<div dir="ltr"><div><span style="color:rgb(0,0,0)"><font size="2"><span style="font-family:georgia,serif"><b>1- </b></span></font></span><span style="color:rgb(0,0,0)"><font size="2"><span style="font-family:georgia,serif"><b><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"><b><span style="color:rgb(0,0,0)"><b>SON[I]A #216</b>. Franco Berardi 'Bifo' <br></span></b></span></span></font></b>Link: <a href="http://rwm.macba.cat/en/sonia/franco-bifo-berardi-heroes/capsula" target="_blank">http://rwm.macba.cat/en/sonia/franco-bifo-berardi-heroes/capsula</a><b><br></b></span></font></span><span style="font-family:georgia,serif"><br>Bifo talks about mass killings in relation to cinema, mental health, neuroplasticity, friendship, irony and, ultimately, hope.<br><br><br><b><font size="2">2- </font></b></span><b><font size="2"><span style="font-family:georgia,serif">OBJECTHOOD #4. Curated by Roc Jiménez de Cisneros</span></font><span style="font-family:georgia,serif"></span></b><font size="2"><span style="font-family:georgia,serif"><br>Link: <a href="http://rwm.macba.cat/en/specials/objecthood4-nabil-ahmed-arie-altena-agf/capsula">http://rwm.macba.cat/en/specials/objecthood4-nabil-ahmed-arie-altena-agf/capsula</a><br>The slippery materiality of untraceable objects: from the arsenic
poisoning the wells of Bangladesh as told by Nabil Ahmed, to Arie
Altena's account of the superstition surrounding the Kola Superdeep
Borehole in Russia, or the bizarre biology of the vampire squid from
hell in a passage of Vilém Flusser’s ‘Vampyroteuthis Infernalis’ read by
AGF.</span></font><br><br></div><span style="font-family:georgia,serif"><b>3.</b></span><font size="2"><span style="font-family:georgia,serif"><b> </b><b>INTERRUPTIONS #20. The Little People In The Radio present... Curated by Anna Friz</b><br><br>Link: <a href="http://rwm.macba.cat/en/curatorial/anna-friz-interruptions/capsula">http://rwm.macba.cat/en/curatorial/anna-friz-interruptions/capsula</a><br>Essay: <a href="http://rwm.macba.cat/uploads/20151110/20Interruptions_eng.pdf">http://rwm.macba.cat/uploads/20151110/20Interruptions_eng.pdf</a><br><br>Anna
Friz’s mix and text present a collage exploring the environment,
morphology and taxonomy of the little people inside the radio.<br><b><br>4-</b></span></font><font size="2"><span style="font-family:georgia,serif"><b><span style="color:rgb(0,0,0)"><font size="2"><span style="font-family:georgia,serif"><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)">SON[I]A # 217. Jordi Ferreiro</span></span></span></font></span></font></span></b><br></span></font><div><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)">Link: <a href="http://rwm.macba.cat/es/sonia/jordi-ferreiro-situaciones-pedagogicas/capsula">http://rwm.macba.cat/es/sonia/jordi-ferreiro-situaciones-pedagogicas/capsula</a><br></span></span><br>Jordi Ferreiro habla sobre situaciones pedagógicas fuera de lo
normativo, afectos y aprendizaje significativo y sistemas de evaluación
experimentales.</span></font></div><div><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><b><br><a href="http://rwm.macba.cat/en/composingwithprocess_tag" target="_blank">5- COMPOSING WITH PROCESS</a> series. Curated by Mark Fell and Joe Gilmore</b><br></span><span style="color:rgb(0,0,0)"><a href="http://rwm.macba.cat/en/composingwithprocess_tag" target="_blank"><span style="color:rgb(0,0,0)">Link: </span>http://rwm.macba.cat/en/composingwithprocess_tag</a><br><br><a href="http://rwm.macba.cat/en/composingwithprocess_tag" target="_blank">COMPOSING WITH PROCESS</a> is a series, curated by <b>Mark Fell and Joe Gilmore</b>,
which explores generative approaches to composition and performance
primarily in the context of experimental technologies and music
practices of the latter part of the 20th Century. Each episode is
accompanied by an additional programme, entitled <a href="http://rwm.macba.cat/en/exclusives-tag/" target="_blank">EXCLUSIVES</a>, featuring unpublished sound pieces by leading sound artists working in the field. <br><br></span></span></span></font><br><br><span style="color:rgb(0,0,0)"><font size="2"><span style="font-family:georgia,serif"><b><font size="4"><span style="color:rgb(255,0,255)">+2 you should not miss!</span></font></b></span></font></span><span style="color:rgb(0,0,0)"><font size="2"><span style="font-family:georgia,serif"><b><br><br></b></span></font></span><b><span style="font-family:georgia,serif">1-</span> </b><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><b><span style="color:rgb(0,0,0)">PROBES #15. Curated by Chris Cutler</span></b><br>Link: <a href="http://rwm.macba.cat/en/curatorial/probes-15-1-chris-cutler/capsula" target="_blank">http://rwm.macba.cat/en/curatorial/probes-15-1-chris-cutler/capsula</a><br></span></span><br>In PROBES #15 we look at experimental uses of the more intractable folk
instruments: bagpipes, hurdy gurdy and harmonica. Is nothing sacred?<br><br><br></span></font><font size="2"><span style="font-family:georgia,serif"><span style="font-family:georgia,serif"><b><span style="font-family:georgia,serif">2- SON[I]A #</span>209. EVOL</b><br><br>Link: <a href="http://rwm.macba.cat/en/sonia/evol/capsula" target="_blank">http://rwm.macba.cat/en/sonia/evol/capsula</a><br><br>Roc
Jiménez de Cisneros about EVOL's very free deconstruction and
reinterpretation of György Ligeti's 'Continuum' and Hanne Darboven’s
'Opus 17a', and how these works relate to the duo’s current artistic
practice. Unusual notions of time in relation to music, algorithmic
reverse engineering, complexity through simplicity, anti-climax, ancient
trance music, weird mental states and Dick Higgins' Superboredom
concept pop up in the conversation.<br></span><br></span></font><span style="font-family:georgia,serif">ENJOY!</span><br></div></div>