volker Straebel 
> “Tesla Transmissions", 22:45, Studio 2
> installation: “Tesla Transmissions", 22:00-24:00, Studio 2
> 
> 
> 
> PARTNER EXHIBITIONS
> 
> *** History Will Repeat Itself.
> Strategies of Re-enactment in Contemporary (Media) Art and Performance
> An exhibition by HMKV (Dortmund) and KW (Berlin), 
> curated by Inke Arns and Gabriele Horn, assistant 
> curator Katharina Fichtner
> 18 November - 13 January 2008, Opening: Saturday, 17 November 2007
> KW Institute for Contemporary Art, Auguststr. 69, Auguststr., 10115 Berlin
> 
> 
> *** CYNETart_07encounter
> Festival in Dresden-Hellerau, 16 - 24 November 2007
> Special programme and bus shuttle (Berlin-Dresden) on Sunday 18 November.
> 
> 
> *** From Spark to Pixel / Vom Funken zum Pixel
> Exhibition at Berlin's Martin-Gropius-Bau, 
> curated by Richard Castelli, 28 October 2007 to 
> 14 January 2008
> Wed - Monday, 10:00-20:00 (Tuesday closed)
> 
> ++++++++++++++++++++++++++++++++++++++++++++++++++++++
> 
> 
> re:place 2007
> 
> The Second International Conference on the Histories of Media, Art,
> Science and Technology
> 
> Location: Haus der Kulturen der Welt, Berlin
> Date: 15-18 November 2007
> 
> Information: http://tamtam.mi2.hr/replace
> 
> An interdisciplinary forum of over 70 researchers 
> and artists from all over the world, re:place 
> 2007 presents multiple historical relations 
> between art, science and technology. The title 
> 're:place' refers to the sites and the migration 
> of artistic and knowledge production. This theme 
> is highlighted during the panel discussions and 
> poster sessions, particularly in the 'Place 
> Studies' stream which looks at specific 
> historical instances and settings. Special 
> attention will be given to alternatives to the 
> 'Western' historical paradigms through 
> presentations about art-science relations in the 
> former Soviet Union, Africa, and Latin America. 
> The conference includes general forum discussions 
> on interdisciplinary research strategies, as well 
> as keynote lectures by Lorraine Daston and 
> Siegfried Zielinski.
> 
> replace 2007 is a project of Kulturprojekte 
> Berlin GmbH in cooperation with Haus der Kulturen 
> der Welt, Berlin. Funded by 
> Hauptstadtkulturfonds, Berlin. Conference 
> partners include Leonardo, Database of Virtual 
> Art at Danube University Krems' Center for Image 
> Science, Ludwig Boltzmann Institute 
> Media.Art.Research, Helmholtz-Zentrum für 
> Kulturtechnik at Humboldt Universität Berlin, and 
> others. Supported by the Institut für 
> Auslandsbeziehungen, Canadian Embassy, the 
> Embassy of the USA, Tschechisches Zentrum Berlin 
> - CzechPoint and Schwedische Botschaft Berlin.
> 
> Conference chairs: Andreas Broeckmann (D), Gunalan Nadarajan (SG/USA)
> 
> ++++++++++++++++++++++++++++++++++++++++++++++++++++++
> 
> Conference ticket (3 days): EUR 50 (full) / EUR 20 (concessions)
> Day ticket: EUR 25 (full) / EUR 10 (concessions)
> 
> Registration and further information: http://tamtam.mi2.hr/replace
> 
> Contact: replace at mikro.in-berlin.de
> 
> 
> ++++++++++++++++++++++++++++++++++++++++++++++++++++++
> 
> 
> Programme re:place 2007
> 
> check http://www.mediaarthistory.org for bios and abstracts.
> 
> 
> ****** Thursday 15 November **********************************
> 
> *** Opening Session
> 15 November, Thursday, 14.00-15.00, Auditorium
> 
> Welcome by Andreas Broeckmann (DE), Gunalan 
> Nadarajan (SG/US), Bernd Scherer/HKW (DE)
> 
> Introductory talk by Oliver Grau (DE/AT): 
> MediaArtHistory - Image Science - Digital 
> Humanities
> 
> 
> *** Panel 1: Place Studies: Art/Science/Engineering
> 15 November, Thursday, 15.00-17.30, Auditorium
> 
> Moderation: Edward Shanken (US)
> 
> Michael Century (CA/US), Encoding motion in the early computer:
> knowledge transfers between studio and laboratory
> 
> Stephen Jones (AU): The Confluence of Computing and Fine Arts at the
> University of Sydney, 1968-1975
> 
> Eva Moraga (ES): The Computation Center at Madrid University,
> 1966-1973: An example of true interaction between art, science and
> technology
> 
> Robin Oppenheimer (US/CA): Network Forums and Trading Zones: How Two
> Experimental, Collaborative Art and Engineering Subcultures Spawned
> the "9 Evenings: Theatre and Engineering" and E.A.T.
