[spectre] Weaver Birds - 8 years of dyne.org

venzha christ venzha at yahoo.com
Sat Aug 9 06:45:06 CEST 2008



----lastnite was great !!
----cellsbutton#02 on 888!
----news n some images will appear on web very soon!
----merapi mountain versus 8 years of dyne :-)
http://www.natural-fiber.com/index.php/the-news



   
venzha

the house of natural fiber
yogyakarta new media art laboratory (HONF)
Jl.wora wari A80/6 
Baciro Yogyakarta
Indonesia
T : +62 (0) 817468621 
F : +62 (0) 274 564276 
E : venzha at yahoo.com
     venzha at natural-fiber.com
URL : http://www.natural-fiber.com




--- On Fri, 8/8/08, franck ancel <info at franck-ancel.com> wrote:

> From: franck ancel <info at franck-ancel.com>
> Subject: Re: [spectre] Weaver Birds - 8 years of dyne.org
> To: spectre at mikrolisten.de
> Date: Friday, August 8, 2008, 6:38 PM
> A spectre moves in the planet: Dharma!
> from the Red Breath in peace to all here
> 
> 
> jaromil a écrit :
> > -----BEGIN PGP SIGNED MESSAGE-----
> > Hash: SHA1
> >
> >
> >
> > The Weaver Birds
> >
> > by the dyne.org hackers
> >
> > 8 / 8 / 8
> >
> > printable version:
> http://dyne.org/first_dharma_dyne.pdf (291 KB)
> >
> >
> > * Hackers spinning the Dharma wheel
> >
> > You are welcome to join the new wheel spin of our
> history.
> >
> > We hope you remember the time you signed up to receive
> some news about
> > our activities: well we've kept  this trumpet
> silent so far, still the
> > laborious weaving  of our net  has been going  on,
> until the  point we
> > really have something to say and to do together,
> today.
> >
> > It  is almost 4  years that  this bulletin  wasn't
> sent;  the previous
> > dyne.org bulletins  were quite intimate,  announcing
> developments done
> > in our  own houses, the  development of our  own lives
> in  unusual and
> > experimental  ways.    This  one  is  a  bit  
> different,  more  open,
> > programmatic,  visionary and  inclusive, proposing 
> you a  plan  to be
> > shared and is already shared by many.
> >
> > Right  now our  network has  become 8  years old  and
> by  now  you can
> > imagine this  number is very important  to us.  If you
>  are curious to
> > know what is happening please read on, we won't
> fancy you with special
> > effects, but dreams, thoughts and projects we are
> ready to realize.
> >
> > Of  course this  text doesn't  just talks  about
> "us":  being  an open
> > network we are including multiple contexts around the
> world with which
> > we share mutual  help, where our contribution is 
> mostly technical, as
> > in our activity in free and open source development. 
> In fact, besides
> > the generic idea  of FOSS, we are moved by  the
> following dreams, that
> > are  slowly but  steadily becoming  reality...
> >
> > For all this we are infinitely grateful to the GNU
> project that let us
> > discover  how  to   get  hold  of  knowledge,  take  
> control  of  the
> > architecture we live in and even start building a new
> planet :)
> >
> >
> > * Dharma youth
> >
> >   *The only people  for me are the  mad ones, the ones
> who  are mad to
> >   live, mad  to talk, mad to  be saved, desirous of 
> everything at the
> >   same time, the  ones who never yawn or say  a
> commonplace thing, but
> >   burn, burn, burn, like  fabulous yellow roman
> candles exploding like
> >   spiders across the stars.* (Jack Kerouac, Dharma
> Bums)
> >
> > First let's declare who  we are: after 8 years we
> are  able to trace a
> > common   denominator  among   the  people   active  in
>   our  network,
> > interconnected by a nomadic approach to development
> and life.
> >
> > We are young dreamers, as we often like to stir
> limitations and invent
> > different  models to  learn, communicate,  share and 
> live  than those
> > proposed by the  societies where we are caged. We 
> have in common that
> > we survived  out of the  commonplaces, we cultivated
> our  thoughts and
> > sharing methods, knowledge and tools, keeping them out
> of any box.
> >
> > This  is the  time in  our  history in  which
> we'll  speak with  young
> > voices, when we are moving some  crucial steps on
> which we'll base our
> > architectures,  hopefully mixing the  inner with  the
> outer,  the Ying
> > with the Yang.
