[spectre] [fwd] RENEW 2013: Media-Art-Histories (Riga, 8-11 Oct 13)

[Andreas Broeckmann]

RENEW 2013: The 5th International Conference on the Histories of Media

Art, Science and Technology, Riga October 8 – 11, 2013
Organised by RIXC Centre for New Media Culture in Riga in partnership 
with the Art Academy of Latvia, Stockholm School of Economics in Riga 
and Danube University's Center for Image Science. 
http://www.mediaarthistory.org/renew/programme_venues

PROGRAM
      TUESDAY, October 8, 2013
18:00
Keynote: Erkki HUHTAMO
Venue: Stockholm School of Economics in Riga, Strelnieku street 4a


WEDNESDAY, OCTOBER 9, 2013
9.30 – 11.00
NETWORKED ART – PLENARY SESSION
Venue: Stockholm School of Economics, Soros Audium, Chair: Douglas
KAHN

Roddy HUNTER, Curating the Network-as-Artwork after Golbalisation
David THOMAS, The Crystal Stereoscope: The Architectural Reconstruction
of Vision
Rachel O’DWYER, Spectres of the common: a historical overview of
radio space
Mikhel PROLUX, Ambiguous Images in Disambiguous Networks


11.15 – 13.00
NETWORKED ART – PANEL A 
  Venue: Stockholm School of Economics, Soros Audium
Chair: Dieter DANIELS
 
                   Darko FRITZ, Agents of social and political change in 
early digital
arts from the Netherlands
Nanette HOOGSLAG, The material image  Ksenia FEDOROVA, Transmediality, 
Transduction and Aesthetics of the
Technological Sublime
Katja KWASTEK, Kevin HAMILTON, Slow Media Art
Brogan BUNT: Walking as Mediation, Experiments in Non-Technological
Media Art


13.45 – 15.15
MEDIA ARCHAEOLOGY  –  PANEL A Venue: Stockholm School of Economics
Chair: Erkki HUHTAMO

Michael CENTURY, Videotex – another panacea that failed
Chris HALES, Cinelabyrinth and the Later Work of Radúz ?in?era
Rudi KNOOPS, Cylindrical anamorphosis: thaumaturgical origins and
contemporary workings
Patrick ELLIS, A Birds-eye View of “Urban Renewal”: Media Archeolog
of the Panstereorama Artemis WILLIS, Unfreezing Movement: Whaler out of 
New Bedford, the Purrington-Russell Panorama

NETWORKED ART – PANEL B (t.b.a.)
Venue: Stockholm School of Economics, Soros Audium
Chair: Tatiana BAZZICHELLI

Earnest EDMONDS, Network Art at the Birth of the Internet
Yara GUASQUE, Perforum Desterro and Perforum São Paulo: reconsidering 
the collaboration between the periphery and the center
Margret Elisabet OLAFSDOTTIR, The Roth-Fillou-Palsson connection as
networking art Timo KAHLEN, Signal-To-Noise, 2011
Annick BUREAUD, Pre Internet Art: Art and Minitel in France in the
80?s. A Fragmented History


15.30 – 16.45
MEDIA ARCHAEOLOGY – PANEL B Chair: Hanna Barbara HOLLING

Alberto FRIGO, Existential Scavenging: Cultural Artifacts for Future
Archaeologists
Vanina HOFMAN, Machines Agency in the Construction of Media Arts
Memory
Perttu RASTAS, Erkki Kurenniemi – Finnish hybird of Stockhausen, 
Buckmister Fuller, and Steve Jobs
Paul Landom, The videotheatre of Montreal’s Videographe: The
forgotten screening room
Rose R. ALCALA, Beatriz ESCRIBANO, Critical review of the movements that 
come from the use of electrographic processes of generation, 
reproduction and printing of images during the second half o f the XX
Century

NETWORKED ART- PANEL: NEW MEDIA MEMORY: Digital London 1994-2014
(t.b.a.)
Richard BARBROOK, Wessel VAN RENSBURN, Eva PASCOE, Sophia DRAKOPOLUOU


17.00-18.00
PARADIGM SHIFT –  PANEL A Chair: Armin MEDOSCH

James WERNER, Post Media Awareness and the Art Museum’s Evolution 
Brian REFFIN SMITH, The Anti-Kuhn: Post-Media Art, a
Zombie-Pataphysical Approach Jay HETRICK, Felix Guattari and the 
Most-Media Era
Dietmar UNTERKOFLER, Layers, Cold Systems and Diagrams – Conceptual
Art in Yugoslavia as Media Art?
Saska KORSTEN, Reversed Remediation in a Revealed Simulation


