<html><body><div style="color:#000; background-color:#fff; font-family:arial, helvetica, sans-serif;font-size:12pt"><div><br></div><div style="font-family: arial, helvetica, sans-serif; font-size: 12pt;"><div style="font-family: 'times new roman', 'new york', times, serif; font-size: 12pt;"><div class="y_msg_container"><div id="yiv1668674804"><div><div style="color: rgb(0, 0, 0); background-color: rgb(255, 255, 255); font-family: arial, helvetica, sans-serif; font-size: 12pt;"><div style="font-family: arial, helvetica, sans-serif; font-size: 12pt;"><div style="font-family: 'times new roman', 'new york', times, serif; font-size: 12pt;"><div class="yiv1668674804y_msg_container"><br>
<div id="yiv1668674804"><div><div style="color: rgb(0, 0, 0); background-color: rgb(255, 255, 255); font-family: arial, helvetica, sans-serif; font-size: 12pt;"><div style="font-family: arial, helvetica, sans-serif; font-size: 12pt;"><div style="font-family: 'times new roman', 'new york', times, serif; font-size: 12pt;"><div class="yiv1668674804y_msg_container"><div id="yiv1668674804"><div><div style="color: rgb(0, 0, 0); background-color: rgb(255, 255, 255); font-family: arial, helvetica, sans-serif; font-size: 10pt;"><div><div style="color: rgb(0, 0, 0); background-color: rgb(255, 255, 255); font-family: arial, helvetica, sans-serif; font-size: 12pt;">Kritikos, V.10 July-December 2013<br><div><br><font color="#FFFFFF" face="Geneva, Arial, Helvetica, sans-serif"><b><big><big><font size="2"><big><big><big><font size="2"><big><big><b><big><big><font size="2"><big><big><font color="#FFFFFF" face="Arial, Helvetica,
sans-serif"><b></b></font></big></big></font></big></big></b></big></big></font></big></big></big></font></big></big></b></font></div><div><b><a rel="nofollow" target="_blank" href="http://intertheory.org/reviews.htm"><span class="yiv1668674804yshortcuts" id="yiv1668674804lw_1356740137_3"><br></span></a></b></div><div><div><font color="#FFFFFF" face="Geneva, Arial, Helvetica, sans-serif"><b><big><big><font size="2"><big><big><big><font size="2"><big><big><b><big><big><font size="2"><big><big><font color="#FFFFFF" face="Geneva, Arial, Helvetica, sans-serif"><strong><big><big><font size="2"><big><big><big><font size="2"><big><big><strong><big><big><font size="2"><big><big><font color="#FFFFFF" face="Arial, Helvetica, sans-serif"><strong><big><big><font size="2"><big><big><a rel="nofollow" target="_blank" href="http://intertheory.org/muhlstock.htm">An Explanatory Note: On Literary
Singularity...(r.muhlstock)</a></big></big></font></big></big></strong></font></big></big></font></big></big></strong></big></big></font></big></big></big></font></big></big></strong></font></big></big></font></big></big></b></big></big></font></big></big></big></font></big></big></b></font><font color="#000000" face="Arial, Helvetica, sans-serif" size="+1">
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<font color="#FFFFFF" face="Geneva, Arial, Helvetica, sans-serif"><b><big><big><font size="2"><big><big><big><font size="2"><big><big><b><big><big><font size="2"><big><big><font color="#FFFFFF" face="Arial, Helvetica, sans-serif"><strong><big><big><font size="2"><big><big><a rel="nofollow" target="_blank" href="http://intertheory.org/muhlstock2.pdf">Habent Sua Fata Libelli: On Literary
Singularity...(r.muhlstock)</a></big></big></font></big></big></strong></font></big></big></font></big></big></b></big></big></font></big></big></big></font></big></big></b></font><br>
<font color="#FFFFFF" face="Geneva, Arial, Helvetica, sans-serif"><b><big><big><font size="2"><big><big><big><font size="2"><big><big><b><big><big><font size="2"><big><big><font color="#FFFFFF" face="Arial, Helvetica, sans-serif"><strong><big><big><font size="2"><big><big><a rel="nofollow" target="_blank" href="http://youtu.be/ViaNEHHZxy0">Shot to Hell (dedicated to the 113th US Congress)...(n.ruiz)</a><br><br></big></big></font></big></big></strong></font></big></big></font></big></big></b></big></big></font></big></big></big></font></big></big></b></font></div><div><span style="font-style:italic;"><span style="color:rgb(192, 0, 0);"><b>Kritikos Reviews: <a rel="nofollow" target="_blank" href="http://intertheory.org/reviews.htm"><span class="yiv1668674804yshortcuts" id="yiv1668674804lw_1356740137_3">http://intertheory.org/reviews.htm</span></a><br><br><br></b></span></span></div><div><i>Intertheory Press, new
books:</i></div><div><br></div><div>Order
now:<br><br></div><div align="left"><font color="#000000"><b><span class="yiv1668674804yui_3_7_2_34_1385302250090_88" style="font-family: Arial; font-size: 10pt;"><span class="yiv1668674804yshortcuts" id="yiv1668674804lw_1355501895_0"><span class="yiv1668674804yshortcuts" id="yiv1668674804lw_1355587413_0"><span class="yiv1668674804yshortcuts" id="yiv1668674804lw_1355590200_0"><span class="yiv1668674804yshortcuts" id="yiv1668674804lw_1356739838_0">Jean
Baudrillard</span></span></span></span>: From the Ocean to the Desert -<br>