> >
> > Some of us  are nomads, some settle in different 
> places time to time,
> > some live in the same  marginal neighbourhoods of the
> world where they
> > were born, some  are working for multinational IT 
> companies, some are
> > riding bicycles all  around the world, some are 
> lecturing in schools,
> > some  are   exhibiting  in  art  galleries  and   some
>  are  squatting
> > houses. And  yes, probably you are one  of those, or
> you  have been in
> > contact with us, at least once.
> >
> > What we  are proposing here is a  new model and we 
> finally acquired a
> > practical  vision  to  develop   it  in  harmony  with
>  our  different
> > environments.
> >
> > Please continue reading if you like to discover why
> and how.
> >
> > * Freedom of Creativity
> >
> >   *The growth of the network rendered the
> non-propertarian alternative
> >   even  more  practical.  What  scholarly  and 
> popular writing  alike
> >   denominate as  a thing  ("the Internet")
> is  actually the name  of a
> >   social condition: the  fact that everyone in the 
> network society is
> >   connected directly,  without intermediation, to 
> everyone else.  The
> >   global  interconnection of networks  eliminated the 
> bottleneck that
> >   had required a centralized  software manufacturer to
> rationalize and
> >   distribute the  outcome of individual  innovation in
> the era  of the
> >   mainframe.* (Eben Moglen)
> >
> > Free  and open  source  software  (often referred  as 
> FOSS) is,  when
> > referring  to the original  principles endorsed  by
> the  Free Software
> > Foundation[1]  (FSF), a  new model  for distribution, 
> development and
> > marketing of immaterial  goods. While recommending you
> to  have a look
> > at the  philosophy pages  published by the  FSF,
> we'll  highlight some
> > implications which are most important for us by
> letting our activities
> > possible and motivating them.
> >
> > FOSS  implies an economical  model based  on
> collaboration  instead of
> > competition, fitting in the  fields of academic
> research where sharing
> > of knowledge is fundamental ,  and development where
> the joint efforts
> > of  different  developers can  be  better  sustained
> when  distributed
> > across  various nodes.  In this  regards we  like to 
> quote  John Nash
> > (Mathematics Nobel  in 1994)  saying that "the 
> best result  will come
> > from everybody  in the  group doing what's  best
> for himself,  and the
> > group".
> >
> > Imagine then  that all creations re-produced  in this
> way  can also be
> > sold freely by anyone in each context: this opens up
> an horizon of new
> > business  models  that are  local,  avoiding
> globalized  exploitation,
> > still sharing a global pool of knowledge useful to
> everyone.
> >
> > Furthermore, in the  fields of education we believe 
> that the inherent
> > independence of FOSS from commercial influences is
> crucial in order to
> > empower students  with a  knowledge that they  really
> own,  not making
> > them  dependent  from merchants  owning  their 
> creations by  imposing
> > licenses on the tools they've learned.
> >
> > At last just  consider, and feel free to invent  more
> on these tracks,
> > the  impact of  FOSS in  fields as  communication, 
> social networking,
> > games, media and... evolution.
> >
> > [1] see http://www.fsf.org
> >
> > * No nationhood
> >
> >   *Per far che  i secoli tacciano di quel  Trattato[2]
> che trafficò la
> >   mia patria, insospettì  le nazioni e scemò
> dignità  al tuo nome.* (A
> >   Bonaparte liberatore, Ugo Foscolo, 1778-1827)
> >
> >   *One Planet, One Nation* (Public Enemy)
> >
> > Our homelands are displaced and sometimes very
> different, difficult to
> > be put  in contact with  the boundaries given  by
> nations. In  fact we
> > think that nation  states should come to an end,  for
> the borders they
> > impose  aren't matching with  our aspirations  and
> current  ability to
> > relate with each other.
> >
> > During the few years of our  lives we have been taught
> to interact and
> > describe  ourselves  within  national   schemes,  but 
> the  only  real
> > boundaries were  the differences between our
> languages,  while we have
> > learned to cross them.
> >
> > - From our national histories we  mostly inherited
> fears and hanger, but
> > with this  network we  have learned  how to bury 
> them, as  they don't
> > belong to  us anymore.  What's  left is a  just a
> problem that  can be
> > solved:   we  will  stop   representing  us   as  part
>   of  different
> > nations. Even  if we could, we  don't intend to
> build  our own nation,
> > nor to  propose you a new social  contract, but to
> cross  all of these
> > borders as a unique networked planet, to start a new
> cartography.
