Sorry for any crosspostings<br><br>Digicult presents:<br><br>DIGIMAG 67 - SEMPTEMBER 2011<br><a href="http://www.digicult.it/digimag_eng/">http://www.digicult.it/digimag_eng/</a><br><br>"...This interest comes from sound in itself and then from being interested in humans and their lives, histories, conditions etc. But we also wanted to go beyond the object and to not objectify and we came across audio as being, in the context of visual arts, in a certain way less, or differently, objectifying than the photograph or the video image; and also for its sculptural and material, or immaterial, qualities; of traveling through space instead of being fixed in its place, or just having one line of projection like video, for example, whose image has a more fixed format. We have been working with sound for a long time: sound was part of the environments we did during the first years of our collaboration; then we used it as a means of intervention in public space. We usually used concrete sound in relationship with space, as a way of shaping it or intervene in it, more than as a narrative element..."<br>
<br>Libia Castro & Ólafur Ólafsson, from "Radicant Aesthetics. Libia Castro & Ólafur Ólafsson" by Elena Biserna<br><br>------<br><br>[INTERVIEWS]:<br><br>RADICANT AESTHETICS. LIBIA CASTRO & OLAFUR OLAFSSON <br>
<a href="http://www.digicult.it/digimag/article.asp?id=2154">http://www.digicult.it/digimag/article.asp?id=2154</a> - by Elena Biserna<br><br>LANFRANCO ACETI. LEA, ISEA AND OTHER CHALLENGES<br><a href="http://www.digicult.it/digimag/article.asp?id=2155">http://www.digicult.it/digimag/article.asp?id=2155</a> - by Herman Bashiron Mendolicchio<br>
<br>ART/TAPES/ 22. INTERVIEW WITH MARIA GLORIA BICOCCHI <br><a href="http://www.digicult.it/digimag/article.asp?id=2158">http://www.digicult.it/digimag/article.asp?id=2158</a> - by Claudia D'Alonzo<br><br>TOUCHING THE MUSIC. BASCHET LABORATORY OF SOUND SCULPTURE<br>
<a href="http://www.digicult.it/digimag/article.asp?id=2149">http://www.digicult.it/digimag/article.asp?id=2149</a> - by Barbara Sansone<br><br>PARALLEL WORLDS. THE MYSTERIOUS DORON GOLAN<br><a href="http://www.digicult.it/digimag/article.asp?id=2152">http://www.digicult.it/digimag/article.asp?id=2152</a> - by Michael Szpakowski<br>
<br>NEW MEDIA ART IN JAPAN. HIDEAKI OGAWA AND THE DEVICE ART<br><a href="http://www.digicult.it/digimag/article.asp?id=2147">http://www.digicult.it/digimag/article.asp?id=2147</a> - by Mauro Arrighi<br><br>PABLO GARCIA-VALENZUELA. THE SOUND ART IN MEXICO CITY<br>
<a href="http://www.digicult.it/digimag/article.asp?id=2148">http://www.digicult.it/digimag/article.asp?id=2148</a> - by Felipe Zuniga<br><br>MAURO CEOLIN: ETHNOGRAPHY OF THE IMAGINARY <br><a href="http://www.digicult.it/digimag/article.asp?id=2157">http://www.digicult.it/digimag/article.asp?id=2157</a> - by Claudio Musso<br>
<br>--------<br><br>[ESSAYS]:<br><br>KOEN VANMECHELEN. CHICKENS, CHICKS & EXPERIMENTAL SUBJECTS<br><a href="http://www.digicult.it/digimag/article.asp?id=2150">http://www.digicult.it/digimag/article.asp?id=2150</a> - by Silvia Casini<br>
<br>THE THEATRE OF SOUND. ACOUSTIC RESEARCH BY FANNY & ALEXANDER<br><a href="http://www.digicult.it/digimag/article.asp?id=2156">http://www.digicult.it/digimag/article.asp?id=2156</a> - by Enrico Pitozzi<br><br>A GUIDE TO AN A-DOCUMENTARY. VISION - RAPRESENTATION - RICREATION<br>
<a href="http://www.digicult.it/digimag/article.asp?id=2159">http://www.digicult.it/digimag/article.asp?id=2159</a> - by Emanuele Andreoli<br><br>OPERATIVE TRANSFORMATIONS - PART 2<br><a href="http://www.digicult.it/digimag/article.asp?id=2146">http://www.digicult.it/digimag/article.asp?id=2146</a> - by Eugenia Fratzeskou<br>
<br>--------<br><br>[REPORTS]:<br><br>ART & NETWORKED CULTURE. TALLIN AND THE NEW MEDIA ART<br><a href="http://www.digicult.it/digimag/article.asp?id=2151">http://www.digicult.it/digimag/article.asp?id=2151</a> - by Mathias Jansson<br>
