[spectre] Ràdio Web MACBA most listened podcasts March 2019

[Radio Web MACBA]

*Ràdio Web MACBA most listened podcasts March 2019 <https://rwm.macba.cat/>*

*1- **SON[I]A *#284. Luke Fowler(in English)
<https://rwm.macba.cat/en/sonia/luke-fowler/capsula>

Link: https://rwm.macba.cat/en/sonia/luke-fowler/capsula

In this podcast, Luke Fowler talks about music, computers, and instruments,
about infrasound, ultrasound, and thresholds of the listenable, about
archives and obsessions, about affect as a film editing criteria, and about
the enormous complexity involved in representing a person’s life. We also
talk about the forces that make some artists disappear from the cultural
canon altogether in spite of having created fascinating, ground-breaking
work.

*2-* *SON[I]A *#283. Boris Charmatz (in English)
<https://rwm.macba.cat/en/sonia/boris-charmatz-/capsula>

Link: https://rwm.macba.cat/en/sonia/boris-charmatz-/capsula

In this podcast, Boris Charmatz reflects on how to address power structures
within the artistic field. He also talks about polisemy, collectivity,
communities and anti-communities, radical pedagogy, dissent, the Musée de
la danse, the complex and inexhaustible relationship between dance and
history, working inside gestures, and the beauty of older people
skateboarding.

*This podcast is part of Re-Imagine Europe, co-funded by the Creative
Europe programme of the European Union.*


*Music commissioned to Enrico Malatesta. Interview by Quim Pujol. Produced
by André Chêdas*


*3- PROBES 24.2. Auxiliaries, by Chris Cutler
<https://rwm.macba.cat/en/curatorial/probes24-2-chris-cutler/capsula>*Link:
https://rwm.macba.cat/en/curatorial/probes24-2-chris-cutler/capsula

The PROBES Auxiliaries <https://rwm.macba.cat/en/probes_tag> collect
materials related to each episode that try to give a broader – and more
immediate – impression of the field. They are a scan, not a deep listening
vehicle; an indication of what further investigation might uncover and, for
that reason, most are edited snapshots of longer pieces. We have tried to
light the corners as well as the central arena, and to not privilege
so-called serious over so-called popular genres. This auxiliary follows a
variety of toys as they strut their stuff on rock stages, movie
soundtracks, concert halls, galleries an recordings.

*4**-* *SON[I]A *#280. Raqs Media Collective (in English)
<https://rwm.macba.cat/en/sonia/raqs-media-collective-monica-narula/capsula>

Link:
https://rwm.macba.cat/en/sonia/raqs-media-collective-monica-narula/capsula

In this podcast Raqs Media Collective founder Monica Narula
<https://rwm.macba.cat/en/sonia/raqs-media-collective-monica-narula/capsula>
talks
about raga, the technological body, public domain, the ineffability of
time, the Mahabharata, politics of language, exhaustion, dilation and the
legibility. The collective’s output places them at the intersections of
contemporary art, philosophical speculation and “concrete” research — and
it often takes the form of exhibitions, installations, books, films,
encounters, essays and online projects. There is neither a clear succession
nor distinction between theory and practice or action and reflection in
Raqs’ work process. As in much of their practice, categories collapse.



*This podcast is part of Re-Imagine Europe, co-funded by the Creative
Europe programme of the European Union.Music commissioned to Caterina
Barbieri. Interview by Anna Ramos. Produced by André Chêdas.*


*5-  <https://rwm.macba.cat/es/sonia/zenaida-osorio-/capsula>SON[I]A #282.
Zenaida Osorio (only available in Spanish
<https://rwm.macba.cat/es/sonia/zenaida-osorio-/capsula>*

Link: https://rwm.macba.cat/es/sonia/zenaida-osorio-/capsula

En este podcast Zenaida Osorio
<https://rwm.macba.cat/es/sonia/zenaida-osorio-/capsula> hace una lectura
crítica de las representaciones del campesinado en el archivo y relato
oficial de Radio Sutatenza. A partir de este caso de estudio, Zenaida
reflexiona sobre el contraste de las imágenes de país -Colombia para el
caso- que las redes de funcionarios oficiales, productores visuales e
investigadores académicos consideran legítimas. Hablamos con Zenaida de la
diferencia entre imagen y memoria, de guerras contra el analfabetismo que
pueden leerse también como guerras contra el comunismo, de archivos que
gustan mucho, de imágenes que no gustan tanto, movimientos antimemoria,
exposicioncitis y derroche de entrecomillados, Vivaldi, ruanas, mulas con
transistores al lomo, la promesa de lo íntimo y otros dispositivos para
construir vínculos con lo “real”.

*E/N/J/O/Y!!!E/N/J/O/Y!!!E/N/J/O/Y!!!*
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