<div dir="ltr"><div><span style="font-family:georgia,serif"><font size="2"><span style="background-color:rgb(255,255,255)"><span style="color:rgb(0,0,0)"><b>Ràdio Web MACBA most listened podcasts - January - June 2016</b></span></span></font></span><br><br><font face="georgia, serif"><b>1- SON[I]A #220. Angela Dimitrakaki. Feat. commissioned music by AGF<br></b>Link: <a href="http://rwm.macba.cat/en/sonia/angela-dimitrakaki-agf/capsula" target="_blank">http://rwm.macba.cat/en/sonia/angela-dimitrakaki-agf/capsula</a><br><br>Angela
Dimitrakaki talks about the new feminist critique, the limits of
democracy, the wiles of post-capitalism, and the ambivalence of the
commons. We also touch on the notions of radical curating and
collaborative practices.<br></font><br><span style="font-family:georgia,serif"><b><font size="2"><font size="2"><span style="font-family:georgia,serif"><b><span style="color:rgb(0,0,0)"><font size="2"><span style="font-family:georgia,serif"><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><b><a href="http://rwm.macba.cat/en/composingwithprocess_tag" target="_blank"><span>2- COMPOSING</span> <span>WITH</span> <span>PROCESS</span></a> series. Curated by Mark Fell and Joe Gilmore</b><br></span></span></span></font></span></span></span></font></span></font></span></b></span></font></font></b><font size="2"><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"><font size="2"><span style="font-family:georgia,serif"><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><a href="http://rwm.macba.cat/en/composingwithprocess_tag" target="_blank"><span style="color:rgb(0,0,0)">Link</span></a></span></span></span></font></span></span></span></font></span></font></span></span></font></font><font size="2"><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"><font size="2"><span style="font-family:georgia,serif"><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><a href="http://rwm.macba.cat/en/composingwithprocess_tag" target="_blank"><span style="color:rgb(0,0,0)">: </span>http://rwm.macba.cat/en/composingwithprocess_tag</a></span></span></span></font></span></span></span></font></span></font></span></span></font></font><b><font size="2"><font size="2"><span style="font-family:georgia,serif"><b><span style="color:rgb(0,0,0)"><font size="2"><span style="font-family:georgia,serif"><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><br><br></span></span></span></font></span></span></span></font></span></font></span></b></span></font></font></b><font size="2"><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"><font size="2"><span style="font-family:georgia,serif"><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><a href="http://rwm.macba.cat/en/composingwithprocess_tag" target="_blank"><span>COMPOSING</span> <span>WITH</span> <span>PROCESS</span></a> is a series, curated by Mark Fell and Joe Gilmore,
which explores generative approaches to composition and performance
primarily in the context of experimental technologies and music
practices of the latter part of the 20th Century. Each episode is
accompanied by an additional programme, entitled <a href="http://rwm.macba.cat/en/exclusives-tag/" target="_blank">EXCLUSIVES</a>, featuring unpublished sound pieces by leading sound artists working in the field. <br></span></span></span></font></span></span></span></font></span></font></span></span></font></font><b><font size="2"><font size="2"><span style="font-family:georgia,serif"><b><span style="color:rgb(0,0,0)"><font size="2"><span style="font-family:georgia,serif"><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><br></span></span></span></font></span></font></span></b></span></font></font></b></span></div><span style="font-family:georgia,serif"><b><a href="http://rwm.macba.cat/en/probes_tag">3- PROBES series. Curated by Chris Cutler</a></b><br><br>Link: <a href="http://rwm.macba.cat/en/probes_tag">http://rwm.macba.cat/en/probes_tag</a><br><br><a href="http://rwm.macba.cat/en/probes_tag">PROBES</a>
