[spectre] Race with Time 2. Performancein a Rear-view Mirror

[Darko Fritz]

> Begin forwarded message:
> 
> From: grey) (area . siva) (zona <info at sivazona.hr>
> Subject: Race with Time 2. Performancein a Rear-view Mirror
> Date: 11 Jun 2015 23:26:23 CEST
> To: Darko <darko at darkofritz.net>
> Reply-To: grey) (area . siva) (zona <info at sivazona.hr>
> 
>  <http://sivazona.us8.list-manage1.com/track/click?u=143feae3cde083fd96d1a6e95&id=b7a319fd9b&e=a525aff784>
> Race with Time 2.
> Performance in a Rear-view Mirror
> 
> Exhibition
> June 15– July 7, 2015
> Opening: Monday, June 15,  9pm -11 pm
> 
> Curator: Barbara Borčić
> Artists: Martina Bastarda / Mateja Ocepek / Nataša Skušek, Mateja Bučar, Ana Čigon, Tomaž Furlan, Marko A. Kovačič, Miha Vipotnik
>  
> 
> Lecture and screening
> Barbara Borčić: DIVA Station – archiving of images and time
> June 28, 2015
> 
> Action, happening and performance were a direct reaction to the prevailing formalist and market-driven art in the 1950s and 1960s. As the new means of expression at the intersection of visual art and theatre, they have somehow been pertinent to both fields; nonetheless, they have regularly been overlooked in the canonised history books and surveys.
> 
> In the context of Conceptual Art and New Artistic Practices, video art has met a similar reception. Apart from being a strongly individualistic activity, performance and video share various other features, such as inappropriate production conditions and lack of critical writing. It is also questionable whether they have found a pertinent field of representation, in the sense that the gallery is the field of representation of visual art, theatre of performing art, and the movie theatre that of film; while, television and the Internet seem to be the testing ground for all manners of production. It is also possible that performance and video mostly belong to the fields of other art forms, often overlapping and integrating other so-called new media.
> 
> The relationship between performance and video has always been multilayered and followed a preceding relation between film and action.
> 
> The relationship between performance art and video art could be schematically demonstrated by four modes:
> 1) video as a document of performance,
> 2) video as a part of performance / performance as a part of video,
> 3) (video) performance, staged only for the camera, and
> 4) performance made possible only through video, its expressive and technological possibilities for processing and editing.
> 
> 
> Marko A. Kovačič: Casus belli, 1983, video performance
> grey) (area has a new website sivazona.hr <http://sivazona.us8.list-manage.com/track/click?u=143feae3cde083fd96d1a6e95&id=54a1e1e5c9&e=a525aff784>!
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> gallery is open daily from 21 to 22 h.
> Put Sv. Nikole bb (promenade close to the town centre)
> free entrance
> 
> supported by
> zaklada Kultura Nova
> Ministry of Culture of the Republic of Croatia
> 
> 
> 
> 
> 
> 
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> siva) (zona grey) (area · Ulica Giunio 11 · pp. 95 · Korčula 20260 · Croatia 
> 
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