<div dir="ltr"><div><a href="http://rwm.macba.cat/" target="_blank"><font face="georgia, serif"><b>Ràdio Web MACBA most listened podcasts - February 2016</b></font></a><br><br><span style="font-family:georgia,serif"><b><font size="2"><font size="2"><span style="font-family:georgia,serif"><b><span style="color:rgb(0,0,0)"><font size="2"><span style="font-family:georgia,serif"><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)">1- SON[I]A # 217. Antoni Hervás </span></span></span></font></span></font></span></b></span></font></font></b><font size="2"><font size="2"><span style="font-family:georgia,serif">(only available in Spanish)</span></font></font><b><font size="2"><font size="2"><span style="font-family:georgia,serif"><br></span></font></font></b><font size="4"><font size="2">Link: <a href="http://rwm.macba.cat/es/sonia/antoni-hervas/capsula" target="_blank">http://rwm.macba.cat/es/sonia/antoni-hervas/capsula</a><br></font></font>Antoni
Hervás habla de fanzine expandido, de atracos, de su abuela, de parques
temáticos de sirenas, de Hércules, de fotocopias y de entender lo
lúdico como un sistema de resistencia.<font size="4"><span style="color:rgb(51,51,51);font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;display:inline!important;float:none;background-color:rgb(255,255,255)"><br><br></span></font></span></div><b><font size="2"><span style="font-family:georgia,serif">2- FONS ÀUDIO #39. Iván Argote </span></font></b><span style="font-family:georgia,serif"><font size="2"><font size="2"><span style="font-family:georgia,serif">(only available in Spanish)</span></font></font><b><font size="2"><font size="2"><span style="font-family:georgia,serif"><br></span></font></font></b></span><div><span style="font-family:georgia,serif"><font size="2">Link: <a href="http://rwm.macba.cat/es/especials/fons-ivan-argote/capsula" target="_blank">http://rwm.macba.cat/es/especials/fons-ivan-argote/capsula<br></a><span style="color:rgb(51,51,51);font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;display:inline!important;float:none;background-color:rgb(255,255,255)"><br>Iván
Argote es un multifacético artista que, a través de medios como el
video, la fotografía, la escultura, la performance y la instalación,
cuestiona la noción de patrimonio y pone a prueba los acontecimientos
que rigen nuestro contexto social, político e íntimo. En FONS AUDIO #39
Iván nos habla de la familia como pequeña unidad social, de pilatunas y
carícies, del cambio de escala como herramienta crítica y de los
residuos arqueológicos que llevamos dentro.</span></font><br></span><br><span style="font-family:georgia,serif"><b><font size="2"><font size="2"><span style="font-family:georgia,serif"><b><span style="color:rgb(0,0,0)"><font size="2"><span style="font-family:georgia,serif"><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><b><a href="http://rwm.macba.cat/en/composingwithprocess_tag" target="_blank"><span>3- COMPOSING</span> <span>WITH</span> <span>PROCESS</span></a> series. Curated by Mark Fell and Joe Gilmore</b><br></span></span></span></font></span></span></span></font></span></font></span></b></span></font></font></b><font size="2"><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"><font size="2"><span style="font-family:georgia,serif"><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><a href="http://rwm.macba.cat/en/composingwithprocess_tag" target="_blank"><span style="color:rgb(0,0,0)">Link</span></a></span></span></span></font></span></span></span></font></span></font></span></span></font></font><font size="2"><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"><font size="2"><span style="font-family:georgia,serif"><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><a href="http://rwm.macba.cat/en/composingwithprocess_tag" target="_blank"><span style="color:rgb(0,0,0)">: </span>http://rwm.macba.cat/en/composingwithprocess_tag</a></span></span></span></font></span></span></span></font></span></font></span></span></font></font><b><font size="2"><font size="2"><span style="font-family:georgia,serif"><b><span style="color:rgb(0,0,0)"><font size="2"><span style="font-family:georgia,serif"><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><br><br></span></span></span></font></span></span></span></font></span></font></span></b></span></font></font></b><font size="2"><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"><font size="2"><span style="font-family:georgia,serif"><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><a href="http://rwm.macba.cat/en/composingwithprocess_tag" target="_blank"><span>COMPOSING</span> <span>WITH</span> <span>PROCESS</span></a> is a series, curated by Mark Fell and Joe Gilmore,
which explores generative approaches to composition and performance