> 
> 
> *** Panel 2: Intersections of Media and Biology
> 15 November, Thursday, 15.00-17.30, Theatersaal
> 
> Moderation: Ingeborg Reichle (DE)
> 
> Assimina Kaniari (GR/UK), Morphogenesis in Action: D'Arcy Thompson
> and the experimental in Leonardo from LL Whyte to now
> 
> Jussi Parikka (FI): Insect Media of the Nineteenth Century
> 
> Michele Barker (AU): From Life to Cognition: investigating the role
> of biology and neurology in new media arts practice
> 
> Boo Chapple (AU): Sound, Matter, Flesh: A history of crosstalk from
> medicine to contemporary art and biology
> 
> *** Keynote 1/Helmholtz Zentrum fuer Kulturtechnik
> 15 November, Thursday, 18.30 at Helmholtz-Zentrum, Humboldt University
> 
> 
> *** Special Lecture Presentation
> Timothy Druckrey (US): Cinemedia - Visions of Computation in Cinema
> 15 November, Thursday, 21.00 at TESLA Media>Art<Lab Berlin
> 
> 
> ****** Friday 16 November **********************************
> 
> *** Panel 3: Histories of Abstraction
> 16 November, Friday, 10.00-12.30, Auditorium
> 
> Moderation: Sean Cubitt (UK/AU)
> 
> Laura Marks (CA): Artificial life from classical Islamic art to new
> media art, via 17th-century Holland
> 
> Arianna Borrelli (IT/DE): The media perspective in the study of
> scientific abstraction
> 
> Amir Alexander (US): Death in Paris: When Mathematics became Art
> 
> Paul Thomas (AU): Constructed infinite smallness
> 
> 
> *** Panel 4: Comparative Histories of Art Institutions
> 16 November, Friday, 10.00-12.30, Theatersaal
> 
> moderation: Stephen Kovats (DE/CA)
> 
> Lioudmila Voropai (RU/DE): Institutionalisation of Media Art in the
> Post-Soviet Space: The Role of Cultural Policy and Socio-economic
> Factors
> 
> Renata Sukaityte (LT): Electronic art in Estonia, Latvia and
> Lithuania: the interplay of local, regional and global processes
> 
> Christoph Klütsch (DE): The roots and influences of information
> aesthetics in Germany, Canada, US, Brazil and Japan
> 
> Catherine Hamel (CA): Crossing Into The Border - an intersection of
> vertical and horizontal migration
> 
> 
> *** Panel 5: Place Studies: Media Art Histories
> 16 November, Friday, 14.30-17.00, Auditorium
> 
> Moderation: Andreas Broeckmann (DE)
> 
> Daniel Palmer (AU): Media Art and Its Critics in the Australian Context
> 
> Ryszard W. Kluszczynski (PL): From Media Art to Techno Culture.
> Reflections on the Transformation of the Avant-Gardes (the Polish
> case)
> 
> Caroline Seck Langill (CA): Corridors of Practice I: Technology and
> Performance Art on the North American Pacific Coast in the 1970s and
> Early 80s
> 
> Machiko Kusahara (JP): A Turning Point in Japanese Avant-garde Art: 1964 -
> 1970
> 
> 
> *** Panel 6: Media Theory in Cultural Practice
> 16 November, Friday, 14.30-17.00, Theatersaal
> 
> Moderation: Tapio Makela (FI)
> 
> Kathryn Farley (US): Generative Systems: The Art and Technology of
> Classroom Collaboration
> 
> Nils Röller (DE/CH): Flusser's Individual Academy: Thinking
> instruments in institutional and personal relations
> 
> Wendy Hui Kyong Chun (US): The Enduring Ephemeral, or the Future is a
> Memory
> 
> Antony Hudek (US/CH), Antonia Wunderlich (DE): Between Tomorrow and
> Yesterday: charting Les Immatériaux as technoscientific event
> 
> 
> *** General Discussion
> 16 November, Friday, 17.30-18.30, Auditorium
> 
> *** Keynote: Siegfried Zielinski (DE): On Deep 
> Time Relations Between Art, Sciences and 
> Technologies
> 
> Moderation: Miklos Peternak (HU)
> 
> 16 November, Friday, 20.00, Auditorium
> 
> 
> ****** Saturday 17 November **********************************
> 
