[spectre] Visual Foreign Correspondents presents Issue 4: Igor
Stromajer
Marieke Istha
istha at nimk.nl
Tue Feb 12 10:59:34 CET 2008
Visual Foreign Correspondents presents
Issue 4
12 February – 10 March 2008
Artist: Igor Stromajer, Slovenia
Title: The Netherlands is respectful. Russia is corrupt.
In collaboration with The Globalised Crystal Ball this ist the fourth
issue of Visual Foreign Correspondents. VFC is an independent platform
in which 11 distinguished artists from around the world are invited each
month to give their personal visual commentary on events and situations
from their locally situated perspective. Their works especially created
for urban screens and online platforms. This project will give people in
the streets of Amsterdam a brief window into other regions, peoples and
other kinds of imagination.
The Slovenian artist Igor Stromajer describes himself as an ‘intimate
mobile communicator’. He started his career at the academy for theatre
in Ljubljana. From 1989 he worked together with Bojana Kunst on his
theatrical experiments, which they called ‘theatrical installations’.
Together they studied relations between the body of the actor, dancer
and spectator, physical energy, intimate plot, and the private
examination of the actor in public (theatre) space. With the arrival of
internet his interest in multimedia performance and especially net art
grew. More than theatre the internet gave him the possibility to build
on a more intimate relation with his audience. His performances on the
web are working on themes like emotion and trauma, whereby he uses
advanced but simple technologies that he develops in his own production
house: Intima Virtual Base. His most well-known award winning works are
amongst others Ballettikka Internettikka and Oppera Internettikka. His
work is part of international renowned art collections and he travels
across Europe and North America as artist in resident and guest lecturer
in academies, universities and art organizations. At the moment Igor
concentrates on political aspects of mobile, intimate, digital
communication. In the form of intermediate guerrilla actions he is
constantly searching for intimate communication.
In his work ‘The Netherlands is respectful. Russia is corrupt’ Stromajer
is in search for current verdicts about the different countries from
East and West Europe. Stereotypical sentences and surprising quotes are
running across the screen in two hard lines, two subtitles in front of a
black hole. The top one symbolises Western Europe, the bottom one
Eastern Europe. This hierarchy in form seems harsh and inevitable,
divided by the black background, without colour or light, but changes
when reading the phrases. The speed of the sentences makes the words
tumble, meanings are inter-changing and Europe becomes again one.
According to Stromajer: “Politics is the poetry of today”.
Visual Foreign Correspondents is connected to The Globalised Crystal
Ball, a series of monthly international seminars hosted by De Balie on
globalisation and the future of the international community and spread
over a full year. These monthly seminars feature internationally
renowned speakers, examining the changing nature of globalisation. The
screen-based artworks play an important role in contributing an
alternative perspective to these meetings. Artist’s contribution to this
event is not simple illustration but provides another kind of
imaginative response to these subjects.
The work will be launched during the seminar event of the Globalised
Crystal Ball in the conference space. An introduction to the work will
be given, making a connection to the seminar and the ideas of the artist.
Independent from the seminar the work will then feature on the urban
screen outside the ‘Balie’ every night for a month, on the The
Contemporary Art Screen, at the Zuidas and in 11-Reatuarant Bar Club,
part of Post-CS, museum of modern art, Amsterdam. These screens will be
in relationship to a specially designed website and ‘Oog’. The VFC
website will show the work and contextualize it with political, social
and cultural background information. Furthermore it will give
information about the project and a possibility for the audience to
interact.
The work will also feature in ‘OOG’, a commentary and opinion platform
that is part the online edition of De Volkskrant, a major Dutch daily
national newspaper. Here the work will feature for a week as part of the
continuing series of artist commentaries.
http://www.visualcorrespondents.com
Screen locations
De Balie: Kleine-Gartmanplantsoen 10, Amsterdam
http://www.debalie.nl
CASZ: Zuidplein, Amsterdam
http://www.caszuidas.nl
11/Restaurant bar club: Oosterdokskade 3-5, Amsterdam
http://www.ilove11.nl
http://www.volkskrant.nl/oog
Visual Foreign Correspondents
Artistic director: Nanette Hoogslag
Editors: David Garcia, Nat Muller, Petra Heck and Eric Kluitenberg
For more information please contact Nanette Hoogslag at
info at visualcorrespondents.com
Visual Foreign Correspondents is made possible by Amsterdamse Fonds voor
de Kunsten, VSB, De Balie and the NetherlandsMedia Art Institute
--
*Marieke Istha *
*Communication*
*istha at nimk.nl *
*Netherlands Media Art Institute*
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1016 EV Amsterdam
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*Program*
Vertigo by Daan Brinkmann
Opening 8/2, 17:00
Presentation: 9/2- 15/2
Sonic Acts XII exhibition
Opening 21/2, 17:00
Exhibition: 22/2 - 22/3 2008
With works from: Boris Debackere, Kurt Hentschläger, Ulf Langheinrich, Julien Maire
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