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<font color="#000000"><font face="Arial, sans-serif"><font
size="2">LECTURES
| Thursday June 18th 2015 @ 18:30</font></font></font></p>
<p style="border: none; padding: 0in; font-weight: normal"><font
face="Arial, sans-serif"><font size="2">ANDREY
SMIRNOV & LUBOV PCHELKINA<br>
SOUND IN Z & THE »METHOD«
GROUP</font></font></p>
<br>
<p style="border: none; padding: 0in"><font face="Arial, sans-serif"><font
size="2"><span style="font-weight: normal">Venue:
Uferstudios (Heizhaus),<br>
Uferstr. 8 / 23 oder Badstr. 41 a,<br>
13357
Berlin<br>
<a href="http://www.uferstudios.com/">http://www.uferstudios.com</a><br>
<br>
Sound
in Z<br>
Experiments of the Russian avant-garde in the early 20th
century<br>
<br>
In the science-fiction essay »The Enemy of Music«
(1917) the young inventor Evgeny Sholpo describes a machine,
capable
of synthesizing any sound and producing music according to a
special
graphical score without any need for a performer. He was
sure, that,
armed with mathematical formulae, he can break mystical and
idealistic tendencies with an explanation of the phenomena
of music
creation. These ideas were mainly embodied in the sound
cinema of the
early 1930 s, but the rapid growth of censorship and
repression, the
fight against »formalism« and other such changes had, by the
late
1930 s, put a stop to practically all experimentalism. <br>
<br>
Andrey
Smirnov's lecture will introduce the artistic and
intellectual
climate<br>
of this era and will expose the lost wisdom.<br>
<br>
The
»Method« Group<br>
and the Theory of Projectionism in Russia of the
1920s<br>
<br>
Aftermath of the October Revolution the new ideology of
the State of the Soviet Russia needed an art based primarily
on
materialism, natural science and a formal analysis rather
than on
abstract emotions. The artist, Solomon Nikritin developed a
fundamental theory of art called Projectionism. According to
this
theory »an artist is not a producer of consumer goods (a
cupboard, a
picture), but author of (PROJECTIONS) METHODS«. Words like
inspiration and miracle of creativity were replaced by quite
palpable
notions such as matter (canvas, paint, body, sound etc.),
texture and
structure. Members of his »Method« Group realized the ideas
of
the Projectionism in the painting, at the Projection Theatre
and
others projects.<br>
<br>
LECTURES IN ENGLISH - FREE TO ATTEND<br>
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<p style="border: none; padding: 0in; font-weight: normal"><font
color="#000000"><font face="Arial, sans-serif"><font size="2">CONCERTS
|
Thursday June 18th 2015 21:00 onwards</font></font></font></p>
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<p style="border: none; padding: 0in; font-weight: normal"><font
color="#000000"><font face="Arial, sans-serif"><font size="2">Martin
Howse
/ Kathy Alberici</font></font></font></p>
<p style="border: none; padding: 0in"><font color="#000000"><font
face="Arial, sans-serif"><font size="2"><span
style="font-weight: normal"><br>
Venue:
Uferstudios (Heizhaus),<br>
Uferstr. 8 / 23 oder Badstr. 41 a,<br>
13357
Berlin<br>
<a href="http://www.uferstudios.com/">http://www.uferstudios.com</a><br>
<br>
Martin
Howse: EARTH_VOICE un-earths a dirty, soil circuit,
modulating and
expressing wormed and human voice, uniting deep earth
currents and
atmospheric signals with vocal bone and tongue
fragility.<br>
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<p style="border: none; padding: 0in"><font color="#000000"><font
face="Arial, sans-serif"><font size="2"><span
style="font-weight: normal">EARTH_VOICE
explores the detection and extraction of code and
signals from the
sheer ground through unrefined electrochemistry and
manipulation of
crystal-bound electrons, air and light.<br>
<br>
Kathy Alberici:
Experimental violinist, Kathy Alberici performs solo.
Inhabiting a tingling space between noise, soundscapes,
and drone,
she will lead you through dark corridors to abandoned
wilderness,
emerging out of the shadows to tap you on the shoulder
and run into
the trees. Working with an entirely analogue set-up,
sound is
manipulated, recycled and deconstructed to reveal its
many faces.
From nothing comes something, the imperfections, the
dirt becoming
its own musical element in a complex weave of reflexive
feedback. <br>
<br>
FREE ENTRANCE </span></font></font></font>
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<p style="border: none; padding: 0in; font-weight: normal"><font
color="#000000"><font face="Arial, sans-serif"><font size="2">CONCERT-LECTURE-OPENHOUSE
|
Friday June 19th 2015 OpenHouse @ 19:00 Concert-Lecture @
21:30 </font></font></font>
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<p style="border: none; padding: 0in; font-weight: normal"><font
color="#000000"><font face="Arial, sans-serif"><font size="2">Hacklander
\
Hatam & Fredrik Olofsson </font></font></font>
</p>
<p style="border: none; padding: 0in"><font color="#000000"><font
face="Arial, sans-serif"><font size="2"><span
style="font-weight: normal"><br>
Venue:
Uferstudios (Heizhaus),<br>
Uferstr. 8 / 23 oder Badstr. 41 a,<br>
13357
Berlin<br>
<a href="http://www.uferstudios.com/">http://www.uferstudios.com</a><br>
<br>
During
Openhouse the artists are present to talk with the
public.<br>
Concert
Lecture performance begins at 21:30 <br>
<br>
PROJECTIONISTS THE METHOD
<br>
<br>
»The Artist is not a producer of consumer goods, but of
(PROJECTIONS) METHOD - the organization of matter. The
intention was
for new ideas to transfer creative energy into further
development.«
- from Smirnov's »Sound in Z«.<br>
<br>
During their residency
Hacklander \ Hatam, together with Swedish programmer
Fredrik
Olofsson, are entering into the dust of the unofficial
archives of
that time through the guidance of their guests Andrey
Smirnov and
Lubov Pchelkina.<br>
<br>
The sonic duo Hacklander \ Hatam together
with programmer Fredrik Olofsson, will use these
archives as creative
fodder in their concert-lecture »Projectionists (The
Method)«.<br>
<br>
FREE
ENTRANCE </span></font></font></font>
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<pre class="moz-signature" cols="72">--
<a class="moz-txt-link-abbreviated" href="http://www.nkprojekt.de">www.nkprojekt.de</a></pre>
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