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<p style="border: none; padding: 0in; line-height: 0.13in"><strong><font
color="#000000"><font face="Arial, sans-serif"><font
style="font-size: 10pt" size="2"><span style="font-style:
normal"><span style="font-weight: normal">Sorry for
X-postings!<br>
<br>
</span></span></font></font></font></strong></p>
<p style="border: none; padding: 0in; line-height: 0.13in"><strong><font
color="#000000"><font face="Arial, sans-serif"><font
style="font-size: 10pt" size="2"><span style="font-style:
normal"><span style="font-weight: normal">Wednesday
Jan 7th 2015 Doors 19:30 Concert 20:30</span></span></font></font></font></strong></p>
<p style="border: none; padding: 0in; line-height: 0.13in"><strong><font
color="#000000"><font face="Arial, sans-serif"><font
style="font-size: 10pt" size="2"><span style="font-style:
normal"><span style="font-weight: normal">RUSSELL
HASWELL + PAINJERK / RASHAD BECKER </span></span></font></font></font></strong>
</p>
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border: none; padding: 0in; line-height: 0.19in">
<br>
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border: none; padding: 0in; line-height: 0.19in">
<strong><font color="#000000"><font face="Arial, sans-serif"><font
style="font-size: 9pt" size="2"><span style="font-style:
normal"><span style="font-weight: normal">@
NK</span></span></font></font></font></strong></h3>
<p style="line-height: 0.13in"><strong><font color="#000000"><font
face="Arial, sans-serif"><font style="font-size: 9pt"
size="2"><span style="font-style: normal"><span
style="font-weight: normal">Elsenstr.
52 2.HH 2.Etage</span></span></font></font></font></strong></p>
<p style="line-height: 0.13in"><strong><font color="#000000"><font
face="Arial, sans-serif"><font style="font-size: 9pt"
size="2"><span style="font-style: normal"><span
style="font-weight: normal">12059
Berlin</span></span></font></font></font></strong></p>
<p style="line-height: 0.13in"><strong><font color="#000000"><font
face="Arial, sans-serif"><font style="font-size: 9pt"
size="2"><span style="font-style: normal"><span
style="font-weight: normal">More
info: <a class="moz-txt-link-freetext" href="http://nkprojekt.de">http://nkprojekt.de</a></span></span></font></font></font></strong></p>
<p style="line-height: 0.13in"><strong><font color="#000000"><font
face="Arial, sans-serif"><font style="font-size: 9pt"
size="2"><span style="font-style: normal"><span
style="font-weight: normal">Russell
Haswell</span></span></font></font></font></strong><font
color="#000000"><font face="Arial, sans-serif"><font
style="font-size: 9pt" size="2"><span style="font-style:
normal"><span style="font-weight: normal"> is
a restlessly forward-thinking, multi-disciplinary
artist, performer
and curator born in Coventry and currently based in
Suffolk, England.
With a background steeped in computer music, black
metal, noise,
techno, free-stye and solo improvisation, his practice
is renowned
for broaching the extremities of visual and sonic arts.
He’s
performed in noted live and HDJ [hard disc jockey]
actions with Aphex
Twin, Gescom, Pan Sonic and Masami Akita (Merzbow),
among others, and
worked with Florian Hecker on Iannis Xenakis’ UPIC
system in their
Haswell & Hecker duo, whose ‘Blackest Ever Black’
(Warner
Classics) LP is widely considered a milestone of modern
electronic
music composition. Russell’s recorded work has also been
published
by a wide number of esteemed imprints, most notably the
8 track CD
catalogue ‘Live Salvage 1997 – 2000′ (Honorable Mention,
Digital Music’s, Prix Ars Electronica) for Editions
Mego, but also
for Warp, Downwards, and his OR label, home to world’s
first
MiniDisc release. Most recently Russell collaborated
with Regis as
Concrete Fence on the combustible ‘New Release’ EP for
PAN
Records, and is currently prepping a forthcoming release
for Powell’s
Diagonal Records and a forthcoming “hyper edit”
collaboration
with PAIN JERK.</span></span></font></font></font></p>
<p style="line-height: 0.13in"><a
href="http://www.haswellstudio.com/"
onclick="javascript:pageTracker._trackPageview('/outgoing/www.haswellstudio.com/');"><font
color="#000000"><span style="text-decoration: none"><font
face="Arial, sans-serif"><font style="font-size: 9pt"
size="2"><span style="font-style: normal"><span
style="font-weight: normal">http://www.haswellstudio.com/</span></span></font></font></span></font></a></p>
<p style="line-height: 0.13in"><strong><font color="#000000"><font
face="Arial, sans-serif"><font style="font-size: 9pt"
size="2"><span style="font-style: normal"><span
style="font-weight: normal">PAINJERK</span></span></font></font></font></strong><font
color="#000000"><font face="Arial, sans-serif"><font
style="font-size: 9pt" size="2"><span style="font-style:
normal"><span style="font-weight: normal"> is
one-man sonic project runs by Kohei Gomi (b.1963).</span></span></font></font></font></p>
<p style="font-style: normal; font-weight: normal; line-height:
0.13in">
<font color="#000000"><font face="Arial, sans-serif"><font
style="font-size: 9pt" size="2">Gomi
began home-recordings of the experiment of the sound in the
mid-80s
when Tascam (Teac) just released 4 multi-tracks cassette
recorder
called “Porta One Studio” for the beginers of
home-recording. He
mixed influence of the punk art (and primitives) and
influence of
method of psychosomatic surrealist. The recorded / performed
work
does not have each with the independent meanings and is the
pieces of
assemblage. And it is also the pieces produced by obsession.</font></font></font></p>
<p style="font-style: normal; font-weight: normal; line-height:
0.13in">
<font color="#000000"><font face="Arial, sans-serif"><font
style="font-size: 9pt" size="2">PAINJERK