> >
> > We have a planet! and it is young enough to heal the
> scars left by the
> > last  centuries of  war, imperialism,  colonisation 
> and prevarication
> > that  left most  people  around us  cultivating 
> differences and  fake
> > identities represented by flags and nationalist
> propaganda.
> >
> > We  aren't  claiming  to  open  the  borders  to 
> the  speculation  of
> > multinationals, since we are well aware this can be a
> rethoric used by
> > neo-liberist  interests  to  tramp  over the  autonomy
>  of  developing
> > countries.  The Contextual integrity[3] of different
> social ecosystems
> > needs  to be respected,  but still  as of  today the 
> national borders
> > didn't succeeded in preserving it.
> >
> > With some exceptions, most of the national programs
> and cultural funds
> > we agreed to work with were  pretending each of us
> would dress a flag,
> > as  we  were  recruited in  a  decadent  game  of
> national  pride  and
> > competition,  with  an agenda  of  cultural, 
> economical and  physical
> > domination, tracing all our movements, assimilating
> them to leviathans
> > that are playing their last violent moves in a chess
> game for which we
> > are just seamless pieces.
> >
> > This  doesn't makes  anymore sense  to  our
> generation,  we refuse  to
> > identify  with the governments  holding our 
> passports, while  we look
> > forward to relate to each other on the basis of
> dialogue and exchange,
> > approaches  and  architectures  that  can  be 
> imagined  globally  and
> > developed locally, in a open way the channels that let
> us speak to you
> > right now.
> >
> > Therefore  we declare  **the end  of nations**,  as
> our  generation is
> > connected by  a way more complicated intersection  of
> wills, destinies
> > and, most importantly, problems to be solved.
> >
> > [2] Trattato di Campoformio
> >
> > [3] see    Nissenbaum,    H,    (2007)    Contextual  
>  Integrity    -
> >    
> http://crypto.stanford.edu/portia/papers/RevnissenbaumDTP31.pdf
> >
> > * Networked cities
> >
> >   *Creo que con el tiempo mereceremos no tener
> gobiernos.* (Jorge Luis
> >   Borges, 1899-1986)
> >
> > Naturally  our  cartography draws  connections  among 
> nodes, hubs  of
> > intelligence that are  closer in the cyber space  than
> in the physical
> > one.  In the  last century  we have  learned how  we
> can  share music,
> > lyrics, stories  and images, since a  few decades we
> are  able to copy
> > them without marginal costs across the whole world.
> >
> > This let us relate to each other with an outreach that
> is amplified by
> > the density of our living  environments, the urban
> spaces that somehow
> > offered enough gaps  for our agency.  Those who 
> pretend to govern our
> > living are  now busy in  controlling those voids,  as
> every tree  in a
> > public square  represents an  obstacle for their 
> cameras, omnipresent
> > eyes patronising our evolution.
> >
> > We found shelter in the  ancestral practices of
> trance[4], opening the
> > doors  of our  perception to  the unknown,  resonating
> our  own bones,
> > enhancing the  agility of our  tongues to follow  the
> hip hop  flow of
> > radical  thoughts,  skating  over  the universe  we 
> are  constrained,
> > painting fantasy over the imposed  walls of our
> cities, jumping higher
> > to join the loose ends of our parkours.
> >
> > These practices are now among all  of our cities[5],
> seeded by our own
> > need  to evolve,  to influence  a  governance that 
> doesn't listen  to
> > us. Some kids turn into a  dark army of vengeance,
> some lost the faith
> > in future, some fall in  the virtual loopholes offered
> by the magnetic
> > startups  of  the  dot.com  boom.   We  need  to 
> offer  ourselves  an
> > alternative to this hopeless conflict and the first
> step is to build a
> > narrative that respects all choices, that doesn't
> neglects sufferance.
> >
> > All this creativity and despair is shared among our
> cities, stuffed by
> > unnecessary needs and mirages of success of the
> "creative industries",
> > while we already  elaborate a concentric vision that 
> is linked to the
> > density of our lives and the cultural flow of our
> errant knowledge.
> >
> > Therefore we declare the birth of a **planet of
> networked cities**[6],
> > spiral architectures of living swirling above our
> heads and across our
> > fingers,  as they  evolve in  a  common practice  of
> displacement  and
> > re-conjunction, joining the loose ends of our future.
