<html><head><meta http-equiv="Content-Type" content="text/html charset=utf-8"></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;" class="">YES!!!!<div class=""><br class=""><div style=""><blockquote type="cite" class=""><div class="">On 31 May 2016, at 11:17, Andreas Broeckmann <<a href="mailto:ab@mikro.in-berlin.de" class="">ab@mikro.in-berlin.de</a>> wrote:</div><br class="Apple-interchange-newline"><div class="">Jonas Staal<br class="">After Europe<br class=""><br class="">June 21–October 7, 2016<br class=""><br class="">State of Concept<br class="">Tousa Botsari 19<br class="">117 41 Athens<br class="">Greece<br class="">Hours: Wednesday–Friday 4:30–8:30pm, Saturday 1–5pm<br class=""><br class="">T +30 21 3031 8576<br class=""><a href="mailto:info@stateofconcept.org" class="">info@stateofconcept.org</a><br class=""><br class="">http://www.stateofconcept.org/<br class="">http://www.jonasstaal.nl<br class=""><br class="">State of Concept is proud to present After Europe, the first Greek<br class="">solo exhibition of Dutch visual artist Jonas Staal, curated by Iliana Fokianaki.<br class=""><br class="">The exhibition /After Europe/ centers on the current political,<br class="">economic, and humanitarian crises in Europe. Rejecting both the existing managerial and corporate policies of the EU as well as the rise of ultranationalist parties all over the continent, Staal proposes art as a space to criticize and rethink the idea of the political union. What comes after Europe as we have known it so far? Where can the desire and imaginary of art bring us, to establish a new transdemocratic union?<br class=""><br class="">The first part of the exhibition consists of the artistic and political<br class="">organization New World Summit, which the artist founded in 2012 and<br class="">since then has developed by creating "alternative parliaments" for<br class="">stateless and blacklisted political organizations from all over the<br class="">world. In the past four years, these parliaments have taken the form of<br class="">large-scale architectural constructions in theaters, public spaces, and<br class="">art institutions, in which the artist invited representatives of<br class="">stateless political organizations to discuss the political histories of<br class="">their organizations and the alternatives they represent, and furthermore to debate the violent policies enacted against them by Western democracies in the name of the War on Terror. From the Basque to the Kurdish and Tamil independence movements, these parliaments became spaces of assembly to propose and discuss alternative world orders. Staal's New World Summit is currently working on a commission of the autonomous Kurdish region of Rojava (northern-Syria) to build a<br class="">permanent public parliament for this revolutionary society. As a whole,<br class="">New World Summit makes visible violent policies enacted in the name of<br class="">democracy, including the European one, and simultaneously shows the<br class="">political alternatives proposed by those who have resisted neocolonial<br class="">and neoliberal policies.<br class=""><br class="">The second part of the exhibition consists of Staal's /New Unions/, the<br class="">beginning of a new long-term project shown for the first time, in which<br class="">the artist's research in Athens became its point of departure. This<br class="">project starts with the current European crises and takes the form of an artistic campaign to support progressive, emancipatory, and autonomist movements all over the European continent to explore the possibility to establish a new transdemocratic union. With the term "transdemocracy" the artist refers to the massive rise of social movements and new political parties throughout the continent that have challenged traditional institutional structures by creating new models of political assembly and decision making. From the civil initiative in Iceland to collectively rewrite the constitution after the economic crisis to new pan-European initiatives opposing the economic terror imposed upon the Greek people. Together, these political experiments emerging out of Europe propose new forms of transdemocratic practices, no longer limited by traditional state boundaries. In this exhibition the artist presents the layout of the New Unions campaign for the first time.<br class=""><br class="">Both Staal's New World Summit and New Unions, aim to contribute to the<br class="">imaginary of an age after Europe.<br class=""><br class="">On the opening of After Europe the artist and curator will join the<br class="">stage with activists, thinkers and academics to discuss what comes after Europe. Confirmed speakers are Quim Arrufat (Popular Unity Candidacy, Catalunya), Angela Dimitrakaki (writer and academic, Greece/Scotland), Maria Hlavajova (artistic director BAK, basis voor actuele kunst, Utrecht, The Netherlands), and Vincent W.J. Van Gerven Oei (publisher, punctum books, US/Albania). For further information about the event refer to http://www.stateofconcept.org.<br class=""><br class="">State of Concept is supported by OUTSET Contemporary Art Fund (Greece). The exhibition After Europe is made possible, in part, by the Mondriaan Fund (The Netherlands).<br class=""><br class="">http://outset.org.uk/greece/<br class="">https://www.mondriaanfonds.nl/en/<br class="">______________________________________________<br class="">SPECTRE list for media culture in Deep Europe<br class="">Info, archive and help:<br class="">http://post.in-mind.de/cgi-bin/mailman/listinfo/spectre<br class=""></div></blockquote></div><br class=""></div></body></html>