<font>Sorry for any crosspostings<br><br clear="all"><br></font>
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<p class="MsoNormal"><font><span style="font-family:Helvetica">Digicult
Publishing presents:</span></font></p>
<p class="MsoNormal"><font><span style="font-family:Helvetica"> </span></font></p>
<p class="MsoNormal"><font><span style="font-family:Helvetica">DIGIMAG
JOURNAL</span></font></p>
<p class="MsoNormal"><font><span style="font-family:Helvetica">“PLACES
AND SPACES”</span></font></p>
<p class="MsoNormal"><font><span style="font-family:Helvetica">Issue
73 – Autumn 2012</span></font></p>
<p class="MsoNormal"><font><span style="font-family:Helvetica"> </span></font></p>
<p class="MsoNormal"><font><span style="font-family:Helvetica">Link
online: </span><a href="http://www.digicult.it/media/publications/"><span style="font-family:Helvetica">http://www.digicult.it/media/publications/</span></a><span style="font-family:Helvetica"></span></font></p>
<p class="MsoNormal"><font><span style="font-family:Helvetica">Preview:
</span><a href="http://issuu.com/digicultlibrary/docs/digimagjournal73"><span style="font-family:Helvetica">http://issuu.com/digicultlibrary/docs/digimagjournal73</span></a><span style="font-family:Helvetica"></span></font></p>
<p class="MsoNormal"><font><span style="font-family:Helvetica">Online
Shop: </span><a href="http://www.flows.tv/store/books/content/47%7C54f9c3d33afa511d013afe4260e5000b?channel=47"><span style="font-family:Helvetica">http://www.flows.tv/store/books/content/47|54f9c3d33afa511d013afe4260e5000b?channel=47</span></a><span style="font-family:Helvetica"></span></font></p>
<p class="MsoNormal"><font><span style="font-family:Helvetica">Print
on demand: </span><a href="http://www.lulu.com/shop/marco-mancuso/digimag-journal-issue-73-autumn-2012/paperback/product-20511590.html"><span style="font-family:Helvetica">http://www.lulu.com/shop/marco-mancuso/digimag-journal-issue-73-autumn-2012/paperback/product-20511590.html</span></a><span style="font-family:Helvetica"></span></font></p>
<p class="Paragrafobase"><font><span style="font-family:Helvetica"><br>
</span></font>
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</p><p class="MsoNormal"><font><span style="font-family:Helvetica">EDITOR-IN-CHIEF:</span></font></p>
<p class="MsoNormal"><font><span style="font-family:Helvetica">Marco
Mancuso</span></font></p>
<p class="MsoNormal"><font><span style="font-family:Helvetica"> </span></font></p>
<p class="MsoNormal"><font><span style="font-family:Helvetica">EDITING:
</span></font></p>
<p class="MsoNormal"><font><span style="font-family:Helvetica">Roberta
Buiani, Berna Ekim, Marco Mancuso</span></font></p>
<p class="MsoNormal"><font><span style="font-family:Helvetica">
</span></font></p>
<p class="MsoNormal"><font><span style="font-family:Helvetica">ADVISORY
BOARD:
</span></font></p>
<p class="MsoNormal"><font><span style="font-family:Helvetica">Lucrezia
Cippitelli, Claudia D’Alonzo, Marco Mancuso, Bertram Niessen, Roberta Buiani</span></font></p>
<p class="MsoNormal"><font><span style="font-family:Helvetica">
</span></font></p>
<p class="MsoNormal"><font><span style="font-family:Helvetica">CONTRIBUTING
AUTHORS:
</span></font></p>
<p class="MsoNormal"><font><span style="font-family:Helvetica">Alessandro
Barchiesi, Martin Conrads, Laura Plana Gracia, Miriam La Rosa, Nina Leo, Donata
Marletta, Janet Marles, Melinda Sipos (Annet Dekker, Gisela Domschke, Angela
Plohman, Clare Reddington, Victoria Tillotson, Annette Wolfsberger), Selena
Savicic, Judson Wright
</span></font></p>
<p class="MsoNormal"><font><span style="font-family:Helvetica"> </span></font></p>
<p class="MsoNormal"><font><span style="font-family:Helvetica">“PLACES
AND SPACES” - THE CALL:
</span></font></p>
<p class="MsoNormal"><font><span style="font-family:Helvetica">The
birth, growth and development of spaces open to the creative and experimental
use of Media and Digital technologies have affected the production and
dissemination of contents, have enriched the art system and its boundaries,