> >
> > Our plan is  simple and our project is already in 
> motion. In fact, if
> > you look around  yourself, you will already find  us
> close.  While the
> > current economical  and political systems face the 
> difficulty to hide
> > their  own incoherence,  we  are able  to  implement
> their  principles
> > better and, most importantly, we are elaborating new
> ones.
> >
> > We are reclaiming the infrastructure, the liberty to
> adapt them to our
> > needs, our right to property  without strings
> attached, the freedom to
> > confront ideas without any  manipulative mediation,
> peer to peer, face
> > to face, city to city, human to human.
> >
> > The possibility  to grow local communities  and
> economies, eliminating
> > globalized monopolies and living up  from our own
> creations, is there.
> > We are filling the empty spaces left in our own
> cities, we are setting
> > our own desires and we are collectively able to
> satisfy them.
> >
> > Furthermore, some of us are  seeking contacts with the
> lower strata of
> > societies, to share  a growing autonomy: as much  they
> are excluded by
> > the society they serve, that much  they are close to
> freedom, while it
> > is  clear that  autonomy is  the  solution to  present
> crisis.   These
> > marginal communities  were the villagers who, mostly 
> because of rural
> > poverty, could no longer survive  on agriculture, as
> well the migrants
> > and refugees  who had  to escape  their birth places, 
> or never  had a
> > homeland.   They came  to  the city  and  they found 
> neither work  or
> > shelter.  They  created their  own jobs out  of the
> cynical  logics of
> > capitalism,  mostly  in  refuse  recycling.   They
> look  ugly  to  the
> > minorities in power, while  most architect and urban
> planners unjustly
> > call "illegal  settlements" their shelter.
> Some of  them they organise
> > to gain power  with solidarity, and those are  the
> squatters.
> >
> > During the past decades we have  learnt to enhance our
> own autonomy in
> > the urban contexts[7], diving  across the different
> contexts composing
> > the cities,  disclosing the inner structure of  their
> closed networks,
> > developing a  different texture made of relationships 
> that no company
> > can buy.
> >
> > We  are the **Weaver  Birds**, burung-burung 
> manyar[8], we  share our
> > nests in a network, we flow as the river of the
> spontaneous settlement
> > of  Code in  Yogyakarta[9],  the gypsy  neighbourhood 
> of Sulukule  in
> > Instanbul,  the Chaos  Computer Club  ,  all the 
> hacklabs across  the
> > world, the self-organised squatters  in Amsterdam
> Berlin Barcelona and
> > more, the hideouts  of 2600 and all the  other
> temporary hacker spaces
> > where our future, and your future, is being
> homebrewed.
> >
> > This document is  just the start for a new  course,
> outing an analysis
> > that is  shared among a growing  number of young 
> hackers and artists,
> > nourished  by their  autonomy and  knowledge.  Our 
> hacker  spaces are
> > quickly proliferating as we don't need to build
> more space rather than
> > penetrate existing empty  space, we are highly
> adaptive  and we aim at
> > connecting  rather than  separating,  at being 
> inclusive rather  than
> > exclusive, at being effective rather than acquiring
> status.
> >
> > To those  who feel threatened  we ask: do  not resist
> us, for  we will
> > last longer than  you, and leave us space, for you 
> don't use it while
> > we do.  Do it for the good of all of us, because we
> are your own kids.
> >
> > [4] Lapassade, G. (1976) Essai sur la transe,
> Éditions universitaires
> >
> > [5] De Jong,  A, Schuilenburg,  M. (2006) Mediapolis. 
> Popular culture
> >     and the city, Rotterdam: 010-Publishers
> >
> > [6] Batten, D.F. (1995), Network Cities: Creative
> Urban Agglomerations
> >     for the 21st Century, SAGE
> >
> > [7] Lapassade, G. (1971), L'Autogestion
> pédagogique, Gauthiers-Villars
> >
> > [8] Burung-Burung Manyar means "Weaver 
> Birds" in bahasa indonesia, is
> >     a book by Romo Mengun published in 1992 by
> Gramedia (Jakarta)
> >
> > [9] the  Code  riverbank was  considered  an 
> "illegal settlement"  of
> >     squatters,  while Romo  Mengun has  been active 
> between  1981 and
> >     1986, gathering the sympathy of intellectuals
> believing that these
> >     poor members of  society should be accepted and 
> helped to improve
> >     their living  conditions. The government of 
> Indonesia planned its
> >     forced removal  in 1983, but  as protests followed
> the  plans were
> >     cancelled.  Nine years later in  1992 Kampung Code
> was selected as
> >     the winner  of the Aga Khan  Award for
> Architecture  in the Muslim
> >     World. The Code riverside settlement continues to
> exist until this
> >     day, as a remarkable example of urban
> architecture.