takes Marshall McLuhan’s conceptual contrapositions as a starting point
to analyse and expose the search for a new sonic language made urgent
after the collapse of tonality in the twentieth century. The series
looks at the many probes and experiments that were<br>launched in the
last century in search of new musical resources, and a new aesthetic;
for ways to make music adequate to a world transformed by disorientating
technologies.</span><br><div><br><span style="font-family:georgia,serif"><font size="2"><span style="background-color:rgb(255,255,255)"><span style="color:rgb(0,0,0)"><b>4- SON[I]A #223. Abu Ali (only available in Spanish)</b><br>Link: <a href="http://rwm.macba.cat/en/sonia/abu-ali-toni-serra/capsula" target="_blank">http://rwm.macba.cat/en/sonia/abu-ali-toni-serra/capsula</a><br><br>Toni
Serra/Abu Ali talks about trance, light, shadows, transitions,
conditions of life and possibility, about seeing and concealing, about
dreaming and unlearning. And about plants, of course.<br></span></span></font></span><br><font face="georgia, serif"><b>5- SON[I]A #201. Georges Didi-Huberman<br></b>Link: <a href="http://rwm.macba.cat/en/sonia/georges-didi-huberman/capsula" target="_blank">http://rwm.macba.cat/en/sonia/georges-didi-huberman/capsula</a><br><br></font><font face="georgia, serif">Interview
with Georges Didi-Huberman about the problems regarding the way in
which we see and interpret images, a problematic issue that stems from
the definition of what an image is, and from the hierarchy that has
historically been imposed on the dialectic between words and images.<br></font><font face="georgia, serif"><br></font><font face="georgia, serif"><b>6- SON[I]A #212. John Chowning </b><br>Link: <a href="http://rwm.macba.cat/en/sonia/john-chowning-/capsula" target="_blank">http://rwm.macba.cat/en/sonia/john-chowning-/capsula<br></a><br>John
Chowning shares the experience of being a pioneer in a discipline at a
time when using computers to generate music was a leap into the void
between creative eccentricity and scientific adventure.<br><br><b>7-</b></font><b><span style="font-family:georgia,serif">SON[I]A #225. Lúa Coderch </span></b><span style="font-family:georgia,serif"><span style="font-family:georgia,serif"><font size="2"><span style="background-color:rgb(255,255,255)"><span style="color:rgb(0,0,0)"><b>(only available in Spanish)<br></b></span></span></font></span>Link: <a href="http://rwm.macba.cat/en/sonia/lua-coderch/capsula">http://rwm.macba.cat/en/sonia/lua-coderch/capsula</a><br><br>Lúa Coderch habla sobre fotografías de viajes espaciales, la imitación de los
sonidos del paisaje, el trabajo oculto que subyace en sus imágenes,
diferentes estrategias del engaño y la improvisación refugios en
entornos naturales como posibilidad de encuentro con los otros.</span><br><br><font face="georgia, serif"><b>8- OBJECTHOOD #4. Curated by Roc Jiménez de Cisneros<br></b>Link: <a href="http://rwm.macba.cat/en/specials/objecthood4-nabil-ahmed-arie-altena-agf/capsula" target="_blank">http://rwm.macba.cat/en/specials/objecthood4-nabil-ahmed-arie-altena-agf/capsula</a><br><br>The
slippery materiality of untraceable objects: from the arsenic poisoning
the wells of Bangladesh as told by Nabil Ahmed, to Arie Altena's
account of the superstition surrounding the Kola Superdeep Borehole in
Russia, or the bizarre biology of the vampire squid from hell in a
passage of Vilém Flusser’s ‘Vampyroteuthis Infernalis’ read by AGF.<br></font><br><span style="font-family:georgia,serif"><font size="2"><span style="background-color:rgb(255,255,255)"><span style="color:rgb(0,0,0)"><b>9- SON[I]A # 217. Jordi Ferreiro (only available in Spanish)</b><br>Link: <a href="http://rwm.macba.cat/es/sonia/jordi-ferreiro-situaciones-pedagogicas/capsula" target="_blank">http://rwm.macba.cat/es/sonia/jordi-ferreiro-situaciones-pedagogicas/capsula<br></a><br>Jordi
Ferreiro habla sobre situaciones pedagógicas fuera de lo normativo,
afectos y aprendizaje significativo y sistemas de evaluación