primarily in the context of experimental technologies and music
practices of the latter part of the 20th Century. Each episode is
accompanied by an additional programme, entitled <a href="http://rwm.macba.cat/en/exclusives-tag/" target="_blank">EXCLUSIVES</a>, featuring unpublished sound pieces by leading sound artists working in the field. <br></span></span></span></font></span></span></span></font></span></font></span></span></font></font><b><font size="2"><font size="2"><span style="font-family:georgia,serif"><b><span style="color:rgb(0,0,0)"><font size="2"><span style="font-family:georgia,serif"><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><br>4- SON[I]A # 217. Jordi Ferreiro</span></span></span></font></span></font></span></b> </span></font></font></b><font size="2"><font size="2"><span style="font-family:georgia,serif">(only available in Spanish)</span></font></font><b><font size="2"><font size="2"><span style="font-family:georgia,serif"><br></span></font></font></b></span><div><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)">Link: <a href="http://rwm.macba.cat/es/sonia/jordi-ferreiro-situaciones-pedagogicas/capsula" target="_blank">http://rwm.macba.cat/es/sonia/jordi-ferreiro-situaciones-pedagogicas/capsula</a><br></span></span><br>Jordi Ferreiro habla sobre situaciones pedagógicas fuera de lo
normativo, afectos y aprendizaje significativo y sistemas de evaluación
experimentales.</span></font></div><br><font face="georgia, serif"><b> 5. SON[I]A #220. Angela Dimitrakaki. Feat. commissioned music by AGF<br></b>Link: <a href="http://rwm.macba.cat/en/sonia/angela-dimitrakaki-agf/capsula" target="_blank">http://rwm.macba.cat/en/sonia/angela-dimitrakaki-agf/capsula</a><br><br>Angela
Dimitrakaki talks about the new feminist critique, the limits of
democracy, the wiles of post-capitalism, and the ambivalence of the
commons. We also touch on the notions of radical curating and
collaborative practices.<br><br>6-</font><font face="georgia, serif"><span style="font-family:georgia,serif"><b> PROBES #17.1. Curated by Chris Cutler</b></span></font><span style="font-family:georgia,serif"><br>Link: <a href="http://rwm.macba.cat/en/curatorial/probes-17-1-chris-cutler/capsula" target="_blank">http://rwm.macba.cat/en/curatorial/probes-17-1-chris-cutler/capsula</a><br><br>In
PROBES #17, we trace how the gamelan collided with western notions of
music and exotic percussion spread like a virus into every field.</span><br><span style="font-family:georgia,serif"></span></div><span style="font-family:georgia,serif"><b><br>7- PROBES #16.2. Curated by Chris Cutler</b><br></span><div><span style="font-family:georgia,serif"><br>Link: <a href="http://rwm.macba.cat/en/curatorial/probes16-2-chris-cutler/capsul" target="_blank">http://rwm.macba.cat/en/curatorial/probes16-2-chris-cutler/capsul</a>a<br><br>In
PROBES #16.2, we wonder how far you can go with banjos, mandolins,
balalaikas, jew’s harps and ensembles of folk instruments. And it’s
pretty far.<br><br></span><font face="georgia, serif"><b>8- OBJECTHOOD #4. Curated by Roc Jiménez de Cisneros<br></b>Link: <a href="http://rwm.macba.cat/en/specials/objecthood4-nabil-ahmed-arie-altena-agf/capsula" target="_blank">http://rwm.macba.cat/en/specials/objecthood4-nabil-ahmed-arie-altena-agf/capsula</a><br><br>The
slippery materiality of untraceable objects: from the arsenic poisoning
the wells of Bangladesh as told by Nabil Ahmed, to Arie Altena's
account of the superstition surrounding the Kola Superdeep Borehole in
Russia, or the bizarre biology of the vampire squid from hell in a
passage of Vilém Flusser’s ‘Vampyroteuthis Infernalis’ read by AGF.<br></font><br><font face="georgia, serif"><b>9- SON[I]A #201. Georges Didi-Huberman<br></b>Link: <a href="http://rwm.macba.cat/en/sonia/georges-didi-huberman/capsula" target="_blank">http://rwm.macba.cat/en/sonia/georges-didi-huberman/capsula</a><br><br></font><div><font face="georgia, serif">Interview
with Georges Didi-Huberman about the problems regarding the way in
which we see and interpret images, a problematic issue that stems from
the definition of what an image is, and from the hierarchy that has
historically been imposed on the dialectic between words and images.<br><br></font><font face="georgia, serif"><b>10- SON[I]A #212. John Chowning </b><br>Link: <a href="http://rwm.macba.cat/en/sonia/john-chowning-/capsula" target="_blank">http://rwm.macba.cat/en/sonia/john-chowning-/capsula<br></a><br>John
Chowning shares the experience of being a pioneer in a discipline at a
time when using computers to generate music was a leap into the void
between creative eccentricity and scientific adventure.<br><br></font></div><div><font face="georgia, serif"><span style="color:rgb(255,0,255)">ENJOY!</span><br></font></div><div><br></div><br><br></div></div>