> >
> > * Horizontal media
> >
> >   *Whoever  controls the  media  -the images- 
> controls the  culture.*
> >   (Allen Ginsberg, 1926-1997)
> >
> > Our concern  about freedom  in media is  serious, the 
> current urgency
> > justifies all our acts of  rebellion, as they become
> necessary. One of
> > our main activities is patiently weaving the threads
> for open networks
> > that put us  all in contact. But greedy  national
> regimes and criminal
> > organisations threaten us as if they can avoid their
> fascist nature to
> > be known,  while opportunist  provokers use our  open
> grounds  to have
> > granted the right to offend and generate more wars.
> >
> > About media we certainly accumulated enough knowledge
> to trace a clear
> > path for our  development, as we have been doing 
> since the early days
> > of our existence: we are active in implementing the
> liberties that the
> > digital age  grants us.  This  intellectual freedom is
>  very important
> > for the development  of humanity, for its capacity  to
> analyse its own
> > actions, to weave its faith in harmony.
> >
> > Our  plan is to  keep on  developing more  on-site and
>  on-line public
> > space  for  discussion,  following  a **decentralised 
> pattern**  that
> > grants  access to most  people on  our planet.   We
> created  tools for
> > independent  media, to  multiply the  voices in 
> protection  of common
> > visions, to avoid  that a few media tycoons  take over
> democracies, as
> > it is happening in many different places of this
> world.
> >
> > We are aware of the limits of the present
> implementation of democracy:
> > while  they  are  busy  celebrating  their own 
> success  over  archaic
> > regimes,  these systems  stopped updating  their own 
> architecture and
> > have fallen in control of new enemies which they
> cannot even recognise
> > anymore.
> >
> > The  solution we  propose  is simple:  maximise  the
> possibilities  to
> > recycle  existing  media infrastructures,  open  as 
> many channels  as
> > possible,   free  the   airwaves,  let   communication
>  flow   in  its
> > multiplicity, avoid any mono-directional  use of it,
> give everyone the
> > possibility to  run a  radio or  TV station for 
> it's own  digital and
> > physical neighbours, following an organic pattern that
> will modularise
> > the  sharing of sense  and let  ideas propagate  in a 
> horizontal, non
> > hierarchical way.
> >
> > If these media architectures will be linked with
> education models that
> > foster  tolerance we  have hope  to  accelerate the 
> evolution of  our
> > planet and grant protection to the minorities that are
> populating it.
> >
> > * Freedom of identity
> >
> > We believe  that current governmental efforts of 
> biometric control by
> > governments,  private data  mining  operated by 
> companies and  public
> > schools watching  over students activity, profiling 
> programs that are
> > targeting people worldwide are a crime against
> humanity.
> >
> > Each of those  efforts are not taking into  careful
> consideration what
> > can  be done  when dictatorial  regimes take  control
> of  such systems
> > nations, in fact this already happened as half a
> century ago the first
> > action  of the Nazi  was numbering  people and 
> labelling them  with a
> > symbol  marking  their   biological  ethnicities  (as 
> biometry  could
> > nowadays ).
> >
> > Conscious  of  the  lack  of  responsibility  of 
> current  governments
> > worldwide, we  will oppose with  all means necessary
> their  efforts to
> > number and  control all people in  the name of a  safe
> and unreachable
> > security that,  as hackers we  can demonstrate, cannot
> be  enforced by
> > such means.
> >
> > As hackers we are well  conscious of information flows
> and how several
> > leaks  in   the  digital  domain  are   actually 
> disclosing  personal
> > information of large  amounts of people worldwide. We 
> do believe that
> > people  shouldn't  be  numbered  and  included  in
>  databases,  that's
> > probably what still  differentiates governments from
> operating systems
> > merely  suppressing  the processes  that  aren't 
> optimised for  their
> > tasks.
> >
> >
> > * Education
> >
> >   *Because  this   New  Order  of   ours  is  a 
> military   order,  an
> >   authoritarian order,  commando style, there is  no
> education.  There
> >   is only instruction, a mere taming experience.*
> (*Romo Mangun*)
> >
> > As  privatisation of  educational structures 
> progresses,  the academy
> > assumes corporate and business mindset,  while we
> assist to a shift of
> > the educational mission in society from *inclusive* to
> *exclusive*.