experimentales.<br><br></span></span></font><font size="2"><span style="background-color:rgb(255,255,255)"><span style="color:rgb(0,0,0)"><b>10- SON[I]A # 221. Enric Farrés Duran (only available in Catalan)</b><br>Link: <a href="http://rwm.macba.cat/es/sonia/antoni-hervas/capsula" target="_blank">http://rwm.macba.cat/ca/sonia/antoni-hervas/capsula</a><br></span></span></font><br>Enric Farrés Duran sobre els seus últims projectes, sobre col·leccionar
obsessivament, sobre el valor de l'efímer, sobre l'ús de la mentida com a
estratègia creativa, sobre la relació de complicitat amb els que
l'envolten i sobre altres facetes del seu treball.</span><br><span style="font-family:georgia,serif"><font size="2"><span style="background-color:rgb(255,255,255)"></span></font></span><span style="font-family:georgia,serif"><font size="2"><span style="background-color:rgb(255,255,255)"><span style="color:rgb(0,0,0)"><br></span></span></font></span></div><div><span style="font-family:georgia,serif"><font size="2"><span style="background-color:rgb(255,255,255)"><span style="color:rgb(0,0,0)"><span style="color:rgb(255,0,255)"><font size="4"><b>+2 you should not miss!</b></font></span><b><font size="4"><span style="color:rgb(255,0,255)"></span></font></b></span></span></font></span><br></div><div><span style="font-family:georgia,serif"><font size="2"><span style="background-color:rgb(255,255,255)"><span style="color:rgb(0,0,0)"></span></span></font></span><span style="font-family:georgia,serif"><font size="2"><span style="background-color:rgb(255,255,255)"><span style="color:rgb(0,0,0)"><br></span></span></font></span><h1 style="padding:0px;margin:0px;font-weight:normal;line-height:22px;font-style:normal;font-variant:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px"><b><span style="color:rgb(255,0,255)"><font size="2"><span style="font-family:georgia,serif"><span style="background-color:rgb(255,255,255)">1/ SON[I]A #224. Natalie Jeremijenko</span></span></font></span></b></h1><font size="2"><span style="font-family:georgia,serif"><span style="background-color:rgb(255,255,255)"><span style="color:rgb(0,0,0)">Link: <a href="http://rwm.macba.cat/en/sonia/natalie-jeremijenko/capsula" target="_blank">http://rwm.macba.cat/en/sonia/natalie-jeremijenko/capsula</a><b><br><br></b><b><span style="font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;display:inline!important;float:none">Natalie
Jeremijenko talks about learning by living together, about the vitality
and shortcomings of the environmental struggles of the past, and about
how to imagine our relationships with natural systems from this point
on.</span><span style="color:rgb(255,0,255)"></span></b></span></span></span></font><br><br><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(51,51,51);font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;display:inline!important;float:none;background-color:rgb(255,255,255)"></span></span></font><font face="georgia, serif"><b><span style="color:rgb(255,0,255)">2/ MEMORABILIA. COLLECTING SOUNDS WITH... Steve Stapleton (Nurse with Wound)</span></b></font><br><div><font face="georgia, serif"><br>Link: <a href="http://rwm.macba.cat/en/research/memorabilia-steve-stapleton/capsula" target="_blank">http://rwm.macba.cat/en/research/memorabilia-steve-stapleton/capsula</a><br><br></font><div><font face="georgia, serif">The
brainchild of Nurse with Wound shares the main features of a collection
that might help us understand the unorthodox nature of his own
trajectory, as influential as it is extensive.<br></font></div><br></div><span style="font-family:georgia,serif"><font size="2"><span style="background-color:rgb(255,255,255)"><span style="color:rgb(0,0,0)"></span></span></font></span><br><span style="font-family:georgia,serif"><font size="2"><span style="background-color:rgb(255,255,255)"><span style="color:rgb(0,0,0)"><span style="color:rgb(255,0,255)"><font size="4"><b>Enjoy!</b></font></span><b><font size="4"><span style="color:rgb(255,0,255)"></span></font></b></span></span></font></span></div></div>