have provided new methodologies of production, modes of art display and
creative practices (and the daily work of individuals engaged in the field).</span></font></p>
<p><font><span style="font-family:Helvetica">Read
more: </span><a href="http://www.digicult.it/media/journal/journal-call-for-papers/"><span style="font-family:Helvetica">http://www.digicult.it/media/journal/journal-call-for-papers/</span></a><span style="font-family:Helvetica"><br>
<br>
WHAT IS DIGIMAG JOURNAL:<br>
Digimag Journal is a new interdisciplinary peer-reviewed online publication,
seeking high-standard articles and reviews at the intersection between digital
art and contemporary art production, the impact of the last technological and
scientific developments on modern society, economy, design, communication and
third millennium creativity.<strong><span style="font-family:Helvetica;font-weight:normal"></span></strong></span></font></p>
<p><font><strong><span style="font-family:Helvetica;font-weight:normal">Read more: </span></strong><a href="http://www.digicult.it/media/journal/"><span style="font-family:Helvetica">http://www.digicult.it/media/journal/</span></a><strong><span style="font-family:Helvetica;font-weight:normal"></span></strong></font></p>
<p><font><span style="font-family:Helvetica">DIGICULT
PUBLISHING</span></font></p>
<p><font><span style="font-family:Helvetica">Digicult Publishing is a publishing
initiative of the Digicult project, whose goal is to be active in the
publication of the Digimag Journal, but also critical and theoretical essays
commissioned to international authors, university thesis of special interest,
publications edited in collaboration with other national and international
publishers, conference proceedings and classes materials connected to
educational activities, as well as peer-reviewed publications with
institutional partners. Digicult Publishing uses all the tools of a
contemporary dynamic digital publishing: the print on demand (POD) approach
through the Digicult Edition platform on Lulu </span><span style="font-family:Helvetica">(</span><span style="font-family:Helvetica"><span><span class="MsoHyperlink"><a href="http://www.lulu.com/spotlight/digiculteditions">http://www.lulu.com/spotlight/digiculteditions</a></span></span>),
the electronic publication initiatives according to The International Digital
Publishing Forum (IDPF) standards through the Online Shop on Flows (<span><span class="MsoHyperlink"><a href="http://www.flows.tv/digicultshop">http://www.flows.tv/digicultshop</a></span></span>), always
giving the chance to join all the prevwievs through the Digicult Library on
Issuu </span><a href="http://issuu.com/digicultlibrary"><span style="font-family:Helvetica">http://issuu.com/digicultlibrary</span></a><span style="font-family:Helvetica">). All contents by Digicult Publishing are circulating under
CC Licences: </span><span style="font-family:Helvetica">Attribution-NonCommercial-ShareAlike 3.0.</span><span style="font-family:Arial"></span></font></p>
<p class="MsoNormal"><font><span style="font-family:Helvetica">UPCOMING
PUBLICATIONS</span></font></p>
<p class="MsoNormal"><font><span style="font-family:Helvetica"> </span></font></p>
<p class="MsoNormal" style="text-align:justify"><font><b><span style="font-family:Helvetica">PageRank#CMdc01B</span></b><span style="font-family:Helvetica"><br>
<span>Edited by Mauro Ceolin, Claudio Musso</span></span></font></p>
<p class="MsoNormal" style="text-align:justify"><font><span style="font-family:Helvetica"> </span></font></p>
<p class="MsoNormal"><font><span style="font-family:Helvetica" lang="EN">The book has the double function of
collecting and continue the experience <i>PageRank#CMdc</i>
born on the occasion of an interview between the two curators published on
Digimag. <i>PageRank # CMdc</i> represents a
new stage of <i>contemporaryNaturalism</i>,
the project with which Mauro Ceolin intended to build a line of research that