> >
> > The  influential  play of  industries  has  permeated
> most  academical
> > disciplines,  in particular  regarding the  adoption 
> of technologies.
> > The  choice of educators  has become  biased by 
> logics of  short term
> > profit, rather than **Solid Knowledge**.
> >
> > On the other hand, notions are rapidly becoming
> universally available.
> > *Heuristic*,  *maieutic* and  *infrastructure* 
> functions provided  by
> > academies are  best satisfied  by the global  action
> of  free software
> > communities  **horizontally**  sharing  methods,
> experiences,  working
> > implementations, on distributed and versioned R&D
> platforms.
> >
> > As  components   can  be   combined  and 
> redistributed,   copied  and
> > modified[10]  students learn a  knowledge that  is
> durable,  free from
> > "*intellectual  properties*" restricting
> their  rights to  produce and
> > redistribute creations.  This situation  will provide
> an advantage for
> > new generations, as it does for developing countries.
> >
> > Media hubs and hacker spaces  constitute a great
> potential to activate
> > cultural growth, fulfilling an  educational role that
> is progressively
> > lacking in higher schools and universities.
> >
> > In 1998  it was  the first edition  of the
> hackmeeting[11]  in Firenze
> > when its  assembly launched the  idea of *independent 
> universities of
> > hacking*, spawning numerous hacklabs across the
> networked cities, with
> > annual meetings  that have  been taking place  until
> today  in various
> > places  in the  south  of Europe.   We  believe the 
> results of  these
> > initiatives  have been greatly  influential for  our
> own  cultural and
> > technical development,  as they  hosted an errant 
> knowledge otherwise
> > dispersed and  neglected by the  academies, with the 
> participation of
> > people  like  Wau  Holland,  Richard  Stallman, 
> Tetsuo  Kogawa,  Andy
> > Muller-Magoon,  Emmanuel  Goldstein   and  even  more 
> collective  and
> > individuals.
> >
> > With such a short but intense  history behind us we
> are well motivated
> > to  continue  developing  our   independent  paths  of
>  knowledge,  an
> > auto-didactic  literature that liberates  the students
>  from corporate
> > interests  and opens  up an  horizon  of variety  and
> creativity  that
> > cannot be envisioned by the most advanced, yet faulty,
> implementations
> > of the so called "creative industries".
> >
> > [10] following the GNU project philosophy and further
> applying to more
> >     fields of human knowledge.
> >
> > [11] see  http://www.hackmeeting.org  and   the  book 
> Networking  Art
> >     http://www.networkingart.eu/english.html    
> (Costa    &    Nolan)
> >     ISBN:88-7437-047-4 ISBN:978-88-7437-047-4
> >
> > * Consolidation
> >
> >   *Inverno. Come un  seme il mio animo ha  bisogno del
> lavoro nascosto
> >   di questa stagione.* (Giuseppe Ungaretti, 1888-1970)
> >
> > If you read  until here and you think our  plans
> deserve support, then
> > you should know we are  really struggling for better
> quality, which in
> > our  vision  we  didn't  yet  fully  reached.  
> That's  what  we  call
> > consolidation here.
> >
> > As  our activity  mostly  focuses  on free  and  open
> source  software
> > development, we have  to admit we are not yet  there
> in satisfying all
> > the needs of the various communities relying on them.
> >
> > For  example  the on-line  radio  streaming  software
> MuSE[12],  being
> > developed  since 8  years now  to provide  an user 
> friendly  tool for
> > community  on-line  radio  streaming,  being used  by 
> various  radios
> > worldwide, is  not yet fully developed  to the point
> it  should and we
> > have an hard time in keeping the pace with updating
> it.
> >
> > Another   example   is  the   popular   GNU/Linux 
> multimedia   liveCD
> > dyne:bolic[13]  developed since  2001  which has  now
> reached  version
> > 2.5.2 released last winter: it  focuses on several
> important issues as
> > supporting  old  hardware, implementing  privacy  for
> users,  offering
> > media  production tools  and providing  all
> development  tools  on its
> > single liveCD.   We won't hide  we are
> experiencing major  problems in
> > keeping the  project alive, lacking  funds to involve 
> more developers
> > for  such a  huge effort.   In fact  since more 
> recent "phylantropic"
> > startups  (that,  considering  the  nature of  their 
> funding,  aren't
> > grassroot at all) obscured  our long-standing
> grassroot development we
> > have been  deprived of the media  attention that is 
> also necessary to
> > gather support: this all follows the  logic of the big
> fish eating the
> > smaller fishes, killing variety even in the open
> source context.
