<div dir="ltr"><div class="gmail_default" style="font-family:verdana,sans-serif;font-size:small;color:rgb(0,0,102)">Dear Darko,<br><br></div><div class="gmail_default" style="font-family:verdana,sans-serif;font-size:small;color:rgb(0,0,102)">I actually found your forwarded message interesting enough to send to others.<br><br></div><div class="gmail_default" style="font-family:verdana,sans-serif;font-size:small;color:rgb(0,0,102)">Thank you!<br></div><div class="gmail_default" style="font-family:verdana,sans-serif;font-size:small;color:rgb(0,0,102)">Vera<br></div></div><div class="gmail_extra"><br><div class="gmail_quote">On Fri, Feb 6, 2015 at 7:59 PM, Darko Fritz <span dir="ltr"><<a href="mailto:darko@darkofritz.net" target="_blank">darko@darkofritz.net</a>></span> wrote:<br><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex">Well, Brad, I forwarded the Call only, as I noted in the intro.<br>
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Personally, I find the "topic of energy and its social relevance” relevant. At the gallery for media and contemporary art that I’m running, the “Energy” this is one of three programming lines.<br>
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As well: most of the galleries, festivals, mailing lists, residencies, exhibitions, books, magazines, institutions etc have their topics. Artist may find them partners or not. Imagine there are no topics at all — where one artist will present his/her work? At the salons? Even biennales that truly lacking the topics faking them!<br>
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best<br>
d<br>
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> On 07 Feb 2015, at 01:35 am, { brad brace } <<a href="mailto:bbrace@ESKIMO.COM">bbrace@ESKIMO.COM</a>> wrote:<br>
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> why should I work on your "topics?"<br>
> instead o my own work<br>
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> /:b<br>
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