NETWORKED ART – PANEL C Chair: Tatiana BAZZICHELLI  (t.b.a.)
Venue: Stockholm School of Economics, Soros Audium

Helene VON OLDENBURG, Claudia REICHE, The Mars Patent – a living
fossil
Victor MAZON, Mario DE VEGA, Snuff_Wireless_Data_Sonification
Georgina RUFF, The Consequences of the Apparatus: Otto Piene’s
Lichtballett
Oliver GINGRICH, Holographic Projection Art – 1863-2013
Aymeric MANSOUX, Takes of Copyleft
Rajashree BISWAL, Politics and dynamics of web art in India in the post
90s
Jamie ALLEN, Ryan JORDAN, Signal Aesthetics
Snezana Stabi, MARS into new media?
Jose OLIVEIRA, The Art of Systems and the Systems of Art: Theories and
Practices
Alex BARCHIES, caotica_lex: a hybrid emergent system for DISTRactive
experiences


9.30 – 18.00
MEDIA ARCHAEOLOGY + PARADIGM SHIFT PANAL C  Venue: Stockholm School of 
Economics

Marko RAKIC, Art and history in the age of Digital amnesia
Gabriel VANEGAS, Back to the Future in a Place Called America
Andrew PRIOR, Slow moment(um): Using media archaeological models in
tracing glitch
Nils JEAN, A Typology of New Media Art Renewals
Joana BICARCO, Gestures of wonder: touching and waving before machines
Maria MIRE, Re:shaping new challenges – the origins and future of a 
series of interactive generative artworks by British artist Ernest
Edmonds, 1980?s – 2000?s
Joanna WALEWSKA, Phonograph as a Double Agent: Bronislaw Pilsudski’s

research on the native people of Siberia
Julia MORITZ, The Occurrence of Rolling the Television Program the tenth 
of January 1976. Institutional Critique and Modernist (Mass)
Media
Magnus ERIKKSON, The “Hot Line Riots” as Media Archaeological
Artefact
Stacey SEWELL. Bodily Fragments
Steven MATIJCIO, Nothing Left to See: The Denial of the Image in Media
Art
Gabriela Galati, Amos Bianchi: The Threshold
Maryam Bolouri, Rethinking Post Media Aesthetics: Tracing the Visual 
Evolution and changes in Media Arts
Matthew EPLER, ReCode Project
Chiara PASSA, The widget art gallery


THURSDAY, OCTOBER 10, 2013

9.30 – 11.00
ARCHIVING – PLENARY SESSION

Bartek KORZENIOWSKI, Static and active archiving – strategies of 
re-presenting new media artworks
Oliver GRAU, Contemporary (Media) Arts & the Humanities in our
Democracies Annet DEKKER, The value of authenticity for net art, a call for
authentic alliances
Hannah Barbara HOLLING, Versions, variations, and variability. 
Possibilities and potentialities in the preservation of computer based
art


11.15-13.00
ARCHIVING – PANEL A

Magdalena NOWAK, KwieKulik Archive: Documenting and Preserving Art in
Communist Poland
Morten SONDERGAARD, The Media Artist as Functionary: Show-Bix, Ã
rhus
1968-71
Leila TOPIC, From New Tendencies to new tendencies: Media art Collection 
of the Zagreb Museum of Contemporary Art
Grahame WEINBREN, Isaac DIMITROVSKY, Showing Artist’s Cinema in the
22nd Century
Ayca BAYARK, Rethinking Museums and the Role of New Media in
Represention
Tjarda de HAAN, Project: re:DDS, a case study of webarchaeology Kathy 
Rae HUFFMAN, The archive as a personal exploration
Kristian LUKIC, Media Art, Commons and Artificial Scarcity


13.45-15.15
PARADIGM SHIFT: PANEL B

Ilva SKULTE, Poetry is/or Art
Marialaura CHIDINI, Where the work is. Discussing post-media conditions

after renewed approaches to online artistic production
Damien CHARRIERAS, The gamification of New Media Arts? The effictivities 
of video game engines in new media arts worlds
Emit SNAKE-BEINGS, DiY participatory culture: Allowing space for 
inefficiency, error and noise
Laurent FENTON, A Garden of Machines: human/technological entanglement

and the emergence of robotic art


ARCHIVING – PANEL B ( t.b.a.)

John HOPKINDS, The Energy of Archive
Paul FEIGELFELD, Friedrich Kittler’s Source Code as Media-Historica
Source
Frieder NAKE, Recording and Recoding
Anne LAFORET, Net art preservation: expiration date vs network eternity, 
using Jodi’s OSS/ as case study


EE-HISTORIES – PANEL A  (t.b.a.)

