[spectre] Boulevard of Illusions: Learning from New Belgrade
Geert Lovink
geert at xs4all.nl
Mon Sep 17 19:14:35 CEST 2007
> MUSEUM OF CONTEMPORARY ART
> Usce 10, Blok 15, 11070 Novi Beograd
> phone (+ 381 11) 3115 713
> fax (+ 381 11) 3112 955
> e-mail: msub at msub.org.yu
> web: www.msub.org.yu
>
> Sunday, 16th of September 2007
>
> Boulevard of Illusions: Learning from New Belgrade
> a public project by Stefan Römer
>
> In the framework of the project of the Centre for Visual Culture MoCAB
> titled Differentiated Neighbourhoods, a public art project and filming
> of a road-movie of German artist Stefan Roemer was staged on the
> Boulevard of Mihajlo Pupin. For this the Boulevard is framed with two
> billboards with the title of the project at the beginning and the end
> into a film scenario which is in the same time an art intervention in
> the public sphere.
>
> The project:
> The project is prospecting a history of New Belgrade’s development on
> the former Boulevard of Lenin. It raises a discussion of the urban and
> historical function of New Belgrade: What was the plan for the block
> system as a socialist utopian city project? How did the people (miss-)
> use the planned urban structure? Which are the specific stories told
> here in this new extension of the old city of Beograd? If the whole
> city is a panoptic system, New Belgrade with its block system is a
> utopian format of this. Specifically, with the new growing areas with
> big international hotels, banks and shopping malls in relation to the
> apartment blocks and the representational buildings from the socialist
> area prospected on the “Boulevard of Illusions” are all together
> visible history in its own.
>
> The artist:
> Stefan Roemer works conceptually between art practice and theory; his
> works and essays are widely exhibited. He is teaching New Media at the
> Academy of Fine Arts in Munich.
> His last documentary film »Conceptual Paradise« is a discussion on
> Conceptual art and is released 2006.
>
> On the project Differentiated Neighbourhoods:
> The project Differentiated Neighbourhoods consists of socio-spatial
> research and artistic intervention in local urban structures.
> The project will explore different connotations of the term
> neighbourhood, in the vocabulary of its urban, architectural and
> social context. It will comprise of two parallel sets of events:
> - Series of presentations and lectures at the MOCAB by guest
> experts in 2006/2007
> - Workshops, research and art projects of the members of
> initial research group coming from different fields such as sociology,
> urbanism, architecture, art history, visual arts, philosophy that will
> try to address the issue from the perspective of their profession. The
> team has chosen for the case study several neighbourhoods in New
> Belgrade.
>
> Initial research group:
> Vera Backovic, MA student of sociology, Belgrade, Serbia; Bik Van der
> Pol, artists Rotterdam, Netherlands; Sabine Bitter and Helmut Weber,
> artists, Vienna, Austria; Ljiljana Blagojevic, professor, Faculty of
> Architecture, Belgrade, Serbia; Adam Budak, curator, Kunsthaus Graz,
> Austria; Dusan Cavic, journalist, RTV B92, Belgrade, Serbia;
> Aleksandar Dimitrijevic, artist, Belgrade, Serbia; Davor Eres,
> architect, Belgrade, Serbia; Sanja Jovovic, architect, Belgrade,
> Serbia; Jakob Kolding, artist, Copenhagen, Denmark / Berlin, Germany;
> Tamara Maricic, urban planner, Belgrade, Serbia; Ivana Milenkovic,
> architect of the New Belgrade municipality, Belgrade, Serbia; Jelena
> Mitrovic, architect, Belgrade, Serbia; Mina Petrovic, Professor at the
> Faculty of Philosophy, Department of Sociology, University of
> Belgrade, Serbia; Ivan Petrovic, film and TV director, Belgrade,
> Serbia; Dunja Predic, student of architecture, Belgrade, Serbia;
> Stefan Roemer, artist and theorist, Munich, Germany; Dubravka Sekulic,
> student of architecture, Belgrade, Serbia; Dusan Saponja, journalist,
> RTV B92, Belgrade, Serbia; Mark Terkessidis, theorist, Berlin,
> Germany.
>
> Initiator of the project:
> Zoran Eric, curator of the Centre for Visual Culture, MoCAB
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