<div dir="ltr"><div class="gmail_quote"><div dir="ltr"><div class="gmail_quote"><div dir="ltr"><div class="gmail_quote"><div dir="ltr"><div class="gmail_quote"><div dir="ltr"><div class="gmail_quote"><div dir="ltr"><div><div><div><div><div class="gmail_quote"><div dir="ltr"><blockquote style="margin:0px 0px 0px 40px;border:none;padding:0px"><blockquote style="margin:0px 0px 0px 40px;border:none;padding:0px"><blockquote style="margin:0px 0px 0px 40px;border:none;padding:0px"><blockquote style="margin:0px 0px 0px 40px;border:none;padding:0px"><blockquote style="margin:0px 0px 0px 40px;border:none;padding:0px"><blockquote style="margin:0px 0px 0px 40px;border:none;padding:0px"><blockquote style="margin:0px 0px 0px 40px;border:none;padding:0px"><blockquote style="margin:0px 0px 0px 40px;border:none;padding:0px"><blockquote style="margin:0px 0px 0px 40px;border:none;padding:0px"><blockquote style="margin:0px 0px 0px 40px;border:none;padding:0px"><blockquote style="margin:0px 0px 0px 40px;border:none;padding:0px"><div class="gmail_quote"><div><div class="gmail_quote"><div><div class="gmail_quote"><div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><span style="font-family:Georgia,serif"><b> Call for entry!</b></span></div></div></div></div></div></div></div></blockquote></blockquote></blockquote></blockquote></blockquote></blockquote></blockquote></blockquote></blockquote></blockquote></blockquote><blockquote style="margin:0px 0px 0px 40px;border:none;padding:0px"><blockquote style="margin:0px 0px 0px 40px;border:none;padding:0px"><blockquote style="margin:0px 0px 0px 40px;border:none;padding:0px"><blockquote style="margin:0px 0px 0px 40px;border:none;padding:0px"><blockquote style="margin:0px 0px 0px 40px;border:none;padding:0px"><blockquote style="margin:0px 0px 0px 40px;border:none;padding:0px"><blockquote style="margin:0px 0px 0px 40px;border:none;padding:0px"><blockquote style="margin:0px 0px 0px 40px;border:none;padding:0px"><blockquote style="margin:0px 0px 0px 40px;border:none;padding:0px"><blockquote style="margin:0px 0px 0px 40px;border:none;padding:0px"><blockquote style="margin:0px 0px 0px 40px;border:none;padding:0px"><div class="gmail_quote"><div><div class="gmail_quote"><div><div class="gmail_quote"><div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><span style="font-family:Georgia,serif"><b>Deadline: 21</b><sup><b>st</b></sup><b> June</b></span></div></div></div></div></div></div></div></blockquote></blockquote></blockquote></blockquote></blockquote></blockquote></blockquote></blockquote></blockquote></blockquote></blockquote><blockquote style="margin:0px 0px 0px 40px;border:none;padding:0px"><blockquote style="margin:0px 0px 0px 40px;border:none;padding:0px"><div class="gmail_quote"><div dir="ltr"><div class="gmail_quote"><div dir="ltr"><div class="gmail_quote"><div dir="ltr"><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;line-height:19.5px;margin-bottom:0in"><font size="4"><br></font></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;line-height:19.5px;margin-bottom:0in"><font size="4"><span style="font-family:Georgia,serif"><i><b><span style="background-image:initial;background-repeat:initial">Alien Talk</span></b></i></span><br><i style="font-family:Georgia,serif"><b>A</b></i><b style="font-family:Georgia,serif"> Summer School </b><span style="font-family:Georgia,serif"><b>at The Barber Shop</b></span></font><br><span style="font-size:13px;font-family:Georgia,serif"><br></span><b><span style="font-size:13px;font-family:Georgia,serif">11 – 17</span><sup style="font-size:13px;font-family:Georgia,serif;line-height:16.25px"> </sup><span style="font-size:13px;font-family:Georgia,serif">August 2015</span></b></div></div></div></div></div></div></div></blockquote></blockquote><div class="gmail_quote"><div dir="ltr"><div class="gmail_quote"><div dir="ltr"><div class="gmail_quote"><div dir="ltr"><blockquote style="margin:0px 0px 0px 40px;border:none;padding:0px"><blockquote style="margin:0px 0px 0px 40px;border:none;padding:0px"><p class="MsoNormal"><font face="georgia, serif" size="6"><b><br></b></font></p></blockquote><blockquote style="margin:0px 0px 0px 40px;border:none;padding:0px"><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><span style="font-family:Georgia,serif"><b>In the peak of summer, The Barber Shop invites you to an intensive programme dedicated to science fiction.</b></span></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><span style="font-family:Georgia,serif"><b><br></b></span></div><div style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:23.2700004577637px;margin-bottom:0in"><span style="font-family:Georgia"><b>As postmodernity’s horizon of reflection is replaced by the refracted cyclopic faith in extreme technologisation, only fictions reign as concrete realities. In the haunting era of climate change, the physical world is transformed by the conception of new psychemocracies. Meanwhile the messianic hope for the nation state is dissolved, just as the paternalistic guidance over the human project becomes dystopian.</b></span></div><div style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:20.7999992370605px"><br></div><div style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:23.2700004577637px;margin-bottom:0in"><span style="font-family:Georgia"><b>This programme will debate the importance of science fiction as a creative mode of self-reinvention, exploring the overlap between 'pataphysics, techno-utopianism, and performance.