[spectre] TERRA XENOBIOTICA OR HOW TO BELONG Artist Talk with Saša Spačal, 25 Nov 7pm | KOJI WORKSHOP with ink Agop 26-27 November

[Art Laboratory Berlin]

Join us on 25 November for and artist talk with Saša Spača talk and on 26-27 November for a Koji Workshop with artist ink Agop

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** TERRA XENOBIOTICA OR HOW TO BELONG
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** Artist Talk | Saša Spačal
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Für die deutsche Version hier klicken (https://artlaboratory-berlin.us10.list-manage.com/track/click?u=3a6fe4a9bb743dd155d72a6a2&id=053dba98b8&e=572b364056)

Date: 25 November 2022
Time: 7:00 pm
Venue: Art Laboratory Berlin, Prinzenallee 34, 13359 Berlin
Donations are welcome.
Please register here: register at artlaboratory-berlin.org (mailto:register at artlaboratory-berlin.org)

Art Laboratory Berlin welcomes you to an Artist Talk with bio media artist Saša Spačal where she will speak about her currently evolving new artistic research project. During the months of October and November 2022 the artist undertakes artistic research for her new project Terra Xenobiotica or How to Belong at the lab of the Rillig Group | Ecology of Plants, Institute of Biology, Freie Universtität Berlin and at Art Laboratory Berlin.

“Terra Xenobiotica is an exploration into a dark alterity of soil ecology, an umwelt of its own, where mineral and organic agents entangle as strangers, but decompose into oneness of the ground that carries biological life in the Zone.

During the residency temporal aspects of xenobiotic substances and metabolisms will be sampled, researched and observed in the vicinity of airports. On the nodes of planetary aviation networks, traces of human grounding and ungrounding will be materially examined to reveal how foreign substances perform gradual belonging.” (Saša Spačal)

Spačal’s projects employ “fascinating biotechnological strategies that enable the physical experience of immersion and the philosophical experience of interconnectedness and networking”, reflects Regine Rapp in her essay Saša Spačal. Symbioses and Planetary Interconnections. “Without ever losing the artistic value of aesthetic experience, Spačal uses current scientific knowledge and laboratory practices of biology – especially microbiology and mycology, the science of fungi. In doing so, she creates particular encounters mediated through non-linguistic forms of perception and exchange – acoustic, electronic and metabolic. The artistic results offer a new repertoire for accessing the world anew in its symbiotic complexity.” (Rapp, R. (2022) ‘Saša Spačal. Symbiosen und planetarische Verflechtungen’, Kunstforum International, 281, p. 116 (https://artlaboratory-berlin.us10.list-manage.com/track/click?u=3a6fe4a9bb743dd155d72a6a2&id=fcd5374f8f&e=572b364056) )

Saša Spačal (www.agapea.si (https://artlaboratory-berlin.us10.list-manage.com/track/click?u=3a6fe4a9bb743dd155d72a6a2&id=7a4ddb4904&e=572b364056) ) is an artist working at the intersection of living systems research, contemporary and sound art. Her artistic research focuses on the development of technological interfaces and relations with organic and mineral soil agents while trying to address the posthuman situation, that involves mechanical, digital and organic logic within contemporary biopolitics and necropolitics.
Her work was internationally exhibited and performed: Ars Electronica Festival (AT), Prix Cube Exhibition (FR), Transmediale Festival (DE), Athens Digital Arts Festival (GR), Perm Museum of Contemporary Art (RUS), Onassis Cultural Center Athens (GR), Chronos Art Center (CHN), Cynetart Festival (DE), National Art Museum of China (CHN), DaVinci Festival (KR), Museum of Contemporary Art Metelkova (SI), Kapelica Gallery (SI), Device_art Festival (CRO), Extravagant Bodies Festival (CRO), Art Laboratory Berlin (DE), Museum of Contemporary Art Vojvodina (SRB), Lisboa Soa Festival (PT), Sonica Festival (SI). She was awarded the Prix Ars Electronica Honorary Mention, nominated for the Prix Cube and the New Technological Art Award.


** PANKE INTERVENTIONS
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** Koji Workshop
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** ink Agop
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Für die deutsche Version hier klicken (https://artlaboratory-berlin.us10.list-manage.com/track/click?u=3a6fe4a9bb743dd155d72a6a2&id=8c7734cc97&e=572b364056)

Date: 26 - 27 November 2022
Time: 1:00 - 6:00 pm (both days)
Venue: Art Laboratory Berlin, Prinzenallee 34, 13359 Berlin
Workshop fee: 20 EUR / 15 EUR

Art Laboratory Berlin welcomes you to our autumn series PANKE INTERVENTIONS with various events by artists and scientists related to the river Panke.

