[spectre] Ràdio Web MACBA most listened podcasts August 2020

Radio Web MACBA rwm2008 at gmail.com
Tue Sep 8 12:13:25 CEST 2020


*Ràdio Web MACBA most listened podcasts August 2020
<https://rwm.macba.cat/en/buscador/radio/etiquetas/listened-july-2020-10841>*

*1- Professor Oyèwùmi:
<https://rwm.macba.cat/en/sonia/sonia-303-oyeronke-oyewumi> "Part of what I
am doing is to historicize how gender became important in the colonies as
the result of the fact that the colonizers brought their ideas about
gender. That is the crook of the matter". *

In this podcast, Professor Oyèwùmi
<https://rwm.macba.cat/en/sonia/sonia-303-oyeronke-oyewumi> talks about
age, seniority, and respect, about unscrupulousness and academia,
dispossession and spirituality. She considers the oxymoron of the notion of
“single mother” from the point of view of Yoruba culture, and she also
notes how observance of community practices from non-Western cultures may
be an unnecessary step as we face the planetary challenges to come.


Link:
https://rwm.macba.cat/en/sonia/sonia-303-oyeronke-oyewumi

*2- Bernard Stiegler:
<https://rwm.macba.cat/en/sonia/sonia-285-bernard-stiegler-bernard-stiegler>
"The
faculty of learning, sharing, and producing knowledge is not at all in the
brain. It is in-between the brains, through technologies".*

In this podcast, Bernard Stiegler
<https://rwm.macba.cat/en/sonia/sonia-285-bernard-stiegler-bernard-stiegler>talks
about education and smartphones, translations and linguists, about economic
war, climate change, and political stupidity. We also chat about
pharmacology and organology, about the erosion of biodiversity, the vital
importance of error, and the Neganthropocene as a desirable goal to work
towards, ready to be constructed.

Link: https://rwm.macba.cat/en/sonia/sonia-285-bernard-stiegler-bernard-
stiegler

*3- Chris Cutler:
<https://rwm.macba.cat/en/research/probes-272-auxiliaries> 'This is not a
musical performance or a recording made with musical intent, it’s a field
recording made in 1974 of four workers at the University of Ghana Post
Office, canceling stamps. They do it this way because it’s more fun. Two
men sit opposite one another, each with a cancelling machine an ink-pad and
a stack of letters.'*

In this new episode of PROBES
<https://rwm.macba.cat/en/buscador/radio/serie/probes-9468>, typewriters
invade every imaginable musical genre, while hoovers, bicycles, lightbulbs,
foley work, the Eiffel tower and mail-franking are all conscripted into
musical employment in quest of novel sonorities.
<https://rwm.macba.cat/en/research/probes-272-auxiliaries>
<https://rwm.macba.cat/en/research/probes-272-auxiliaries>

<https://rwm.macba.cat/en/research/probes-272-auxiliaries>Link:
<https://rwm.macba.cat/en/research/probes-272-auxiliaries>
https://rwm.macba.cat/en/research/probes-272-auxiliaries

*4-* Àngels Ribé:
<https://rwm.macba.cat/en/specials/fons-audio-13-angels-ribe>
<https://rwm.macba.cat/en/research/probes-272-auxiliaries>“L’espai és una
dimensió que no saps a on comença i a on acaba” (only available in Catalan)


Catalan artist Àngels Ribé creates works in which space, nature and the
body become the articulating elements of a poetics of fragility based on
de-emphasising the artistic object, the use of unconventional materials,
and a defense of the ephemeral.

Link: https://rwm.macba.cat/en/specials/fons-audio-13-angels-ribe

*5- Marysia Lewandowska:
<https://rwm.macba.cat/en/sonia/sonia-243-marysia-lewandowska> ‘Everything
that would probably be edited out if it was for broadcast, it is included
in these recordings. And you hear it in the voice.’*

In this podcast, Marysia Lewandowska talks about the Women’s Audio Archive,
about the crucial need to generate counter-narratives in totalitarian
regimes, about networking before networks, about the boundaries between the
private and the public, the negotiations generated by the shift from one
sphere to another, the responsibilities of the archive, and the potential
to generate conversation through art.

Link: https://rwm.macba.cat/en/sonia/sonia-243-marysia-lewandowska

E/N/J/O/Y/
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