[spectre] Medialogue Basel - new starting time for our date next week
felix.gerloff at fhnw.ch
Wed Mar 30 15:22:17 CEST 2016
the starting time for our next session on April 6th was changed to 8 pm. We are looking forward to a performative lecture by artist and writer Brandon LaBelle. Everybody is welcome to join.
Forum for Media, Art and Design Research
Medialogue is a joint research colloquium of the Institute of Media Studies, University Basel, and the Institute of Experimental Design and Media Cultures, Academy of Art and Design FHNW. Medialogue will serve as a forum of exchange on current issues of media (research) practice, a testing ground for research approaches and hypotheses, and an endeavour to extend the very format of a colloquium. Medialogue as a series will take place at different locations and combine elements like demonstrations, guest lectures, text discussions, and experiments.
All are always welcome. For further questions and to receive any preparatory material do not hesitate to contact Felix Gerloff<http://www.ixdm.ch/team/felix-gerloff/>.
6.4., 20.00 Uhr: Brandon LaBelle: Second Culture Session
Inspired by the concept of second culture developed in former Czechoslovakia, the performance is a meditation on the politics of listening and territory. What might we hear within the frame of second culture? Is there a second listening to be performed, one that might give space for a polyphony of soundings? Staged as a session of collective listening, the performance considers sound as a vital medium for subject formation, and asks us to hear beyond the territorial rigidity of first culture, to form a temporary node of emancipatory acoustics.
Brandon LaBelle is an artist, writer and theorist working with sound culture, voice, and questions of agency. He develops and presents artistic projects and performances within a range of international contexts, often working collaboratively and in public. His artistic work has been presented at South London Gallery (2016), Liquid Architecture, Melbourne (2015), NGBK, Berlin (2014), Whitney Museum, NY (2012), Image Music Text, London (2011), Sonic Acts, Amsterdam (2010), A/V Festival, Newcastle (2008, 2010), Instal 10, Glasgow (2010), Museums Quartier/Tonspur, Vienna (2009), 7th Bienal do Mercosul, Porto Allegro (2009). Also a prolificwriter, his books include Lexicon of the Mouth: Poetics and Politics of Voice and theOral Imaginary (2014), Diary of an Imaginary Egyptian (2012), Acoustic Territories: Sound Culture and Everyday Life (2010), and Background Noise: Perspectives on Sound Art (2015/2006). He is the editor of Errant Bodies Press and Professor at the Bergen Academy of Art and Design, Norway.
-> Critical Media Lab Basel, Freilager-Platz 1, Building D (high-rise), 3rd floor, http://www.ixdm.ch/contact/
27.4, 18.15 Uhr.: Infrastructures: A Conversation with Shannon Mattern
In this colloquium with infrastructures, media, art and literature scholar Shannon Mattern, we will discuss various pedagogical strategies, representational techniques, and modeling methods that have been employed to promote “infrastructural intelligence” — and we’ll consider what epistemologies, ontologies, ethics, affects, and politics are embedded in those approaches.
Shannon Mattern’s teaching and research address relationships between the forms and materialities of media and the spaces -- architectural, urban, geographical, interactive, etc. -- they create and inhabit. She has written about libraries and archives, media companies' headquarters, place branding, public design projects, urban media art, media acoustics, media infrastructures, and material texts. She’s the author of The New Downtown Library: Designing with Communities and Deep Mapping the Media City, both published by University of Minnesota Press, and she’s a columnist for Places, a journal focusing on landscape, architecture, and urbanism. You can find her at wordsinspace.net<http://wordsinspace.net/>
25.5., 18.15 Uhr: Heuristics of Re-Enacting Practices and Re-Assembling Tools
This session of Medialogue focuses on the methodological potential of re-enactment and re-assembly within the framework of two PhD projects, setting into motion a critical assessment of specific media archaeological research practices and their adaptability to these projects' contemporary resp. historical subjects. Stefanie Bräuer (Institute of Media Studies, University of Basel) retraces the affordances of the electronic oscilloscope in its appropriated use for generating abstract imagery in 1950s experimental filmmaking. Felix Gerloff (Institute of Experimental Design and Media Cultures, HGK FHNW) investigates current practices of software development in the creative industries both through participant observation and developing his own software project. Hands-on methods have been discussed lively in the fields of media archaeology, history of science, classical archaeology and musicology, as well as concerning didactics, modes of exhibition and practice-lead research. Yet in the process of (PhD thesis) writing, the gap between the discursivity of text and the operativity of practices remains problematic. In this session the concentration on current versus historical subjects of the respective PhD projects shall showcase the re-enactment of practices and tools as well as call for a discussion of their heuristic potentials and breaking points.
-> Pharmazie-Historisches Museum der Universität Basel, Totengässlein 3, CH-4051 Basel, http://www.pharmaziemuseum.ch/
2.3., 18.15 Uhr: Key Concerns in Media Research: Methods, Scope, Relevance - An Introduction
The first session of Medialogue is concerned with questioning key parameters of media research in relation to influential discoursive positions and the groups’ ongoing projects. A special focus will lie on the role of methods and disciplinary confinements, engaging with readings of John Law’s After Method, Brian Holmes’ Extradisciplinary Investigations and others.
-> Seminar für Medienwissenschaft, Holbeinstr. 12, Basel, seminar room on the 1st floor: https://mewi.unibas.ch/seminar/lageplan-oeffnungszeiten/
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