> >
> > Yet another  example is the FreeJ vision  mixer
> software[14] developed
> > since  2002,   implementing  an   open  platform  for 
>  producing  and
> > broadcasting audio/video online in a completely open
> way, also relying
> > on development done by the xiph.org foundation[15].
> With FreeJ we hope
> > to rehabilitate the vast  knowledge about the
> javascript language with
> > a  tool that  let it  be used  for video  production,
> as  a  100% free
> > alternative to Flash and other recent commercial
> startups. The horizon
> > for  this  project is  very  promising,  as finally 
> Ogg/Vorbis/Theora
> > support is  being natively integrated  in Mozilla
> Firefox[16],  and we
> > are  actively seeking  funding support  for a  short 
> term development
> > sprint, which never really arrives.
> >
> > In economic  terms all  these projects have  been
> developed  with very
> > little support  so far and  actually don't need 
> much to go  on, still
> > proper expertise is needed and that in most cases
> requires a budget to
> > keep people committed on a medium or long term.
> >
> > What we are seeking for  our consolidation is to
> develop a publication
> > platform that let us modestly merchandise these
> products, keeping them
> > still  free and  available  online, plus  eventually
> some  benefactors
> > trusting  our  work and  investing  their 
> phylantropic instincts  the
> > visions   hereby  described.    Anyway,   any 
> suggestions   regarding
> > consolidations are very  welcome and of course, as  a
> good old Yiddish
> > proverb says, a penny is a lot  of money--if you
> haven't  got a penny.
> >
> >
> >
> > [12] see  http://muse.dyne.org -  a tool that  is well
>  documented for
> >     usage by the flossmanuals project at
> http://flossmanuals.net/muse
> >
> > [13] see http://dynebolic.org  - also listed  among
> the few  100% free
> >     distribution by  the Free  Software Foundation, as
>  well nominated
> >     among the top-10  open source projects in 2005  by
> the Independent
> >     UK.
> >
> > [14] see http://freej.dyne.org
> >
> > [15] see http://www.xiph.org
> >
> > [16] see
> http://www.nettime.org/Lists-Archives/nettime-l-0808/msg00003.html
> >
> >
> > * Infrastructure
> >
> >   *It  is best to  keep one's  own organization 
> intact; to  crush the
> >   enemy's organization is only second best.* (Sun
> Tzu, 6th century BC)
> >
> > We are  planning (and realizing already) a 
> decentralised structure of
> > on-line and on-site facilities to be independently
> shared among us.
> >
> > On site we successfully link to squats and liminal
> practices among our
> > networked cities, developing patterns  that can be
> implemented locally
> > and shared globally.  Reuse of  existing empty
> structures is a crucial
> > point, as  it is keeping these initiatives 
> independent from corporate
> > and  national influence,  freeing  the potential  of
> various  cultures
> > composing them.
> >
> > On  line we  are yet  more  powerful, having 
> established a  redundant
> > network of  servers and protocols  that, even if
> opposed  by corporate
> > interests, are flourishing and well spread across the
> populace.
> >
> > In this phase we are still very  young and we need all
> your support to
> > help us stay  independent, host our efforts in 
> different contexts and
> > share their visibility.
> >
> > As we  have composed a  comprehensive cartography of
> such  efforts you
> > can  be  confident  that  all  the economical  and 
> practical  support
> > contributed will be carefully shared  by all nodes and
> documented by a
> > growing literature of examples,  facts and periodic
> reports which will
> > keep all our network informed.
> >
> > ** On site
> >
> > So  far we  are  emerging  two locations:  the  poetry
> hacklab[17]  in
> > Palazzolo Acreide, near Siracusa, where we are
> struggling to establish
> > a museum  of historical working computers[18]  (also
> reachable online)
> > as a  permanent interactive  exhibition where visitors
>  can experiment
> > with  the  machines,  an  educational  effort that 
> also  implies  the
> > preservation of our digital past.
> >
> > Second is our hacktive squatted community in
> Amsterdam, a city that is
> > probably among the last places  in the world
> tolerating the occupation
> > of empty  spaces, resulting in  a balanced urban
> architecture  that is
> > open  to   independent  cultural  initiatives   and 
> grassroot  social
> > movements, helping to control the growing speculative
> trend on private
> > properties  by  business magnate  and  criminals 
> white-washing  their
> > money.
