<div dir="ltr"><font size="2"><span style="font-family:georgia,serif"><b><b><b><a href="http://rwm.macba.cat/" target="_blank">Ràdio Web MACBA most listened podcasts - June 2017</a><br><br></b></b></b></span></font><font size="2"><span style="font-family:georgia,serif"><b><span style="color:rgb(255,0,255)"><a href="http://rwm.macba.cat/en/probes_tag" target="_blank">1- PROBES series. Curated by Chris Cutler</a></span></b><br><br>Link: <a href="http://rwm.macba.cat/en/probes_tag" target="_blank">http://rwm.macba.cat/en/<wbr>probes_tag</a><br><br><a href="http://rwm.macba.cat/en/probes_tag" target="_blank">PROBES</a> takes
 Marshall McLuhan’s conceptual contrapositions as a starting point to 
analyse and expose the search for a new sonic language made urgent after
 the collapse of tonality in the twentieth century. The series looks at 
the many probes and experiments that were launched in the last century 
in search of new musical resources, and a new aesthetic; for ways to 
make music adequate to a world transformed by disorientating 
technologies.<br><br></span></font><div><font size="2"><span style="font-family:georgia,serif">You can find the latest instalment of the series, e<a href="http://rwm.macba.cat/en/curatorial/probes-20-1-chris-cutler/capsula" target="_blank">xploring the impact of Indian instruments in Western Music here.</a><br><br><a href="http://rwm.macba.cat/en/sonia/yayo-herrero/capsula">2- </a></span></font><span style="font-family:georgia,serif"><font size="2"><font size="2"><b><b><a>SON[I]A #241. Yayo Herrero  </a></b></b></font><br><br>Link: <a href="http://rwm.macba.cat/en/sonia/yayo-herrero/capsula">http://rwm.macba.cat/en/sonia/yayo-herrero/capsula</a><br><br></font>Yayo Herrero talks about different forms of ecofeminsim, about the 
political management of desires, expectations, and needs, about the 
importance of reproductive work and the need to find new patterns of 
social and institutional co-responsibility, and about the management of 
the commons.<br></span></div><div><span style="font-family:georgia,serif"><b><font size="2">With music by Jana Winderen.</font></b><br><br><b>3-  </b></span><span style="font-family:georgia,serif"><b><span style="font-family:georgia,serif"><font size="2"><font size="2"><a>SON[I]A #240. Lizzie Borden </a></font></font></span></b><br><br></span></div><div><span style="font-family:georgia,serif">Link: <a href="http://rwm.macba.cat/en/sonia/lizzie-borden-main/capsula">http://rwm.macba.cat/en/sonia/lizzie-borden-main/capsula</a><br></span></div><div><span style="font-family:georgia,serif"><br>American filmmaker and activist Lizzie Borden talks about her first 
three films -"Re-grouping” (1976), "Born in Flames" (1983) i "Working 
Girls" (1986)-, about inductive and deductive filmmaking, about filming 
without a script, about the importance of editing, about style, about 
the use of documentary strategies in fiction films, about alternative 
distribution as a form of activism, about the lack of women in the film 
world and about her notion of television as the future of audiovisual 
media.</span></div><div><span style="font-family:georgia,serif"><b><br>4- MEMORABILIA. COLLECTING SOUNDS WITH... Andy Votel. Part II</b><br><br>Link: <a href="http://rwm.macba.cat/en/research/memorabilia-andy-votel-collection/capsula">http://rwm.macba.cat/en/research/memorabilia-andy-votel-collection/capsula</a><br><br>A selection of records that use eccentric voice manipulation techniques;
 from human existentialism and sound poetry to electronic, mechanical 
and computer distortion<br></span><br><font size="2"><span style="font-family:georgia,serif"><a href="http://rwm.macba.cat/en/sonia/zach-blas/capsula" target="_blank">5-</a><b><b><a> SON[I]A #238. Zach Blas</a></b></b><br><br><span style="color:rgb(51,51,51);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255);display:inline;float:none">Link: <a href="http://rwm.macba.cat/en/sonia/zach-blas/capsula" target="_blank">http://rwm.macba.cat/en/sonia/<wbr>zach-blas/capsula</a><br><br><a href="http://rwm.macba.cat/en/sonia/zach-blas/capsula" target="_blank">Zach Blas </a>talks about utopian plagiarism, biometrics, life patterns, and 
unthinkable moments; about identity, opacity, and paranodes; about 
speculation understood in terms of usefulness, and about how we can go 
about conceiving sensual alternatives to the internet’s total 
mono-narrative today.<br><br><br></span></span></font><font face="georgia, serif"><font face="georgia, serif"><b><font face="georgia, serif"><span style="color:rgb(255,0,255)"><b><font size="4">E/N/J/O/Y<br><br><br><br><br></font></b></span></font></b></font></font><font size="2"><span style="font-family:georgia,serif"><font color="#ff00ff"><b>+ 2 u should not miss! ;-)<br><br><br></b></font></span></font><font size="2"><span style="font-family:georgia,serif"><b><span style="color:rgb(0,0,0)"><b><span style="font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255);display:inline;float:none">1-</span><a title="ON LISTENING #1" href="http://rwm.macba.cat/en/research/on-listening-1/capsula" style="padding:0px;margin:0px;text-decoration:none" target="_blank"><span style="padding:0px;margin:0px"> ON LISTENING #1. Thinking (through) the ear.</span></a></b></span></b><br></span></font><br><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(51,51,51);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255);display:inline;float:none">Link: <a href="http://rwm.macba.cat/en/research/on-listening-1/capsula" target="_blank">http://rwm.macba.cat/en/resear<wbr>ch/on-listening-1/capsula</a></span><b><span style="color:rgb(51,51,51);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255);display:inline;float:none"><b><br><br></b></span></b></span></font><p style="padding:0px;margin:0px 12px 0px 0px;color:rgb(51,51,51);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255)"><font size="2"><span style="font-family:georgia,serif">Can
 we think through listening? Seth-Kim Cohen, Christoph Cox, Julian 
Henriques, Casey O’Callaghan, Peter Szendy and Salomé Voegelin discuss 
why thinking should not be at odds with resonating...</span></font></p><p style="padding:0px;margin:0px 12px 0px 0px;color:rgb(51,51,51);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255)"><font size="2"><span style="font-family:georgia,serif"></span></font><br><font size="2"><span style="font-family:georgia,serif"><b><span style="color:rgb(51,51,51);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255);display:inline;float:none"><b>2- FONS ÀUDIO #45. Malcom Le Grice</b><br></span></b></span></font><font size="2"><span style="font-family:georgia,serif"><b><span style="color:rgb(51,51,51);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255);display:inline;float:none"><br>Link: <a href="http://rwm.macba.cat/en/specials/fons-audio-malcolm-le-grice/capsula" target="_blank">http://rwm.macba.cat/en/specia<wbr>ls/fons-audio-malcolm-le-<wbr>grice/capsula</a><br></span></b><br><b><span style="color:rgb(51,51,51);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255);display:inline;float:none"><span style="color:rgb(51,51,51);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255);display:inline;float:none">Malcolm
 Le Grice talks about his 1970 work "Berlin Horse", which is part of the
 MACBA Collection and moves on to expanded cinema, materialist 
structuralism, latency, suspense, and the representation of time in his 
work.</span><b><br></b></span></b></span></font></p><font size="2"><span style="font-family:georgia,serif"><b><span style="color:rgb(51,51,51);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255);display:inline;float:none"></span></b></span></font></div></div>