<span style="font-family:verdana,sans-serif">With Apologies For Cross-Posting<br><br><br><b>THURSDAY 27.06.2013 at KW</b>, Institute for Contemporary Art<br>Auguststr. 69<br>10117 Berlin<br><b>Doors 19:00 Concerts 20:00<br>
</b><br><b><br>FEED 062713 at KW presents:</b><br><br>Nocturne<br><br><b>STEPHAN MATHIEU<br>
BJ NILSEN<br>PHILIP MARSHALL</b><br><br>Curated by: Pierce Warnecke & Yair Glotmann <br>In collaboration with: Manuela Benetton<br><br><b><br>STEPHAN MATHIEU | The Falling Rocket</b><br><br>The
Falling Rocket is Stephan Mathieu's 10th full-length studio work
following 2011's highly acclaimed A Static Place album for 12k and his
recent collaborations with David Sylvian/Fennesz on Samadhisound, and
Robert Hampson/MAIN on Editions Mego. Here, Stephan performs a suite of
real-time arrangements on the Farfisa VIP 233 organ, a Hohner
Electronium and shortwave receiver. The recordings are densely layered
into massive, seemingly liquid fields of pure sound with the original
instrument's voices reduced to a vague afterglow. At times they're not
unlike the overtone-rich Walls Of Sound of Glenn Branca or Phill
Niblock, with ghost choirs appearing out of nowhere. Tracks like Teide 1
are among the most roaring and brute pieces Mathieu has yet recorded,
while there's also an almost pastoral quietness in tracks like Deneb and
the album as a whole is one of his most accomplished works. Even though
Mathieu uses tone clusters rather than conventional melodies there's
still a rich harmonic and hallucinatory quality inherent to his
compositions.<br>
<br>This is truly cosmic music, without a capital K.<br><br>For his
performance, Mathieu premieres a piece for real-time processed
Electronium, an early analog synthesizer in the shape of an accordion,
developed in 1952 and featured extensively in Karlheinz Stockhausen's
groundbreaking pieces of process- and 'intuitive' music during the
second half of the 1960's. FEED will be equipped with a dedicated quad
system by Funktion One for this occasion.<br>
<br><a href="http://www.schwebung.com" target="_blank">www.schwebung.com</a><br><a href="http://www.dekorder.com" target="_blank">www.dekorder.com</a><br><b><br></b></span><div><span style="font-family:verdana,sans-serif"><b>
<br>BJ NILSEN | The Eye of the Microphone</b></span></div><div><span style="font-family:verdana,sans-serif"><br></span></div><div><span style="font-family:verdana,sans-serif">BJ
Nilsen is a sound and recording artist. Primarily focused on the sound
of nature and its effect on humans, field recordings and the perception
of time and space as experienced through sound, often electronically
treated. He has worked as composer and sound designer for documentary
film, theatre, television and dance and performs his solo work regularly
around the globe creating an immersive and intimate soundworld.</span></div><span style="font-family:verdana,sans-serif">
</span><div><span style="font-family:verdana,sans-serif"><br></span></div><div><span style="font-family:verdana,sans-serif">For FEED 062713 Nocturne, BJ Nilsen will perform
'The Eye of the Microphone' a surrealist audio portrait of London based
on psycho geography and acoustic flanerie as field practice.<br><br><a href="http://www.bjnilsen.com" target="_blank">www.bjnilsen.com</a></span></div><span style="font-family:verdana,sans-serif"><br><br><b>PHILIP MARSHALL</b> <b> | Tape Dj set</b><br>
<br>Philip
Marshall is a designer for print and digital media, living and working
between London and Berlin. He is a close collaborator with the Touch/Ash
International network, one third of <a href="http://3-33.me" target="_blank">3-33.me</a>
and, since 2009, curator of The Tapeworm. He also holds the high office
of Minister of Nothing in the Kingdoms of Elgaland-Vargaland.<br>
<br><a href="http://tapeworm.org.uk" target="_blank">tapeworm.org.uk</a><br><a href="http://3-33.me" target="_blank">http://3-33.me</a><br><br><b><br></b>FEED<br><a href="http://www.6554.de" target="_blank">www.6554.de</a><br>
KW<br><a href="http://www.kw-berlin.de/" rel="nofollow nofollow" target="_blank">www.kw-berlin.de</a></span>