> *** Panel 7: Interdisciplinary Theory in Practice
> 17 November, Saturday, 10.00-12.30, Auditorium
> 
> moderation: Sara Diamond (CA)
> 
> Christopher Salter (US/CA): Unstable Events: Performative Science,
> Materiality and Machinic Practices
> 
> Simone Osthoff (BR/US): Philosophizing in Translation: Vilem
> Flusser's Brazilian Writings
> 
> Karl Hansson (SE): Haptic Connections - On Hapticality and the
> History of Visual Media
> 
> Janine Marchessault (CA)/ Michael Darroch (CA): Anonymous History as
> Methodology: The Collaborations of Sigfried Giedion, Jaqueline
> Tyrwhitt, and the Explorations Group (1951-53)
> 
> 
> *** Panel 8: Place Studies: Russia / Soviet Union
> 17 November, Saturday, 10.00-12.30, Theatersaal
> 
> Introduction/Moderation: Inke Arns (DE): The Avant-Garde in the Rear
> View Mirror
> 
> Olga Goriunova (RU): Cultural critique of technology in philosophy of
> technology and religious philosophy of early XX century Russia
> 
> Margareta Tillberg (SE/DE): Cybernetics and Arts: The Soviet Group
> Dvizhenie (Movement) 1962-1972
> 
> Margarete Voehringer (DE): 'Space, not Stones' Nikolai Ladovski's
> Psychotechnical Laboratory for Architecture, Moscow 1926 (t.b.c.)
> 
> Irina Aristarkhova (RU/US): Stepanova's 'Laboratory'
> 
> 
> *** Panel 9: Cross-Cultural Perspectives
> 17 November, Saturday, 14.30-17.00, Auditorium
> 
> moderation: Bernd Scherer (DE)
> 
> Sheila Petty (CA): African Digital Imaginaries
> 
> Cynthia Ward (US): Minding Realities: Geometries of Cultural Cognition
> 
> Erkki Huhtamo (FI/US): Intercultural Interfaces: Correcting the
> pro-Western Bias of Media History
> 
> Manosh Chowdhury (Bangladesh/JP): Can there be an 'Art History' in
> the South?: Myth of Intertextuality and Subversion in the Age of
> Media Art
> 
> 
> *** Panel 10: Cybernetic Histories of Artistic Practices
> 17 November, Saturday, 14.30-17.00, Theatersaal
> 
> moderation/introduction: Geoff Cox (UK): Software Art has No History
> 
> Christina Dunbar-Hester (US): Listening to Cybernetics: Music,
> Machines, and Nervous Systems, 1950-1980
> 
> David Link (DE): Memory for Love Letters. Computer Archaeology of a
> Very Early Program
> 
> Brian Reffin Smith (UK/DE): Hijack! How the computer was wasted for art
> 
> Kristoffer Gansing (SE): Humans Thinking Like Machines - Incidental
> Media Art in the Swedish Welfare State
> 
> 
> *** General Discussion
> 17 November, Friday, 17.30-18.30, Auditorium
> 
> 
> *** Keynote 2: Lorrain Daston (US/DE): Dreams of a Perfect Medium
> 
> Moderation: Gunalan Nadarajan (SG/US)
> 
> 17 November, Saturday, 20.00, Auditorium
> 
> 
> ****** Sunday 18 November **********************************
> 
> Presentation of Results of the LBI Workshop on Documentation and Metadata
> with Dieter Daniels a.o.
> 18 November, Sunday, 10.00, Conference Hall 1
> 
> 
> Forum on Cyber-Feminism
> with Faith Wilding, Irina Aristarkhova, a.o.
> 18 November, Sunday, 10.00
> 
> 
> Forum Discussion: Connecting Music(ology) and Media Art
> Statements by Dr. Joseph Cohen (Collège de 
> Philosophie, Paris) and Dr. Rolf Grossmann 
> (Applied Cultural Studies/Aesthetics, Leuphana 
> University Lüneburg). Discussants include Dr. 
> Werner Jauk (University of Graz) and Dr. Paul 
> Modler (Design University Karlsruhe). Moderation 
> by Joyce Shintani (Design University Karlsruhe).
> 18 November, Sunday, 10.00, Conference Hall 3
> 
> 
> Feedback Session and planning for re: conference follow-up in 2009
> 18 November, Sunday, 12.00, Auditorium
> 
> 
> ++++++++++++++++++++++++++++++++++++++++++++++++++++++
> 
> 
> 



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