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<DIV><FONT face=Arial size=2><FONT face="Times New Roman" size=3>Digicult
presents:<BR><BR><BR>Digimag 64 - May 2011<BR></FONT><A href=""><FONT
face="Times New Roman"
size=3>http://www.digicult.it/digimag_eng/</FONT></A><BR><BR><FONT
face="Times New Roman" size=3>The archive section, past articles and
issues:<BR></FONT><A href=""><FONT face="Times New Roman"
size=3>http://www.digicult.it/en/Archive/</FONT></A><BR><BR><FONT
face="Times New Roman" size=3>The updated list of authors and
critics<BR></FONT><A href=""><FONT face="Times New Roman"
size=3>www.digicult.it/en/credits</FONT></A><BR><BR><BR><FONT
face="Times New Roman" size=3>"...We tend to look for patterns everywhere. This
capability is embedded in our perceptual mechanism and has saved our ancestors
in critical events over millennia, from identifying a moving object in a
grassland or a threatening face in a crowd. But we also look for patterns in
data, information, facts, and stories as a central method for assimilating
knowledge. The way many of these maps and alphabets are displayed can certainly
influence our perception of reality, so it’s very likely that as representation
metaphors shift so will our sense of time and place [...] Despite this rich
graphical diversity, many projects tend to follow noticeable trends and common
principles, which in turn result in a type of emergent taxonomy. This embryonic
and evolving taxonomy provides a portrait of the current state of the practice
and reveals the initial building blocks shaping a new visual language. This
alphabet is not entirely new in the sense that many of its letters are recurrent
visual metaphors used for centuries. But some are combining and recombining old
metaphors in new original ways...."<BR><BR>Manuel Lima , by "Manuel
Lima. Mapping the information space" - by Pasquale
Napolitano<BR></FONT></FONT></DIV><FONT face=Arial size=2><FONT
face="Times New Roman" size=3><FONT face=Arial size=2></FONT>
<DIV><BR>. . . . . . . . . . . . . . . . . . . . . . .
.<BR><BR>[INTERVIEWS]:<BR><BR>VOLUPTUOUS DATA<BR>MATIAS DEL CAMPO AND SPAN
ARCHITECTS<BR><A
href="http://www.digicult.it/digimag/article.asp?id=2063">http://www.digicult.it/digimag/article.asp?id=2063</A><BR>by Sabina
Barcucci<BR><BR>MANUEL LIMA<BR>MAPPING THE INFORMATION SPACE</DIV>
<DIV><A
href="http://www.digicult.it/digimag/article.asp?id=2074">http://www.digicult.it/digimag/article.asp?id=2074</A><BR>by Pasquale
Napolitano<BR><BR>THE ROMAN SPRING BY STALKER<BR>WONDERING AROUND WITH LORENZO
ROMITO</DIV>
<DIV><A
href="http://www.digicult.it/digimag/article.asp?id=2068">http://www.digicult.it/digimag/article.asp?id=2068</A><BR>by Elena
Biserna<BR><BR>SPARKLE LABS<BR>THE SPARKLE OF CREATION<BR><A
href="http://www.digicult.it/digimag/article.asp?id=2065">http://www.digicult.it/digimag/article.asp?id=2065</A><BR>by Zoe
Romano<BR><BR>ZUL MAHMOD<BR>SOUND ART FROM SINGAPORE<BR><A
href="http://www.digicult.it/digimag/article.asp?id=2066">http://www.digicult.it/digimag/article.asp?id=2066</A><BR>by
Robin Peckham<BR><BR>CRITICAL FUSION</DIV>
<DIV>INTERVIEW TO MAURICE BENAYOUN<BR><A
href="http://www.digicult.it/digimag/article.asp?id=2075">http://www.digicult.it/digimag/article.asp?id=2075</A><BR>by Lorenzo
Taiuti<BR><BR>ROBERTO PUGLIESE<BR>DIGITAL BIO-ACOUSTICS</DIV>
<DIV><A
href="http://www.digicult.it/digimag/article.asp?id=2062">http://www.digicult.it/digimag/article.asp?id=2062</A><BR>by Claudio
Musso<BR><BR>TRANSMEDIA<BR>POSTGRADUATE IN ARTS, MEDIA & DESIGN<BR><A
href="http://www.digicult.it/digimag/article.asp?id=2073">http://www.digicult.it/digimag/article.asp?id=2073</A><BR>by Silvia
Bertolotti<BR><BR></FONT><FONT face="Times New Roman" size=3>. . . . . . . . . .