is one of the more prolific and influential sound artists of
the 90s,
and is one of the leading figures in the sound of dynamics /
brutality as electro-acoustic outsider. He covers a lot of
gaps like,
various noise-sounds, the experimental /electro-acoustic
music, music
concrete, techno, rave, electronica, sampling culture,
post-punk
methods and mixing them all through his filter.</font></font></font></p>
<p style="font-style: normal; font-weight: normal; line-height:
0.13in">
<font color="#000000"><font face="Arial, sans-serif"><font
style="font-size: 9pt" size="2">This
is not the improvisation. This is not the composition. This
is kind
of the automatic-act by the encoded sound. It becomes the
machinery
and is beauty beyond extreme music.</font></font></font></p>
<p style="font-style: normal; font-weight: normal; line-height:
0.13in">
<font color="#000000"><font face="Arial, sans-serif"><font
style="font-size: 9pt" size="2">He
has collaborated with artists like, Zbigniew Karkowski,
Russell
Haswell, Jackie Oblivia (aka Smegma), John Wiese & etc
and has
contributed to various festivals like, No Fun Festival (the
US),
Avanto Film & Music Festival (Finland), Avant Fesival
(Poland),
All Ears (Norway), LUFF (Swizerland), London Contemporary
Music
Festival (the UK), Multipletap London edition (Japanese
extreme
avant-garde show-case event) and toured in Poland, Spain,
Italy,
Sweden, Norway, Denmark, the UK, Germany, Swizerland, France
and
Belguim in the past.</font></font></font></p>
<p style="font-style: normal; font-weight: normal; line-height:
0.13in">
<font color="#000000"><font face="Arial, sans-serif"><font
style="font-size: 9pt" size="2">Also
he has shared same stage with lots artists like, Brutal
Truth, Mika
Vainio, Mark Fell, Kim Gordon, Jim O’rourke, Norbert
Moslang,
NHK’Koyxen (aka Kouhei Matsunaga) etc etc.<br>
It has been well
known some of are mentioned PAINJERK name in their
interviews like
Aphex Twin, Russell Haswell, Pan Sonic, etc in the past.</font></font></font></p>
<p style="line-height: 0.13in"><strong><font color="#000000"><font
face="Arial, sans-serif"><font style="font-size: 9pt"
size="2"><span style="font-style: normal"><span
style="font-weight: normal">rashad
becker</span></span></font></font></font></strong><font
color="#000000"><font face="Arial, sans-serif"><font
style="font-size: 9pt" size="2"><span style="font-style:
normal"><span style="font-weight: normal"> was
born in 1970 owing to unprotected coition.</span></span></font></font></font></p>
<p style="font-style: normal; font-weight: normal; line-height:
0.13in">
<font color="#000000"><font face="Arial, sans-serif"><font
style="font-size: 9pt" size="2">he
was admitted to the fortress europe at age 12.</font></font></font></p>
<p style="font-style: normal; font-weight: normal; line-height:
0.13in">
<font color="#000000"><font face="Arial, sans-serif"><font
style="font-size: 9pt" size="2">he
grew up to be a certified emergency medical technician and
ornamental
blacksmith but went on dedicating his professional life to
less
useful things.</font></font></font></p>
<p style="font-style: normal; font-weight: normal; line-height:
0.13in">
<font color="#000000"><font face="Arial, sans-serif"><font
style="font-size: 9pt" size="2">since
about 2000 he eats miso for it’s delicious taste and
proclaimed
health benefits.</font></font></font></p>
<p style="font-style: normal; font-weight: normal; line-height:
0.13in">
<font color="#000000"><font face="Arial, sans-serif"><font
style="font-size: 9pt" size="2">since
about 2002 he started losing his hair.</font></font></font></p>
<p style="font-style: normal; font-weight: normal; line-height:
0.13in">
<font color="#000000"><font face="Arial, sans-serif"><font
style="font-size: 9pt" size="2">currently
his live sets evolve around the angle of `traditional music
of
notional species`, a semiabstract synthetic narrative that
seems
appealing to a surprisingly wide audience.</font></font></font></p>
<p style="line-height: 0.13in"><font color="#000000">“<font
face="Arial, sans-serif"><font style="font-size: 9pt" size="2"><span
style="font-style: normal"><span style="font-weight:
normal">Becker’s
name will be known to a lot of people – indeed it
appears on many,
many records – but his music won’t be. His day job is as
the
mastering and cutting engineer in Berlin’s world-famous
Dubplates
and Mastering, where his role involves entering into a
creative
dialogue with the music of others, helping them to
achieve what they
set out to with their compositions in the final product.
Before he
got the D&M gig, he was originally a musician in his
own right,
and he continues with this as an irregular sideline,
making and
manipulating loops and electronic sounds.</span></span></font></font></font></p>
<p style="font-style: normal; font-weight: normal; line-height:
0.13in">
<font color="#000000"><font face="Arial, sans-serif"><font
style="font-size: 9pt" size="2">What
wasn’t a surprise about his performance was how precise it
all
looked and sounded as he carefully twisted dials to produce
a
sequence of very crisp and discrete tones, sparse and
improvisational
(if you had to pick something from Becker’s other work to
compare
this to, it sounded like an early, experimental, Mego, a
less harsh
Pita or Hecker). What was more unexpected was just how
conversational
it all sounded. Most of the<br>
frequencies used were within the range
of the human voice – it sounded like a long
stream-of-consciousness
sentence made up short syllables, electronic oohs and wahs,
sections
of muttering, and occasionally bickering. Whatever he does,
it seems
Becker has the knack of giving sound its voice.” The Liminal</font></font></font></p>
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