</b></span></div><div style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:20.7999992370605px"><br></div><div style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:23.2700004577637px;margin-bottom:0in"><span style="font-family:Georgia"><b>Reconsidering the relation between subjects and objects in this scenario, can we see science fiction’s relevance as a reaction to the contemporary political climate of widespread austerity, or does it play other roles? How do humour and atheism intervene in the critique of Artificial Intelligence? Which ontologies will define the cognitive sensoriality of the future?</b></span></div><div style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:20.7999992370605px"><br></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><span style="font-family:Georgia,serif"><b>To explore these issues, The Barber Shop invites researchers, writers and artists to lead a series of lectures and group debates over a week period. The programme also includes a sound performance, a film night, purge exercises and a collective audio walk. The sessions will take place daily from 11</b><sup><b>th</b></sup><b> to 17</b><sup><b>th</b></sup><b> August, as the afternoon heat fades.</b></span></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><br></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><br></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><span style="font-family:Georgia,serif"><b>With presentations by:</b></span></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><span style="font-family:Georgia,serif">Gabriel Abrantes</span></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><span style="font-family:Georgia,serif">Teresa Botelho</span></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><span style="font-family:Georgia,serif">Francesca Daistoiévski</span></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><span style="font-family:Georgia,serif">Godofredo Pereira<br>Jorge Martins Rosa</span></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><span style="font-family:Georgia,serif">João Seixas</span></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><span style="font-family:Georgia,serif">Von Calhau!</span></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><span style="font-family:Georgia,serif">Emily Wardill</span></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><br><br></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><br></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><span style="font-family:Georgia,serif"><b>Description of the lectures:</b></span></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><br></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in">‘<span style="font-family:Georgia,serif"><i><b>Pataphysics in the post media era (or how Jarry was an unknown precursor to Guattari)</b></i></span></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><span style="font-family:Georgia,serif"><span style="background:transparent">by <b>Godofredo Pereira</b></span></span></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><span style="font-family:Georgia,serif">This seminar will discuss Alfred Jarry’s ‘pataphysics together with Raymond Roussel’s “procédé”, to argue how they constitute a theory of celibatory machines, thus preceding Guattari’s later development of the notion of <i>abstract machine</i>. In doing so, the presentation will push ‘pataphysics beyond its strict literary and artistic context, framing it instead as a principle to think what a political practice in a post-media era might be. In this sense the use of ‘pataphysics will be differentiated from recent explorations of accelerationism and, more importantly, related to anthropological theories of cannibalism, fetishism, cargo cult and transculturation. Considering the necessity to develop an appropriation of the technosphere as a domain of political singularisation, ‘pataphysics –as the science of abduction or imaginary solutions- will be seen as critical to the re-imagination of constituent political processes.</span></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><br></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><span style="font-family:Georgia,serif"><i><b><span style="background:transparent">It's All in your Heads: Technologies of Memory as Representations of the Cyborg</span></b></i><b><span style="background:transparent"><br></span></b><span style="background:transparent">by</span><b><span style="background:transparent"> Jorge Martins Rosa</span></b></span></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><span style="font-family:Georgia,serif">Although the concept of cyborg, in its critically-oriented form established by Donna Haraway, cannot be isolated from Shannon's Theory of Information, the stereotype of its visual representation – particularly in blockbuster movies -- is still that of a hybrid between human and machine n which the connection or extension is made through the «hard» bodily dimension. In this presentation we will have the opportunity to explore other kinds of connections, purely mental, that arise from the idea of memory as information, i.e., a recollection of data that can be uploaded, downloaded, stored, and retrieved. With a few passing references to the evolution of Science Fiction as a genre, we will however focus on that very same blockbuster cinema in order to deconstruct the stereotype in its own territory.