. . . . . . . . . . . . . .<BR><BR>[ESSAYS]:<BR><BR><SPAN
class=titoloscuro><SPAN class=titoloscurogrande>ONLINE MIDDLE EAST<BR><SPAN
class=titolochiarogrande>THE INFINITE POTENTIAL OF MASSES
</SPAN></SPAN></SPAN></FONT></DIV>
<DIV><FONT face="Times New Roman" size=3><SPAN class=titoloscuro><SPAN
class=titoloscurogrande><SPAN class=titolochiarogrande></SPAN><SPAN
class=titolochiarogrande></SPAN><A
href="http://www.digicult.it/digimag/article.asp?id=2071">http://www.digicult.it/digimag/article.asp?id=2071</A><BR>by Emanuele
Andreoli<BR><BR><SPAN class=titoloscuro><SPAN class=titoloscurogrande>REVEALING
INTERSTITIAL SPACES</SPAN></SPAN></SPAN></SPAN></FONT></DIV>
<DIV><FONT face="Times New Roman" size=3><SPAN class=titoloscuro><SPAN
class=titoloscurogrande><SPAN class=titoloscuro><SPAN
class=titoloscurogrande></SPAN></SPAN>PART 2<BR><A
href="http://www.digicult.it/digimag/article.asp?id=2069">http://www.digicult.it/digimag/article.asp?id=2069</A><BR>by Dr.Eugenia
Fratzeskou<BR></SPAN></SPAN></FONT><FONT face="Times New Roman" size=3><BR>. . .
. . . . . . . . . . . . . . . . . . . . .<BR><BR>[REPORTS]:<BR><BR><SPAN
class=titoloscuro><SPAN class=titoloscurogrande>THE INFLUENCERS 2011<BR><SPAN
class=titoloscuro><SPAN class=titolochiarogrande>COLLECTIVE DREAMS, CONTEMPORARY
HEROES</SPAN></SPAN></SPAN></SPAN></FONT></DIV>
<DIV><FONT face="Times New Roman" size=3><SPAN class=titoloscuro><SPAN
class=titoloscurogrande><SPAN class=titoloscuro><SPAN
class=titolochiarogrande></SPAN></SPAN><A
href="http://www.digicult.it/digimag/article.asp?id=2067">http://www.digicult.it/digimag/article.asp?id=2067</A><BR>by Barbara
Sansone<BR><BR>WEFAB: MAKE THE RIGHT THING<BR>DIGITAL FABRICATION IN THE HEART
OF MILAN<BR><A
href="http://www.digicult.it/digimag/article.asp?id=2064">http://www.digicult.it/digimag/article.asp?id=2064</A><BR>by Simona
Casonato<BR><BR>JOSEPHINE BOSMA: NETTITUDES<BR>LET'S TALK NET ART<BR><A
href="http://www.digicult.it/digimag/article.asp?id=2072">http://www.digicult.it/digimag/article.asp?id=2072</A><BR>by Lucrezia
Cippitelli<BR><BR><SPAN class=titoloscurogrande>CAE: THE SPECTRE OF
PLAGUE</SPAN><BR><SPAN class="titolochiarogrande Stile1">BIOLOGICAL WARFARE,
POLITICS OF FEAR</SPAN><BR><A
href="http://www.digicult.it/digimag/article.asp?id=2070">http://www.digicult.it/digimag/article.asp?id=2070</A><BR>by Loretta
Borrelli<BR></SPAN></SPAN></FONT><FONT face="Times New Roman" size=3><BR>. . . .
. . . . . . . . . . . . . . . . . . . .<BR><BR>[COVER]: SPAN
Architects<BR></FONT><FONT face="Times New Roman" size=3><BR>. . . . . . . . . .
. . . . . . . . . . . . . .<BR><BR>From 2005, Digicult has being an
online/offline cultural and editorial platform which focuses on the impact of
new technologies and sciences on art, design, culture and contemporary society.
