<b>Interview with Anri Sala about his work in general, the use of absence,
and his relationship with sound and the relationship between ruptures and the continuum of history</b><br>
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Link: <a href="http://bit.ly/veLpEI" target="_blank">http://bit.ly/veLpEI</a> <br>
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'1395 Days without Red' is a cinematic project by Šejla Kamerić and Anri
Sala in collaboration with Ari Benjamin Meyers. Conceived, developed
and filmed collaboratively, it led to the production of two separate
films, which were presented together for the first time at MACBA. <br>
<br>
The
two films take viewers on a journey into the past from the perspective
of the present, through the artists' daily routes in today's Sarajevo,
which recreate what was once known as 'Sniper Alley'. <br>
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In his
films, photographs and installations, Anri Sala has developed a body of
work in which the notions of space, time and sound become interlinked
key elements approximating fragments of a more complex reality. Through a
seemingly simple story, he places the viewer in a complex scenario from
a social, political and historical point of view. In many of his
works, sound is an essential structural element that requires a huge
conceptual leap: he does not make sound tracks for his films; he makes
sound track films that are increasingly musical, less narrative and
extremely abstract.<br>
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