<u><b><a style="color: rgb(0, 0, 0);" href="http://rwm.macba.cat/en/research" target="_blank"><span lang="CA">COMPOSING WITH PROCESS: PERSPECTIVES ON
GENERATIVE AND SYSTEMS MUSIC</span></a><span style="color: rgb(0, 0, 0);"> 1.1<br><br></span></b></u><span lang="CA">COMPOSING WITH PROCESS: PERSPECTIVES ON
GENERATIVE AND SYSTEMS MUSIC is a new Research series for Radio Web MACBA <a href="http://rwm.macba.cat/" target="_blank">http://rwm.macba.cat/</a> curated
by Mark Fell and Joe Gilmore, which explores generative approaches (including
algorithmic, systems-based, formalised and procedural) to composition and
performance primarily in the context of experimental technologies and music
practices of the latter part of the 20th Century. <br>
<br>
</span><u><b><a style="color: rgb(0, 0, 0);" href="http://rwm.macba.cat/en/research" target="_blank"><span lang="CA"></span></a><span style="color: rgb(0, 0, 0);"></span></b></u><span lang="CA">The first episode, entitled 'Continue', is already available online: <br>
</span><u><b><a href="http://rwm.macba.cat/en/research" target="_blank"><span lang="CA"></span></a></b></u><br><span lang="CA"><a href="http://rwm.macba.cat/en/research" target="_blank">http://rwm.macba.cat/en/research</a>
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MP3 file: <br>
<a href="http://bit.ly/aWyOYM" target="_blank">http://bit.ly/aWyOYM</a> <br>
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'Continue' investigates how music can be generated using a wide range of
techniques. These range from very simple procedural systems, such as Mika
Vainio's 'Twin Bleebs' which features two repeating events going in and out of
phase, to David Tudor's 'Neural Synthesis No.9' – a more complex electronic
system which explores indeterminacy through the emulation of neural activity.
The programme also looks at music which has been composed using formal
geometric and mathematical rules, for example: Martin Neukom's 'Studie 18' and
Thomas Brinkmann's '27 Fibonacci Numbers in a Binary Chain'. <br></span><br>
<b><u>COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC 1.2</u><br><br></b>Each episode of COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND
SYSTEMS MUSIC is followed by a accompaniment programme of exclusive
music by some of the leading sound artists and composers working in
generative music. The first one presents two contrasting generative
works by German artist <b>Florian Hecker</b> and Japanese artist <b>Ryoji Ikeda</b>.<br>
<b><br></b>Link: <a href="http://bit.ly/9TmWjK" target="_blank">http://bit.ly/9TmWjK</a><br><br>MP3 file: <a href="http://rwm.macba.cat/uploads/process/cpwp_01_02_exclusives.mp3" target="_blank">http://rwm.macba.cat/uploads/process/cpwp_01_02_exclusives.mp3</a><br>
<br><b>COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC 1.2 Tracklist:</b><br>01:37 Florian Hecker 'Stereo F.A.N.N.', 2010 (30 min 2 s)<br>32:36 Ryoji Ikeda 'untitled (for John Cage)', 2005 (19 min 23 s)<br>
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Enjoy!</span>