<b><u>+ Ràdio Web MACBA's most read contents (January - June, 2012)<br></u></b><br><b>1- QUADERNS D'ÀUDIO. Conversation with Joel Peterson on graphic notation<br></b>Link: <a href="http://bit.ly/ycPYj1" target="_blank">http://bit.ly/ycPYj1</a><br>
PDF: <a href="http://bit.ly/KwACKn" target="_blank">http://bit.ly/KwACKn</a><br><br>This is a conversation by email with composer, improviser and sound artist Joel Peterson, which took place on February-March 2012.<br><br>
<b>2- MEMORABILIA. COLLECTING SOUNDS WITH... Conversation with Kenneth Goldsmith on his sound collection<br></b>Link: <a href="http://bit.ly/IoDRkN" target="_blank">http://bit.ly/IoDRkN</a><br>PDF: <a href="http://bit.ly/JVv1yU" target="_blank">http://bit.ly/JVv1yU</a><br>
<br>This is a conversation by email with record and sound collector Kenneth Goldsmith, which took place on April 2012, to prepare a monograph on his sound collection.<br><br><b>3- MEMORABILIA. COLLECTING SOUNDS WITH...Kenneth Goldsmith. Lecture transcript<br>
</b>Link: <a href="http://bit.ly/MGpw8r" target="_blank">http://bit.ly/MGpw8r</a><br>PDF: <a href="http://bit.ly/LCN1ju" target="_blank">http://bit.ly/LCN1ju</a><br><br>Transcript of Kenneth Goldsmith's lecture: "From collector to archivist: seven thoughts".<br>
<br><b>4- LINES OF SIGHT. A conversation between Tetsuo Kogawa and Yasunao Tone. Transcript<br></b>Link: <a href="http://bit.ly/L24f8s" target="_blank">http://bit.ly/L24f8s</a><br>PDF: <a href="http://bit.ly/JMBf5O" target="_blank">http://bit.ly/JMBf5O</a><br>
<br>Transcript of the conversation between Tetsuo Kogawa and Yasunao Tone for LINES OF SIGHT #7.<br><br><b>5- COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #6.1. Transcript<br></b>Link: <a href="http://bit.ly/IlqTZ9" target="_blank">http://bit.ly/IlqTZ9</a><br>
PDF: <a href="http://bit.ly/HHpLwN" target="_blank">http://bit.ly/HHpLwN</a><br><br>Transcript of COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #6.1., curated by Mark Fell and Joe Gilmore.<br><br><b>6- COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #5.1. Transcript<br>
</b>Link: <a href="http://bit.ly/wCIUQp" target="_blank">http://bit.ly/wCIUQp</a><br>PDF: <a href="http://bit.ly/JXMgkj" target="_blank">http://bit.ly/JXMgkj</a><br><br>Transcript of COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #5.1., curated by Mark Fell and Joe Gilmore.<br>
<br><b>7- MEMORABILIA. COLLECTING SOUNDS WITH... William Bennett. Lecture transcript<br></b>Link: <a href="http://bit.ly/KOTxho" target="_blank">http://bit.ly/KOTxho</a><br>PDF: <a href="http://bit.ly/MFwa0d" target="_blank">http://bit.ly/MFwa0d</a><br>
<br>Transcript of William Bennett's lecture: "Musical homeostasis: music not just to be heard".<br><br><b>8- QUADERNS D'ÀUDIO.#2 Cuaderno de Yokohama. By Llorenç Barber<br></b>Link: <a href="http://bit.ly/xWwBWS" target="_blank">http://bit.ly/xWwBWS</a><br>
PDF: <a href="http://bit.ly/af5Jfm" target="_blank">http://bit.ly/af5Jfm</a><br><br><b>9- JOHN CAGE. Apuntes para una relectura del "Roaratorio". Transcripción<br></b>Link: <a href="http://bit.ly/wPobkt" target="_blank">http://bit.ly/wPobkt</a><br>
PDF: <a href="http://bit.ly/IGBc7K" target="_blank">http://bit.ly/IGBc7K</a><br><br>Transcripción de JOHN CAGE. Apuntes para una relectura del "Roaratorio", a cargo de José Manuel Berenguer y Carlos Gómez.<br><br>
<b>10- QUADERNS D'ÀUDIO #5 Processes and systems in computer music; from meta to matter. By Tony Myatt<br></b>Link: <a href="http://bit.ly/w6WOfu" target="_blank">http://bit.ly/w6WOfu</a><br>PDF: <a href="http://bit.ly/fch18C" target="_blank">http://bit.ly/fch18C</a><br>
<br>How processes and systems were applied in early experimental music.<br><br><br><b><u>And remember: 'DO NOT TRUST THE CLOUD' (Kenneth Goldsmith, 2012)<br></u></b><br>Follow us on <a href="http://twitter.com/Radio_Web_MACBA" target="_blank">http://twitter.com/Radio_Web_MACBA</a>