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<FONT FACE="Arial"><SPAN STYLE='font-size:12.0px'>Hi all, <BR>
I don’t know if I’m allowed to post this here? Apologies if not! <BR>
<BR>
I’m working with a group of young people an a cultural identity project. Aim is to do an interactive installation that allows visitors to have their portrait taken to find the ‘average’ - after Galton’s photo-composites. <BR>
Essentially, I’m thinking, we just need a photobooth (ipad) that saves images to common folder from which they are randomly and dynamically projected in a slideshow. However, I need several images to overlay simultaneously so simple transition not enough. <BR>
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Will anyone be able to advice, point me in the direction of someone who has the skills and may take on the job? London based – but imagine this can be done remotely?<BR>
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With Thanks <BR>
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Marianne<BR>
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<HR ALIGN=CENTER SIZE="3" WIDTH="95%"><B>From: </B>MEZZANINE <office@mezzanine.pt><BR>
<B>Date: </B>Tue, 8 Dec 2015 02:10:11 +0000<BR>
<B>To: </B>spectre@post.in-mind.de<BR>
<B>Subject: </B>[spectre] A Suspended Gesture | Tanzfabrik Berlin | 8 & 9 December<BR>
<BR>
<BR>
<BR>
<B>A Suspended Gesture <BR>
</B><BR>
by Jorge Gonçalves<BR>
<BR>
<BR>
<BR>
<B>08.12 & 09.12, 19h <BR>
</B><BR>
Tanzfabrik Berlin | Uferstudio 4<BR>
<BR>
Uferstr. 23, Berlin<BR>
<BR>
<BR>
<BR>
<BR>
<I> <BR>
<BR>
(c) Nellie de Boer<BR>
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</H6></SPAN><SPAN STYLE='font-size:12.0px'><B><BR>
<BR>
<BR>
This project is dedicated to investigate how the processes of indexicality, interpellation and focalization are <BR>
<BR>
applied to the ways a demonstrator manages his relationship to himself, to his own language, to his own <BR>
<BR>
state and to his audience. A demonstrator, as defined by Bertolt Brecht, is someone that reveals a witnessed <BR>
<BR>
situation by telling how it happened while showing how it happened, he is always transferring himself <BR>
<BR>
in-between two states, the one that demonstrates and the subject of demonstration. Here, we define two<BR>
<BR>
self-referential spaces between the demonstrator and himself, and him and the audience. In these spaces, <BR>
<BR>
the demonstrator is working with gestures and utterances as signs and relational markers that defines the <BR>
<BR>
organization of the lived abstractions that are being performed, showed and pointed to the audience. <BR>
<BR>
How are they are being arrested and captured, folded together in complicity, hailed and address are <BR>
<BR>
questions and processes that this project investigates through Ajax’s Story from Sophocles.<BR>
<BR>
<BR>
<BR>
<BR>
<BR>
Concept and Performance Jorge Gonçalves<BR>
<BR>
Artistic collaboration Ana Rocha and Peter Stamer<BR>
<BR>
Production MEZZANINE<BR>
<BR>
Support de Theaterschool (Amsterdam), Botschaft von Portugal, Instituto Camões Portugal, <BR>
<BR>
Teatro Nacional São João and Teatro Municipal do Porto<BR>
<BR>
Thanks</B></SPAN></I></FONT><I><SPAN STYLE='font-size:12.0px'><B><FONT FACE="Geneva CE"> Andrea Božić, Daniel Kok, Goro Tronsmo, Keith Lim, Keren Levi, Hanna Hegenscheidt, <BR>
</FONT><FONT FACE="Arial"><BR>
Jeroen Fabius, Julien Bruneau, Myriam Van Imschoot, Philipp Gehmacher, Sabina Holzer, Sher Doruff, <BR>
<BR>
Sybille Müller, Velvet Lee and my AMCh’s colleagues.<BR>
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<BR>
</FONT></SPAN><FONT FACE="Arial"><FONT SIZE="5"><SPAN STYLE='font-size:18.0px'>______________________________________________<BR>
__________________<BR>
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<BR>
<BR>
<B>MEZZANINE<BR>
</B><BR>
<BR>
<BR>
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