The Koji workshop introduces the symbiotic relationship between microorganisms and human cultural activities by demonstrating the connection between Koji mould and food culture in Japan. Participants make rice koji using koji mould on the first day. We will examine the process of cultivating Koji on rice and learn about how time, temperature and humidity control its growth. In the process of fermentation, they will learn how the enzymes produced by Koji decompose carbohydrates into sugar.

On the second day, we will prepare miso using rice koji. Many Japanese foods also use further fermentation processes, such as the use of lactic acid-bacteria and yeast to further break down monosaccharides produced by Koji into other compounds such as amino acids and alcohol. We will experience the multiple parallel fermentation processes using koji, yeast and lactic acid bacteria. Participants will take home the rice koji and miso they made.

ink Agop is a Japanese Photography & Videography, and Fermentation Art artist, creating installations as well as visual arts based in Berlin. She is also a member of the DIY Hack the Panke collective.
Register here (https://artlaboratory-berlin.us10.list-manage.com/track/click?u=3a6fe4a9bb743dd155d72a6a2&id=1369cec6ac&e=572b364056)

PANKE INTERVENTIONS Festival is supported by BEZIRKSKULTURFONDS MITTE


** Inspired by…
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** Reading Club
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** With Guest Artists Interspecifics
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Für die deutsche Version hier klicken (https://artlaboratory-berlin.us10.list-manage.com/track/click?u=3a6fe4a9bb743dd155d72a6a2&id=0809b22fc9&e=572b364056)

Date: Tuesday, 22 November 2022,
Time: 8 pm CET
Venue: Online (No livestream, no recording)
Moderated by Tuçe Erel

Art Laboratory Berlin is delighted to invite you to take part in our discursive format – a reading club, curated by Tuçe Erel (next to our colloquium, curated by Regine Rapp).

Inspired by… is an event series, a hybrid format derived from reading group and artist talk formats. In each session, an invited artist will choose a specific text or excerpt from a book that was inspirational for the artist’s practice and/or a particular project that the artist will introduce.

The project follows up Tuçe Erel’s Posthumanism Reading Group, organized between 2018-2020. After co-reading and discussing plenty of seminal texts in two years, the club is transforming into a new discussion, presentation and reading program, an online and offline exchange platform in a non-hierarchical and non-institutional infrastructure in the fields of arts, science and technology.


**
Guest Artist on 22 November 2022
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Interspecifics

The sixth and last event of 2022’s Inspired by… will be an online meeting (via zoom) hosted by Art Laboratory Berlin. In this session, Interspecifics, whose work has been featured in the Hackers Makers Thinkers (https://artlaboratory-berlin.us10.list-manage.com/track/click?u=3a6fe4a9bb743dd155d72a6a2&id=6c0790ffae&e=572b364056) exhibition early this year, will be our guest artists. In this session, the collective chose the first chapter of the Ursula K. le Guin’s The Left Hand of Darkness and selected part of Alien phenomenology, or, what it’s like to be a thing by Ian Bogost.

Interspecifics are an independent artistic research bureau founded in Mexico City in 2013. They have focused their research on using sound and A.I. to explore patterns emerging from biosignals and the morphology of living organisms as a potential form of non-human communication, developing a collection of experimental research tools we call Ontological Machines. Interspecifics’ current lines of research are shifting towards exploring the hard problem of consciousness and the close relationship between mind and matter, where magic appears to be fundamental. Sound remains their interface to the universe. Their work has been shaped by the Latin American context, where precarity enables creative action and ancient technologies meet with cutting-edge forms of production.

Interspecifics’ work has been supported by DAAD, International Cities for Advanced Sound, Laboratorio Arte Alameda, Telefonica Foundation, Bancomer BBVA Foundation, and The National Fund for Culture and the Arts in México. Their works have been presented at Bauhaus-Universität Weimar and Universitat der Kunste Berlin in Germany. Museum of Modern art in Medellin in, Colombia. National Council for Culture and the Arts and Museum of Contemporary art in Chile and shown at FACT Liverpool, European Congress for Artificial Intelligence in York, Spektrum, Acud Macht Neu, CTM Festival, and CLB in Berlin, ICAS Festival in Dresden, Casa del Lago, Centro Cultural de España, INDEX at the University Museum of Contemporary Art, Tamayo Museum, New Music Vancouver, Ars Electronica, and Art Laboratory Berlin, and SETI Institute.

Founders: Leslie García, Paloma López.

Members: Emmanuel Anguiano, Felipe Rebolledo, Maro Pebo, Carles Tardío, Alfredo Lozano.

interspecifics.cc/
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