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Dear All<br>
<br>
We have a wonderful event in collaboration with Occulto Festival
on this Saturday 14.11.2015.<br>
Hope you to see you there. Best Farah<br>
<br>
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<span style="color: rgb(0, 0, 0); font-family: Arial, Helvetica,
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display: inline !important; float: none;">Saturday Nov 14th 2015
Doors 20:00</span>
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-webkit-text-stroke-width: 0px;"><strong>Z’ev / Pure / Everest
Magma</strong></h3>
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<p style="margin-top: 0px; width: 250px;">NK Presents:<br>
NK co-curated the 2nd day of the festival in collaboration
with Occulto</p>
<p style="margin-top: 0px; width: 250px;"><strong>Venue:</strong><span
class="Apple-converted-space"> </span>NOrthEurope/WestGermany<br>
Skalitzerstr. 133<br>
10999 Berlin</p>
<p style="margin-top: 0px; width: 250px;">Join us on Facebook:<a
moz-do-not-send="true" class="moz-txt-link-freetext"
href="https://www.facebook.com/events/800921360016686/"><a class="moz-txt-link-freetext" href="https://www.facebook.com/events/800921360016686/">https://www.facebook.com/events/800921360016686/</a></a><br>
<a moz-do-not-send="true" class="moz-txt-link-freetext"
href="http://occultofest.com">http://occultofest.com</a></p>
<p style="margin-top: 0px; width: 250px;"><span id="more-7825"></span><br>
<strong>Z’EV</strong><br>
Occulto Fest 2015 features the German premiere of Z’EV’s
CINEmotion – an evolution of his previous project Cine-Cussion
that presents audiovisual pieces accompanied by live
electronic music. On the occasion, film footage of a
metalmorphic performance of his produced in NYC in 1983 will
be used as the source material whose audio and video has been
time dilated.</p>
<p style="margin-top: 0px; width: 250px;">The American poet,
audiovisual artist, musician and percussionist active under
the name Z’EV studied at CalArts with Concrete poet Emmett
Williams. In the late 70s he started to build his own
concussive and percussive instruments, mostly out of metal and
other industrial materials, and to perform with them. His 1988
LP “BUST THIS!” was chosen by The Wire as one of the fifty
best percussion-based records of all time. In his own words,
his “aesthetic interests focus on the manipulation of time and
duration and the production of acoustic and cymatic
phenomena”, and his “work with text and sound has been
influenced by primarily – but not only, middle eastern
mystical systems, as well as African, Afro-Caribbean and
Indonesian music and culture.”</p>
<p style="margin-top: 0px; width: 250px;">Works of his has been
released over the course of more then 35 years by labels such
as Subterranean, Avant, Die Stadt, Important Records. He had
collaborations with (among others) Konrad Becker, Alkistis
Dimech, Lydia Lunch, Merzbow, Stephen O’Malley, Chris Watson
and John Zorn.</p>
<p style="margin-top: 0px; width: 250px;"><a
moz-do-not-send="true" class="moz-txt-link-freetext"
href="http://www.rhythmajik.com/"><a class="moz-txt-link-freetext" href="http://www.rhythmajik.com/">http://www.rhythmajik.com/</a></a><br>
<a moz-do-not-send="true" class="moz-txt-link-freetext"
href="http://www.discogs.com/artist/79684-ZEV">http://www.discogs.com/artist/79684-ZEV</a></p>
<p style="margin-top: 0px; width: 250px;">//////////////////////////////////////////////////////</p>
<p style="margin-top: 0px; width: 250px;"><strong>PURE</strong><br>
Born in Vienna and based in Berlin, PURE has been making
uncompromising electronic music since 1992. On stage he
sculpts abstract sonic stories from evolving textures,
pulsating repetitions and dynamic breaks using both hard- and
software that equally affect the listener’s brains and bodies.
While being one of the driving forces bringing techno culture
to Vienna in the early 90s – as DJ, producer and organizer, he
departed from that style soon after and moved on to less
explored, harsher fields of electronic dance. His turn towards
experimental electronic music in the second half of the 90s
went hand in hand with getting into programming his own music
software. He uses this knowledge since then for computer based
live performances and teaching at various universities and
education facilities. Since 2003 he’s developed the HEART
CHAMBER ORCHESTRA together with Erich Berger; an award-winning
audio-visual composition for 12 musicians in which the
heartbeats of the musicians create a score in real time. He
recently started to reintegrate beat-oriented compositions
into his live performances creating a dynamic collage of
abstract soundscapes and heavy, bodily music.</p>
<p style="margin-top: 0px; width: 250px;">He has over 30
physical and digital releases on labels such as Editions Mego
as BOLDER (with Martin Maischein), PURE and ILSA GOLD, on
Hinterzimmer with his electronic percussion duo PRSZR (with
Rafal Iwanski), on Crónica, Praxis, Staalplaat, Drop Bass
Network and many more.</p>
<p style="margin-top: 0px; width: 250px;"><a
moz-do-not-send="true" class="moz-txt-link-freetext"
href="http://musicwithmachines.org/"><a class="moz-txt-link-freetext" href="http://musicwithmachines.org/">http://musicwithmachines.org/</a></a><br>
<a moz-do-not-send="true" class="moz-txt-link-freetext"
href="https://soundcloud.com/pure">https://soundcloud.com/pure</a></p>
<p style="margin-top: 0px; width: 250px;">////////////////////////////////////////////</p>
<p style="margin-top: 0px; width: 250px;"><strong>Everest Magma</strong><span
class="Apple-converted-space"> </span>is the latest
incarnation of the hyperprofilic Italian musician behind Rella
the Woodcutter, a project that has already a number of
releases on Boring Machines and one on La Délirante. In recent
years, he put aside his psych-folk attitude and got his hands
on a bunch of machines, tape recorders and pedal effects. The
results, released once again by Boring Machines, confirm his
desire and ability to push towards the extreme borders of any
genre and instrument he confronts himself with.</p>
<p style="margin-top: 0px; width: 250px;">Recorded in the Summer
of 2014 while all the neighborhood was on vacation, Everest
Magma’s debut album Modern / Antique exemplifies the
multifaceted spectrum of sounds he’s currently willing to
study. Raw loops of almost broken circuitry, semi-danceable
beats are sometimes interrupted by more meditative and spacey
moments or disturbed by stretched and unintelligible vocals.</p>
<p style="margin-top: 0px; width: 250px;"><a
moz-do-not-send="true" class="moz-txt-link-freetext"
href="Http://boringmachines.bandcamp.com/album/everest-magma-modern-antique"><a class="moz-txt-link-freetext" href="Http://boringmachines.bandcamp.com/album/everest-magma-modern-antique">Http://boringmachines.bandcamp.com/album/everest-magma-modern-antique</a></a></p>
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<pre class="moz-signature" cols="72">--
<a moz-do-not-send="true" class="moz-txt-link-abbreviated" href="http://www.nkprojekt.de">www.nkprojekt.de</a></pre>
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