> >
> > And next are even more grassroot run places ready to
> be emerging, with
> > which we plan to share  common plans about
> sustainability, open source
> > practices  and  open  spaces  for  the global  and 
> local  communities
> > crossing them.
> >
> > ** On line
> >
> > The  network  of  servers we  are  so  far  relying 
> on is  very  much
> > resembling our  on-site architecture,  where
> hospitality plays  a main
> > role, as several independent  organisations or
> institutions offered us
> > hosting space for our projects, while half of the
> fleet is hosted on a
> > limited number of commercial collocations financed by
> self taxation.
> >
> > All  software employed  is free  and open  source:
> servers  run stable
> > versions  of  Debian  GNU/Linux,  code  development 
> is  hosted  using
> > Git[19], webpages are  served by a custom written 
> setup (that we plan
> > to evolve following this wheel spin) using Apache PHP
> and Mysql, while
> > whenever  possible we use  static pages.   Open
> discussion  forums are
> > provided using Mailman,  IRC and in future phpBB, 
> open publishing and
> > editorial flows are hosted using  the MoinMoin wiki
> platform.  Most of
> > our  facilities are  made redundant  and  of course 
> we keep  backups,
> > having  preserved  so  far  every  single bit 
> composing  our  digital
> > history.
> >
> > Besides  the dyne.org  website  itself, we  host 
> several artists  and
> > activists   engaged   in   projects  as  
> Streamtime[20],   Idiki[21],
> > ib-arts[22],  Morisena[23]  and   more,  plus  some 
> free  independent
> > radios[24] and in future more TV,  as software like
> FreeJ will be soon
> > ready for it.
> >
> >
> > [17] see: http://poetry.freaknet.org
> >
> > [18] see: http://museum.dyne.org
> >
> > [19] fast and distributed code versioning system, see:
> http://git.or.cz
> >
> > [20] free blogging from Iraq, see
> http://streamtime.org
> >
> > [21] a wiki for ideas, see http://idiki.dyne.org
> >
> > [22] ib_project for the arts, see http://ib.dyne.org
> >
> > [23] collaborative art,  ecology, sustainability,
> summer  camps, yoga,
> >      see: http://www.morisena.org
> >
> > [24] see: http://radio.dyne.org
> >
> > * Collaboration
> >
> >   *Nadie es patria. Todos lo somos.* (Jorge Luis
> Borges, 1899-1986)
> >
> > Thanks for reading until here, in case we sparked some
> interest in you
> > with this document, then finally  let us point out
> some practical ways
> > to get involved and collaborate with us.
> >
> > Being  still a  young  phase of  our  evolution we 
> need to  carefully
> > economise  participation in  our development,  so we 
> are  looking for
> > talented  hackers wishing  to contribute  to software 
> development, as
> > well independent  communities wanting to join our 
> network and amplify
> > our practices and dreams across the world.
> >
> > As we will hopefully get  some funding (and this phase
> basically opens
> > our network  to such opportunities)  we won't
> neglect to  support your
> > participation with money. In fact we plan to pay out
> fees for specific
> > development tasks as the  ones described in the
> Consolidation chapter,
> > which will be progressively detailed on our websites.
> >
> > We  also plan to  open up  residencies and  remote
> stage  programs, in
> > collaboration  with educational  institutions
> recognising  our efforts
> > and the involvement of their students in them.
> >
> > Please     get     in    touch     then!      from   
> this     webpage
> > http://dyne.org/hackers_contact.php and specifying
> your email address,
> > we will reply and plan our future collaboration.
> >
> > Thanks, a thousand flowers will blossom!
> >
> > -
> ----------------------------------------------------------------------
> >
> > Copyleft  2008 dyne.org  foundation and  respective 
> authors. Verbatim
> > copying  and distribution is  permitted in  any
> medium,  provided this
> > notice is preserved. Send inquiries & questions to
> dyne.org's hackers.
> >
> > -----BEGIN PGP SIGNATURE-----
> > Version: GnuPG v1.4.6 (GNU/Linux)
> >
> >
> iD8DBQFInBGYe2QxhLU0C14RAthoAKCys2+KfbEbx3dysQfhUuSbiBbvDgCg8iNb
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> > =Dn9g
> > -----END PGP SIGNATURE-----
> >
> > ______________________________________________
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> >
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> >
> >
> >   
> 
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