</span></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><br></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><span style="font-family:Georgia,serif"><i><b>The Universe is God Enough</b></i></span></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><span style="font-family:Georgia,serif">by <b>João Seixas</b></span></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><span style="font-family:Georgia,serif">Hard Science Fiction writer Hal Clement once said that his stories didn’t need villains, for the Universe was villain enough. Indeed, from Tom Godwin’s seminal short-story “The Cold Equations” to the modern Gothic Space Operas by Alastair Reynolds or Peter F. Hamilton, the Universe has been inimical to Man’s aspirations, dreams and desires. And, moreover, Science Fiction’s Universe has been, mainly, a godless place. But also a place where Humanity transcends itself, through Science. Science Fiction’s critical stance towards god and religion, and strong defence of scientific thinking, has long anticipated the post-9/11 “new atheism” of thinkers like Daniel Dennett, Sam Harris, Richard Dawkins or the late lamented Christopher Hitchens. The aim of this presentation is to show - with the help of some relevant texts from SF’s canon and the latest developments on Cosmology - how Science Fiction, as the perfect bridge between popular entertainment, scientific knowledge and technical development, can be used to probe the boundaries of our conception of being human in a Universe where god has no more gaps to hide in.</span></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><br></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><span style="font-family:Georgia,serif"><i><b>Indigenous Potty Humor and Sarcastic AI - </b></i><i><b>The social function of joking relationships from the stateless societies of the Amazon river Basin to the artificial intelligence in sci-fi</b></i></span></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><span style="font-family:Georgia,serif">by <b>Gabriel Abrantes</b></span></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><span style="font-family:Georgia,serif">I want to talk about 'Joking Relationships' in stateless indigenous communities of the Amazon. I will discuss a variety of recorded Joking Relationships in various indigenous groups and how this institutionalised form of transgression functions as a conflict diffuser. Following this I want to ask the question of weather we can consider the humorous robots that have populated popular sci-fi, such as the sarcastic AI in 'Interstellar', C3PO in Star Wars, and Ultron in the Avengers II 'Age of Ultron' to have a 'joking relationship' with the human characters. Can we imagine AI to be funny, can they understand humour, can we get a machine to laugh?</span></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><br></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><span style="font-family:Georgia,serif"><i><b>Dark Windows and Brittle Circumferences</b></i></span></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><span style="font-family:Georgia,serif">by <b>Emily Wardill</b></span></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><span style="font-family:Georgia,serif">A visual lecture looking at the images that make us feel afraid by being there and by being indifferent. Focussing on psychological horrors and thrillers to think about what leaves us hanging - how much fear can be encapsulated in an image and how much can be done with thwarted expectations.</span></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><br></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><span style="font-family:Georgia,serif"><i><b>Transcending the Body: Techno-utopianism in the Twenty-first Century</b></i></span></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><span style="font-family:Georgia,serif"><i>by </i><b>Teresa Botelho</b></span></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><span style="font-family:Georgia,serif">In the nineteenth and early twentieth century the technological imaginary shaped a vast corpus of literary utopian visions of a better world, equating progress with practical achievements brought about by advancing efficiency in production and in communication and transportation systems thought to establish new conditions that would improve humanity’s choices, freeing citizens not only from poverty, hard and repetitive labor, but also from major sources of individual and collective unhappiness. This session will discuss how, in contrast, techno-utopias of the twenty first century shadowed by Singularity Theory, which has been described as the quintessential myth of contemporary techno culture, have significantly shifted attention to the body, proposing trans-human and post-human futures marked by the transcendence of the organic–machine divide. It will focus on literary and visual articulations of these themes that scrutinize the construction of selfhood of both technologically mediated humans and non-human sentient entities.