Andy SMIRNOV, Music out of Noise, Light and Paper
Adair ROUNTHWAITE, Document to Destroy? Traces of the Exhibition-Actions 
of the Grupa Sestorice Autora
Aneta PANEK, Paris-Berlin-Warsaw. Experimental Film in France, in 
Germany, and in Poland in the 1970s and the 1980s. Experiment, Autonomy

and Subversion
Silva KALCIC, Architecture and New Media Art / Media facades, video and

light-installations in the context of Croatian Contemporary Arts
Vytautas MICHELKEVICIUS, Mapping and Archiving Lithuanian Media Art: 
Regional Failures and Achievements since 2000s


15.30 – 17.00
ARCHIVING – ON CONSERVATION (in museums and in academia)

Joanna PHILLIPS, Sustaining Media Art Collections: A New Focus in
Conservation
Patricia FALCAO, Managing Inherent Change
Martina PFENNINGER, Extending Contemporary Art Conservation
Agathe JARCZYK, Building the Foundations for a New Conservation
Speciality


EE-HISTORIES – PANEL B

Agnieszka JELEWSKA, The Algorithms of New Democratization. Polish Art
in Digital Era
Slavo KREKOVIC, Tracing Discontinuities: Writing Histories of 
Experimental Sound-based Media in Slovakia and Central/Eastern Eruope
Andrew PATERSON, Contextual Media Experiments: Locative axis between
Finland and Latvia
Ravio KELOMEES, Constructing Narrative in Interactive Documentaries

17.00-18.00
ARCHIVING – PANEL C

Francesca FRANCO, Re:shaping new challenges – the origins and future
of a series of interactive generative artworks b British artist Ernest
Edmonds, 1980s – 2000s
Aurelie HERBERT, Immaterial art stock project: conservation challenges

and issues of digital art works carried out in online immersive
platforms
Laura LEUZZI, Italian video art centres and archives: a treasures yet
to discover
Angela BARTHOLOMEW, Chronicling Closure: Digital Initiatives and Virtual 
Visibility at the Stedelijk Museum (2004-20011)
Geoff COX, Joasia KRYSA, Nicolas MALAVE, Michael MURTAUGH, Acting 
on/with the Archive: its potential as computational form
Clarisse BARDIOT, A video-annotation software to document digital
performances
Sandra FAUCONNIER: The CD-ROM Cabinet: a non-institutional documentation 
and preservation initiative
Ianina PRUDENKO, Ukrainian media art. Experience of archiving Ricardo 
Dal FARRA: e-arts conservation: between ethical concerns and practical
strategies
Grayson COOKE, Amanda REICHELT-BRUCHETT, Materiality and Digitality en

mal d’archive: the “after” | “image” project
Kari YLI-ANNALA, From Helsinki Film workshop to VILKE, artists media
art collection
Jana WEDEKIND, ON:meedi:a – Online Multimedia Archiving for New Media
Art
Heinz-Gunter KUPER, Jens-Martin LOEBEL, HyperImage 3.0: Of Layers, 
Labels and Links


9.30-18.00
EE-HISTORIES – PANEL C

Barbora SEDIVA, Katarina GATIALOVA, REMAKE: REthinking Media Arts in 
C(K)ollaborative Environments
Aleksandra KAMINSKA, Hypermediation in the Ruins of Socialism, Or, 
Concrete Legacies in an Age of Fiction
Peter Tomaz DOBRILA, KIBLA 20 years: The Oldest New Media Center
Irene MACHANDO, Cinematic montage and the emergency of media iconic 
languages

19.00
ART + COMMUNICATION FESTIVAL
EXHIBITION “SAVE AS” OPENING


FRIDAY, OCTOBER 11, 2013

9.30-11.00
NEW IMAGERY – PLENARY SESSION
Chair: Oliver GRAU

Douglas KAHN, The Arts of Energetics
Christiane PAUL, Digital Aesthetics Now and Tomorrow
Giselle BEIGUELMAN, Memories of Sand: Digital art, cyberculture and the

urgency for a new approach to memory
Paul THOMAS, Richard Feynman’s diagrams, quantum physics, parallel 
universes and the potential for expression in media art