Founded and directed by Marco Mancuso, is now based on the active participation
of quite 50 professional people, who represent a wide international Network of
journalists, curators, artists, theorists, practioneers and critics. Digicult is
also the editor of the monthly magazine Digimag, which focuses on some cultural,
productive and artistic issues like: internet & networks, hacking &
hacktivism, video art & experimental cinema, sound art & electrinic
music, audiovideo and live media, design & architecture, art & science,
new media & social media, software art & generative art,
performing art & interactive dance, with a strong critic and deep
journalistic approach. Digicult produces an electronic music and audiovisual
podcast, Digipod, linked to the world of netlabels and independent audiovisual
productions online, and also has its own international newsletter service
Diginews. Digicult is actually working with the art agency Digimade as
curator/promoter of some Italian audiovisual artists and designers, presenting
their work within festivals, galleries, exhibitions, events and cultural centers
in Europe and worldwide.Finally, Digicult works as media partner for festivals,
exhibitions & events, developing special curatorial projects, writing texts
for catalogues, organizing workshops and seminars, joining lectures in academies
and universities<BR><BR>. . . . . . . . . . . . . . . . . . . . . . .
.<BR><BR>[DIRECTION AND MANAGEMENT COMMITEE]:<BR><BR>Marco Mancuso (Digicult
project Director and Teacher at New Academy of Fine Arts / Naba of Milan) ;
Claudia D'Alonzo (International Doctorship in Audiovisual Studies, University of
Udine) ; Bertram Niessen (Researcher at Sociology Department of Statale
University of Milan - Bicocca) ; Lucrezia Cippitelli (Phd at Sapienza University
of Rome and Teacher at Academy of Fine arts of L'Aquila)<BR><BR>. . . . . . . .
. . . . . . . . . . . . . . . .<BR><BR>[EDITORIAL BOARD AND
TRANSLATIONS]:<BR><BR>Giovanni Damiola (Technical Consultancy) ; Claudia
D'Alonzo (Press Office) ; Bertram Niessen (Social Networking) ; Giuseppe Cordaro
(Podcast Editing) ; Laurea Magistrale in Traduzione Specialistica, Università
IULM di Milano (Website Translations) ; Lara Freschi - Francesca Lattanzi -
Stefano Avola - Andrea Cariello - (Magazine Translations) ; Paolo Ceresatto
(Magazine Editing)<BR><BR>. . . . . . . . . . . . . . . . . . . . . . .
.<BR><BR>[ADVISORY BOARD]:<BR><BR>An international advisory board for Digicult
will be announced soon...<BR><BR>. . . . . . . . . . . . . . . . . . . . . . .
.<BR><BR>[AUTHORS]:<BR><BR>Tatiana Bazzichelli ; Bertram Niessen ; Teresa De Feo
; Luigi Ghezzi ; Giulia Baldi; Domenico Quaranta ; Massimo Schiavoni ; Monica
Ponzini ; Annamaria Monteverdi; Valentina Tanni ; Lucrezia Cippitelli ; Claudia
D'Alonzo; Barbara Sansone ; Giulia Simi ; Silvia Scaravaggi ; Alessio Galbiati ;
Antonio Caronia ; Loretta Borrelli ; Carla Langella ; Francesco Bertocco ;
Silvia Casini ; Jeremy Levine ; Serena Cangiano ; Micha Cardenas ; Mark
Hencock , Pasquale Napolitano ; Simona Fiore ; Zoe Romano ; Enrico Pitozzi ;
Eugenia Fratzeskou ; Mattia Casalegno ; Robin Peckam ; Sabina Barcucci ; Silvia
Bertolotti ; Simone Broglia ; Claudia Maina ; Elena Biserna ; Maria
Chatzichristodoulou ; Felipe Zuniga ; Mathias Jannson ; Neva Pedrazzini ;
Alexandra Purcaru ; Lorenzo Taiuti ; Pia Bolognesi ; Julianne Pierce ; Thomas
Schielke ; Emanuele Andreoli ; Alessandra
Salviotti</FONT><BR></DIV></FONT></DIV></BODY></HTML>