<span style="font-family:verdana,sans-serif">With apologies for cross-posting<br><br>Next week in Berlin<br><br><b>20.11.2012 at FEED: CM VON HAUSSWOLFF </b></span><span style="font-family:verdana,sans-serif"><b><span style="font-family:verdana,sans-serif"><span><b><b><font><span>| </span></font></b></b></span></span>THE SONS OF GOD </b>(Leif Elggren, Kent Tankred)<b><br>
<br>22.11.2012 at West Germany: THYMOLPHTHALEIN </b>(Anthony Pateras, <span><span>Jérôme Noetinger, Natasha Anderson, Clayton Thomas, Will Gutrie)</span></span><br></span><br><span style="font-family:verdana,sans-serif"><span style="font-family:verdana,sans-serif">__________________<br>
<span><span><span></span></span></span></span><span>20.11.2012 at FEED<br>Doors 21h - Concerts 21:30<br>
<br><b>CM VON HAUSSWOLFF </b></span><span><b><b><font><span>|</span></font></b> THE SONS OF GOD</b><br><div> <br> Carl Michael von Hausswolff is a Swedish artist (working with sound,
light and image), composer, curator, an expert on electronic voice
phenomenon pioneer Friedrich Jurgensson, producer, founder of the label
Radium 226.5, and the co-monarch of The Kingdoms of Elgaland-Vargaland.
In his concerts a very physical, almost brutal, side of Hausswolff’s
aesthetics is blended with a droned and polyfrequential beauty. The
audience very often fall into a form of trance, dosing away in their
seats. Other times people experiencing the events have expressed a
“feeling that the flesh came off the bones” due to the vibrations of the
low frequencies used. Collaborators include Graham Lewis, Jean-Louis
Huhta, Pan sonic, Russell Haswell, Zbigniew Karkowski, Erik Pauser, The
Hafler Trio and John Duncan.<br><br>Leif Elggren and Kent Tankred have worked in the arts for over 20 years.
In 1988 they formed the duo, The Sons of God (Guds Söner), a
constellation which moves freely between performance, music and the
visual arts, and whose productions often reach a point where traditional
aesthetic boundaries, limitations and concepts are eliminated.
Everything contributes to the whole and provides the basic structure for
that inquisitive and expansive spirit wh<div>ich
is apparent in the Sons of God´s working method. Sound objects,
pre-recorded compositions, physically demanding movements, the voice,
the staged meetings and conditions, the objects: all of this constitutes
the foundation for an attempt to gain access to those hard rare moments
when daily life merges with the heroic nature of the inner self.</div><br>Kindly supported by Initiative Neue Musik e.V.<br><br> FEED Soundspace <a href="http://6554.de/" rel="nofollow nofollow" target="_blank">http://6554.de/</a><br>
Hobrechtsraße 65 | Hinterhaus, Etage 4<br> 12047 Berlin-Neukölln<br> </div></span></span><span style="font-family:verdana,sans-serif"><b><br>___________________</b><br><span><span><span>22.11.2012</span></span></span></span>
<span style="font-family:verdana,sans-serif"><span><span><span><span><span> West Germany</span></span></span><span><span></span></span></span></span><br><span><span><span>Doors 21h Concerts 21:30<br><br><b>THYMOLPHTHALEIN</b><br>
</span></span></span><span><br>Anthony Pateras: prepared piano and analogue synthesizer<br>
<div> </div></span><span><span>Jérôme Noetinger: tape machines and electronics</span></span></span>
<table cellpadding="0" cellspacing="0"><tbody><tr><td><span style="font-family:verdana,sans-serif"><br></span></td><td><span style="font-family:verdana,sans-serif"><span><div>
Natasha Anderson: recorders, sensors and computer<br> Will Guthrie: drums<br> Clayton Thomas: double bass<br><div>
<br>Since 2009, <b>Thymolphthalein</b> has explored the grass between the cracks –
the fertile wasteland between structure and freedom. Taking their name
from a key ingredient in disappearing ink, game plans are established
and destroyed, paths cleared then obscured, musical links cemented and
ruptured. Electronic and acoustic personas rub together to produce a
special kind of tension between utopian pasts and and broken futures.<br> <br>
Anthony Pateras (piano and syntheszier) is a prolific, multi-facted
composer with an interest in analogue modular systems and extended
piano. Jérôme Noetinger (tape machines and electronics) is the
originator of live Revox techniques in an improvised context, developed
over two decades with his seminal audio-visual group Metamkine. Natasha
Anderson (recorders, sensors and computer) splices a performance history
in Baroque music with digital signal processing and a unique
compositional focus on the uncanny. Clayton Thomas (double bass) infuses
his virtuosic bass technique and tone with obsessions running though
hip-hop, R&B and jazz, combined with a dedication to playing any
musician who seeks to challenge. Will Guthrie (drums) is one of the few
drummers who can boast a history in jazz, flamenco, hip-hop and noise,
widely regarded as one of the driving forces of Australian free music.
Having featured initially at the SWR New Jazz Meeting in Baden-Baden,
the group has go on to perform at major creative music festivals
throughout Europe and Australia. The quintet’s first album Ni Maître Ni
Marteau was released by Editions Mego in 2011.<br><br>West Germany<br>Skalitzerstr. 133 <br>10997 Berlin-Kreuzberg</div></div></span></span></td></tr></tbody></table>