11.15-13.00
NEW IMAGERY – PANEL A
Chair: Wendy COONES

Ashley SCARLETT, Materiality & New Media Materials
Alessandro LUDOVICO, Bronac FERRAN, Portraits of the XXI century: 
representation and misrepresentation of face and artistic responses
Florian WIENCEK, Activating The Archive: Meta-Experiences of Media Art
Ana Carolina da CUHNA, Damian Peralta MARINELARENA, Valentina Montero 
PENA, Participatory Art and Mobile Webs in the Latin American context:

the influence of free and corporative mobile communication networks on

participatory art proposals


GEOSPATIAL – PANEL A

Erandy VERGARA, Motion, Perception and Interaction: Discussing the 
Kinetic Genealogies of Interactive Arts
Mark TUTERS, Avant-garde of the Control Society: Locative Media 10
Years On
Eva KEKOU, informational space and its architectural interpretation
Josephine STARRS, Sense of place: site specific artworks in Australia
David Maulen de los REYES, Prospective interfaces from an alternative 
modernity Project. South American Integral Architecture, Organic 
Constructivism & Bio Digital Architecture


13.45-15.15
NEW IMAGERY – PANEL B
Chairs: Oliver GRAU, Wendy COONES

Gabriel Menotti GONRING, Multi-projection films, almost-cinemas & VJ 
performances: spacial arrangements of moving image presence
Jungyeon MA, Renewing the Story of CTG: Haruki Tsuchiya’s Lifelong 
Research on Energy
Venzha CHRIST, Micronation/Macronation
Olga KISSELEVA, Media art as a tool to build a post-industrial society:

an example from the Ural Biennale


TECHNO-ECOLOGIES – PANEL A (t.b.a.)

Brian DEGGER, Fermentations and net.culture as resiliency practices
Asa STAHL, Living and Dying with Obsolescence
Julian PRIEST, Gravito Ergo Sum


15.30-16.45
ART-SCIENCE – PANEL B

Ryszard W. KLUSZCZYNSKI, Curating Art and Science
Roberta BUIANI: Representing the microscopic: ecological vs sustainable
in art and science
Marta HEBERLE, Redefining bio art
Maciej OZOG, Reinventing the body in musical performance. From 
Biosignals sonifiication to wetware
Richard LOWENBERG, Richard Lowenberg: A Personal experience-based
his-story
Erich BERGER, Field_Notes – A brief history of art&science filed work

in the context of the endeavors of the Finnish Society


EDUCATION – PANEL A  (t.b.a.)
Nina CZEGLEDY, Paradigm shifts in media art/science education
Mirjana KOVACEVIC, Branislav EGIC, New artistic performances


17.00-18.00
NEW IMAGERY – PANEL C

Laine KRISTBERGA, Feminist Aesthetics in the Baltic Video Art
Laura BELOFF, Crafting Techno-Ecological Human
Amy Suo WU, Darija MEDIC, Colonizing  the irrational
Margaret MORSE, Phone 5 on Cloud 9


GEOSPACIAL + TECHNO-ECOLOGIES PANEL C (t.b.a.)

Charlotte BYDLER, Jonatan Habib ENGQVIST, Cosmopolitanism, Mimicry and

Opacity – Networked Art and the Deprivation / Depravation of
Publicity
Jose Miguel Gomez PINTO, Hybrid square – the use of new media as a 
management tool towards a common urban space activation
Dusan BAROK, The Aesthetics of Early East-West Online Communication
Qian CHEN, Driving video characters MAD – Recording of video footages

as seen in current amateur video-edition cultures
Alejo DUQUE, Sincretic-Tech
Cecelia CMIELEWSKI, Remote Interventions (v4)
Claudia ROSELLI, Resilient networks through art practices. Old Delhi
– New Media
Andres BURBANO VALDES, Inventions at the Borders of History
Clea T. WAITE, Media is not a medium (it’s garbage)
Kuai Shen AUSON, 0h!m1gas: biomimetic stridulation environment
Maryse OUELLET, A Renewed Sublime : Images of Infinity in Damatics by
Ryoji Ikeda
Takis ZOURNTOS, Marjan VERSTAPPEN, Caroline LANGILL, Dot TUE, 
Speculative Realist Media Art Technologies: Probing into the Nature of
Things Juan Carlos Duarte REGINO, Sonic Ludic Interaction: Pulsar Kite 
as an artistic research on sound feedback within eco logical space
Tega BRAIN, Brad MILLER, le_temps: A media arts response to Big Biology

Data in the Anthropocene Christoph THEILER, Renate PITTROFF, Fluid 
control-media evolution in
water
Aura BALANESCU, The Integrative Media Work of Art, the Keystone of a
New Reality
Leif BRUSH, Terrain Instrument 12


9.30-18.00
POSTER SESSION: NEW IMAGERY + GEOSPATIAL + TECHNO-ECOLOGIES


18.30
KEYNOTE LECTURE by Lev MANOVICH


21.00
ART + COMMUNICATION FESTIVAL PERFORMANCE by Edwin van der HEIDE and J.P. 
SONNTAG

http://www.mediaarthistory.org/renew/programme_venues