</span></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><br></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><span style="font-family:Georgia,serif"><b>+ audio walk</b> by<b><span style="background:transparent"> Francesca Daistoiévski</span></b></span></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><br></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><span style="font-family:Georgia,serif">It is in the in endless fissures of liminal spaces, where the most recondite weaving among perception, imagination and reality, are hidden. Fiction-no-fiction spoken sound walk for exiting the city.</span></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><br></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><span style="font-family:Georgia,serif"><b>+ purge exercise and musical performance </b>by<b> Von Calhau!</b></span></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><br></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><span style="font-family:Georgia,serif">Rapid non workshop - Translation of dual vocalizations into electric movements of expansion and contraction translated into acoustic elements of dual vocalizations - Tauto-rombudage.</span></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><span style="font-family:Georgia,serif"><br></span><span style="font-family:Georgia,serif">+ <b>Parallel events</b> announced by early August.</span></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><br><br></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><span style="font-family:Georgia,serif">~</span></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><br></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><br></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><span style="font-family:Georgia,serif"><b>Keywords</b></span></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><span style="font-family:Georgia,serif">Science Fiction, 'Pataphysics, Espionage, Atheism, Humour, Performance, Horror, Techno-utopianism, Artificial Intelligence</span></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><br></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><span style="font-family:Georgia,serif"><b>Location </b>The Barber Shop (Casa dos Amigos do Minho, Rua do Bemformoso 244, Lisboa.)</span></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><br></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><span style="font-family:Georgia,serif"><b>Fee </b>160 Euros. (Includes welcome dinner and shared housing for foreign applicants)</span></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><br></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><span style="font-family:Georgia,serif"><b>Material for application</b></span></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><span style="font-family:Georgia,serif">portfolio + statement of interest / description of research focus (half page)<span style="background:transparent"> + CV.</span></span></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><span style="font-family:Georgia,serif"><span style="background:transparent">All applications should be sent by email to: </span><b><span style="background:transparent"><a href="mailto:thebarbershop.lisbon@gmail.com" target="_blank">thebarbershop.lisbon@gmail.com</a></span></b></span></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><br></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><span style="font-family:Georgia,serif"><b>Deadline: 21</b><sup><b>st</b></sup><b> June</b></span></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><span style="font-family:Georgia,serif">Invited applicants will be announced before the end of June by email</span></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in"><span style="font-family:Georgia,serif"><br></span></div><div lang="en-GB" style="color:rgb(0,0,0);font-family:Georgia,Times,serif;font-size:13px;line-height:19.5px;margin-bottom:0in">~</div></blockquote></blockquote><blockquote style="margin:0px 0px 0px 40px;border:none;padding:0px"><blockquote style="margin:0px 0px 0px 40px;border:none;padding:0px"><p class="MsoNormal"><a href="https://www.youtube.com/watch?v=06Qm-Z5OsHw" target="_blank"><font face="georgia, serif"><b style="color:rgb(0,0,0);font-size:13px;line-height:20.7999992370605px"><br></b>apply now :)</font></a><font color="#000000"><span style="line-height:20.3999996185303px"><br><br></span></font><u style="font-family:Georgia,'Times New Roman',serif;color:rgb(0,0,0);line-height:20.7999992370605px"><b>More info:</b></u><br></p><blockquote style="margin:0px 0px 0px 40px;border:none;padding:0px"></blockquote><p class="MsoNormal"><a href="http://www.thisisthebarbershop.blogspot.com/" style="font-family:georgia,serif;line-height:20.7999992370605px" target="_blank">www.thisisthebarbershop.blogspot.com</a></p></blockquote><blockquote style="margin:0px 0px 0px 40px;border:none;padding:0px"><p class="MsoNormal"><font face="georgia, serif"><a href="https://www.facebook.com/events/447724942054078/" target="_blank">https://www.facebook.com/events/447724942054078/</a><br></font></p><p class="MsoNormal"><br></p></blockquote></blockquote></div>
</div><br></div>
</div><br></div>
</div><br></div>
</div><br></div></div></div></div></div>
</div><br></div>
</div><br></div>
</div><br></div>
</div><br></div>
</div><br></div>