<br>WEB AESTHETICS. VITO CAMPANELLI AND THE MEDIA AESTHETICS<br><a href="http://www.digicult.it/digimag/article.asp?id=2153">http://www.digicult.it/digimag/article.asp?id=2153</a> - by Pasquale Napolitano<br><br>--------<br>
<br>[ATTACHMENT]:<br><br>BIOARTCAMP. AN ADVENTURE UPON THE ROCKY MOUNTAINS<br><a href="http://www.digicult.it/digimag_eng/allegato.asp">http://www.digicult.it/digimag_eng/allegato.asp</a> - by Jamie Ferguson<br><br>[COVER]:<br>
<br>Libia Castro & Ólafur Ólafsson, Under Deconstruction<br><br>--------<br><br>[THE DIGICULT PROJECT]:<br><br>From 2005, Digicult has being an online/offline cultural and editorial platform which focuses on the impact of new technologies and sciences on art, design, culture and contemporary society. Founded and directed by Marco Mancuso, is now based on the active participation of quite 50 professional people, who represent a wide international Network of journalists, curators, artists, theorists, practioneers and critics. Digicult is also the editor of the monthly magazine Digimag, which focuses on some cultural, productive and artistic issues like: internet & networks, hacking & hacktivism, video art & experimental cinema, sound art & electrinic music, audiovideo and live media, design & architecture, art & science, new media & social media, software art & generative art, performing art & interactive dance, with a strong critic and journalistic approach<br>
<br>[DIRECTION & MANAGEMENT COMMITEE]:<br><br>Marco Mancuso (Professor at Naba Academy of Milan, Visiting Professor at Transmedia School of Brussels) ; Claudia D'Alonzo (International Doctorship in Audiovisual Studies, University of Udine) ; Bertram Niessen (Researcher at Sociology Deparment of Statale University Milan - Bicocca) ; Lucrezia Cippitelli (Phd at Sapienza University Rome and Professor at Fine Arts Academy of L'Aquila)<br>
<br>[EDITORIAL STAFF & TRANSLATIONS]:<br><br>Marco Mancuso (Director) ; Claudia D'Alonzo (Press Office) ; Paolo Ceresatto, Martina Panelli, Alessandra Coretti (Editing) ; Paola Barisani (English Review) ; Meryem Dipdere (Social Networking) ; Giovanni Damiola (Technical Consultancy) ; Riccardo Vescovo (Graphic Design) ; Chiara Colella (Marketing Manager) ; Paolo Borsatti (Marketing Accountant) ; Simona Casonato (Outreach Manager) Laurea Magistrale in Traduzione Specialistica, Università IULM di Milano (Website Translations) ; Lara Freschi, Francesca Lattanzi, Stefano Avola, Andrea Cariello, Roberta Buiani, Roberta Meloncelli (Magazine Translations) <br>
<br>[AUTHORS]:<br><br>Tatiana Bazzichelli ; Bertram Niessen ; Teresa De Feo ; Luigi Ghezzi ; Giulia Baldi ; Domenico Quaranta ; Massimo Schiavoni ; Monica Ponzini ; Annamaria Monteverdi; Valentina Tanni ; Silvia Bianchi ; Lucrezia Cippitelli ; Claudia D'Alonzo; Barbara Sansone ; Giulia Simi ; Silvia Scaravaggi ; Alessio Galbiati ; Antonio Caronia ; Loretta Borrelli ; Carla Langella ; Silvia Casini ; Jeremy Levine ; Herman B. Mendolicchio ; Serena Cangiano ; Micha Cardenas ; Mark Hencock ; Pasquale Napolitano ; Zoe Romano ; Enrico Pitozzi ; Eugenia Fratzeskou ; Mattia Casalegno ; Robin Peckam ; Sabina Cuccibar ; Silvia Bertolotti ; Simone Broglia ; Claudio Musso ; Claudia Maina ; Elena Biserna ; Maria Chatzichristodoulou ; Neva Pedrazzini ; Mathias Jansson ; Felipe Zuniga ; Alexandra Purcaru ; Lorenzo Taiuti ; Pia Bolognesi ; Julianne Pierce ; Thomas Schielke ; Emanuele Andreoli ; Alessandra Saviotti ; Alfredo Cramerotti ; Martina Panelli ; Alessandra Coretti ; Nicola Bozzi ; Michael Spzakowski ; Jamie Ferguson ; Mauro Arrighi<br>
<br>[CONTACTS]:<br><br>Digicult: digital art, design & culture<br>Editorial Director: Marco Mancuso <br>
Via Thaon di Revel 9, 20159, Milan (Italy)<br><a href="http://www.digicult.it/en/">http://www.digicult.it/en/</a><br>Mob. +340.8361816<br><br>