has the ability to incorporate a variety of discourses, languages and
meta-languages. Since 2006, in fact, built a path in progress based on the
logics of the catalog and archive to highlight the existence of a biology of
the contemporary imagery. The action is developed in three phases: prologue,
performance, documentation. This volume contains the documentation for all
phases of the project, including an interview with Mauro Ceolin by Pau Waelder
and an unpublished text by Claudio Musso</span></font></p>
<p class="MsoNormal"><font><span style="font-family:Helvetica" lang="EN"> </span></font></p>
<p class="MsoNormal"><font><b><span style="font-family:Helvetica" lang="EN-GB">Connecting Havana</span></b><i><span style="font-family:Tahoma" lang="EN-GB"><br>
</span></i><span style="font-family:Helvetica" lang="EN-GB">Edited by Lucrezia Cippitelli<i> </i></span><em><span style="font-family:Tahoma" lang="EN-GB"><br>
<br>
</span></em></font></p>
<p class="MsoNormal"><font><span style="font-family:Helvetica" lang="EN-GB">With texts by <em>Mirian Real Arci, Lucrezia
Cippitelli, Adolfo Cabrera Perez, Minerva Romero Regalado, </em><i>Connecting Havana</i> is a research and
educational project developed in Havana (Cuba) between September 2010 and
September 2011, curated by Lucrezia Cippitelli with Miguel Petchkovsky</span><span style="font-family:Helvetica" lang="EN-GB">/TIME_FRAME/Netherland
Media Art Institute. The project has been developed as a long-term research and
educational program, focused on time-based and media art from a South/South
perspective. Focusing on time-based and media art as tool of
self-representation and critical process of creation and participation, <i>Connecting
Havana</i> had the chance to visit and involve local creativity, discovering a
local context of artists and producers who use the languages of contemporary
creation as tool of social interaction, political intervention, cultural
critique. Not calling themselves dissidents, not questioning the revolutionary
history of the Country, sometimes working within or with institutions. This
publication is not a simple documentation of the process, but primarily aims to
introduce the work of the artists who participated: a general survey of critical
perspectives on contemporary art practices in Havana from the very last years.</span></font></p>
<p class="MsoNormal"><font><span style="font-family:Helvetica"> </span></font></p>
<p class="MsoNormal"><font><b><span style="font-family:Helvetica">The Materiality of the Ephemeral: The Identity of Live Audiovisual
Performance, Documentation and Memory Construction</span></b></font></p>
<font><span style="font-family:Helvetica">Edited by
Dr. Ana Carvalho<br>
</span><span style="font-family:Helvetica"><br>
The work presented here proposes a theoretical model to document audiovisual
live performance in collaborative environments. Given its ephemeral features
(as flux) and not objectual (or stable), vive audiovisual performance puts to
the front peculiar questions regarding contemporary documentation. The
formulation of a conceptual documentation model develops from a historical and
theoretical framework that defines the identity of the practices, the artists
and community through dynamics of affectation. The model, unique and
specific, serves the purpose to document the creative process, the performative
moment and community gatherings.</span><span style="font-family:Helvetica"> </span>
</font><font size="1"><br><br><br>_____________________________________________________________________________________________________<br><br>
Marco Mancuso<br>
Digital Art, Design & Culture<br>
Digicult Director | Critic, Curator and Professor<br>Largo Murani 4, 20133, Milan (Italy)<br>
Mob. <a value="+393408371816">+39.340.8371816</a> | Skype. Sostakovich<br>
<a href="http://www.digicult.it/" target="_blank">http://www.digicult.it</a></font><br><a href="http://www.digicult.it/digimag" target="_blank"></a><a href="http://www.marcomancuso.net/" target="_blank"></a><div style="display:inline">
</div><br>