The Poetics of Radicality</span></b></font></div><div align="left"><font color="#000000"><b><span class="yiv1668674804yui_3_7_2_34_1385302250090_89" style="font-family: Arial; font-size: 10pt;"><br></span></b></font></div>
<div><b><span class="yiv1668674804yui_3_7_2_34_1385302250090_90" style="font-family: Arial; font-size: 10pt;"><font color="#000000">by Gerry
Coulter <br></font></span></b></div><div><br><b><span class="yiv1668674804yui_3_7_2_34_1385302250090_91" style="font-family: Arial; font-size: 10pt;"></span></b></div><div><b><span class="yiv1668674804yui_3_7_2_34_1385302250090_92" style="font-family: Arial; font-size: 10pt;"><font color="#000000"><a rel="nofollow" target="_blank" href="http://intertheory.org/gerrycoulter.htm"><span class="yiv1668674804yshortcuts" id="yiv1668674804lw_1355501895_1">http://intertheory.org/gerrycoulter.htm</span></a></font></span></b></div><div><br></div><div><br></div><div>
</div><font color="#000000" face="Arial, Helvetica, sans-serif" size="-1">It is in the deserts of postmodernity where Baudrillard both found and left
us. It is in these deserts that we become aware, as did Baudrillard and
other poststructuralist thinkers, that theory precedes the world (there
is nothing that can be said of the world that is not already framed by our
approach to it). It is within Coulter's absolutely lucid exploration - and
it goes without saying that the work of <span class="yiv1668674804yshortcuts" id="yiv1668674804lw_1373025587_2"><span class="yiv1668674804yshortcuts" id="yiv1668674804lw_1373027521_2"><span class="yiv1668674804yshortcuts" id="yiv1668674804lw_1373297012_0"><span class="yiv1668674804yshortcuts" id="yiv1668674804lw_1377132297_0"><span class="yiv1668674804yshortcuts" id="yiv1668674804lw_1377132425_2"><span class="yiv1668674804yshortcuts" id="yiv1668674804lw_1377465690_0">Jean Baudrillard</span></span></span></span></span></span> should be recognized
in such an appropriate revelation - that Baudrillard's thought is unveiled.<br><br></font>
<div align="left"><font color="#000000" face="Arial, Helvetica, sans-serif" size="-1"><b>About
the Author<br>
</b>Gerry Coulter is the founding editor of the International Journal
of Baudrillard Studies He has received Bishop’s University’s
highest award for teaching – the William and Nancy Turner Prize.</font></div><i><span style="font-size:11.0pt;"><br><br><br></span></i>Order now: <br><br><div align="left"><font color="#000000"><b><span class="yiv1668674804yui_3_7_2_34_1385302250090_96" style="font-family: Arial; font-size: 10pt;">Integral
Reality <br></span></b></font></div><div align="left"><font color="#000000"><b><span class="yiv1668674804yui_3_7_2_34_1385302250090_97" style="font-family: Arial; font-size: 10pt;"><br></span></b></font></div>
<div align="left"><font color="#000000"><b><span class="yiv1668674804yui_3_7_2_34_1385302250090_98" style="font-family: Arial; font-size: 10pt;">by Robert
Hassan and Nicholas Ruiz III</span></b></font></div><div align="left"><br><font color="#000000"><b><span class="yiv1668674804yui_3_7_2_34_1385302250090_99" style="font-family: Arial; font-size: 10pt;"></span></b></font></div><div align="left"><font color="#000000"><b><span class="yiv1668674804yui_3_7_2_34_1385302250090_100" style="font-family: Arial; font-size: 10pt;"><a rel="nofollow" target="_blank" href="http://intertheory.org/ir.html"><span class="yiv1668674804yshortcuts" id="yiv1668674804lw_1355501766_0">http://intertheory.org/ir.html</span></a></span></b></font></div><div align="left"><font color="#000000"><b><span class="yiv1668674804yui_3_7_2_34_1385302250090_101" style="font-family: Arial; font-size: 10pt;"><br></span></b></font></div><span style="font-size:9.0pt;"><br></span><font color="#000000" face="Arial, Helvetica, sans-serif" size="-1">In this political, cultural and philosophical analysis, Hassan and Ruiz
explore developing concepts of time, space and capital in relation to politics
today.<br><br></font>
<div align="left"><font color="#000000" face="Arial, Helvetica, sans-serif" size="-1"><b>About
the Authors<br>
</b></font><font color="#000000" face="Arial, Helvetica, sans-serif" size="-1">Robert
Hassan is a Media and Communications Research Fellow--University of Melbourne,
Australia. His recent books include <i>27/7: Time and Temporality in the
Network Society</i> (Cambridge UP, 2007) and <i>The New Media Theory Reader</i>
(Open UP, 2006)</font></div><div align="left"><font color="#000000" face="Arial, Helvetica, sans-serif" size="-1"><br></font></div>
<div align="left"><font color="#000000" face="Arial, Helvetica, sans-serif" size="-1">Nicholas
Ruiz III, Ph.D was born in New York City in 1970. He is the author of <i>The
Metaphysics of Capital</i> and <i>America in Absentia</i>. He is also
the editor of <i>Kritikos</i>.</font></div></div></div></div></div></div><br><br></div> </div></div></div></div>
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