<div dir="ltr"><font size="2"><span style="font-family:georgia,serif"><b><b><b><a href="http://rwm.macba.cat/" target="_blank">Ràdio Web MACBA most listened podcasts - June 2017</a><br><br></b></b></b></span></font><font size="2"><span style="font-family:georgia,serif"><b><span style="color:rgb(255,0,255)"><a href="http://rwm.macba.cat/en/probes_tag" target="_blank">1- PROBES series. Curated by Chris Cutler</a></span></b><br><br>Link: <a href="http://rwm.macba.cat/en/probes_tag" target="_blank">http://rwm.macba.cat/en/<wbr>probes_tag</a><br><br><a href="http://rwm.macba.cat/en/probes_tag" target="_blank">PROBES</a> takes
Marshall McLuhan’s conceptual contrapositions as a starting point to
analyse and expose the search for a new sonic language made urgent after
the collapse of tonality in the twentieth century. The series looks at
the many probes and experiments that were launched in the last century
in search of new musical resources, and a new aesthetic; for ways to
make music adequate to a world transformed by disorientating
technologies.<br><br></span></font><div><font size="2"><span style="font-family:georgia,serif">You can find the latest instalment of the series, e<a href="http://rwm.macba.cat/en/curatorial/probes-20-1-chris-cutler/capsula" target="_blank">xploring the impact of Indian instruments in Western Music here.</a><br><br><a href="http://rwm.macba.cat/en/sonia/yayo-herrero/capsula">2- </a></span></font><span style="font-family:georgia,serif"><font size="2"><font size="2"><b><b><a>SON[I]A #241. Yayo Herrero </a></b></b></font><br><br>Link: <a href="http://rwm.macba.cat/en/sonia/yayo-herrero/capsula">http://rwm.macba.cat/en/sonia/yayo-herrero/capsula</a><br><br></font>Yayo Herrero talks about different forms of ecofeminsim, about the
political management of desires, expectations, and needs, about the
importance of reproductive work and the need to find new patterns of
social and institutional co-responsibility, and about the management of
the commons.<br></span></div><div><span style="font-family:georgia,serif"><b><font size="2">With music by Jana Winderen.</font></b><br><br><b>3- </b></span><span style="font-family:georgia,serif"><b><span style="font-family:georgia,serif"><font size="2"><font size="2"><a>SON[I]A #240. Lizzie Borden </a></font></font></span></b><br><br></span></div><div><span style="font-family:georgia,serif">Link: <a href="http://rwm.macba.cat/en/sonia/lizzie-borden-main/capsula">http://rwm.macba.cat/en/sonia/lizzie-borden-main/capsula</a><br></span></div><div><span style="font-family:georgia,serif"><br>American filmmaker and activist Lizzie Borden talks about her first
three films -"Re-grouping” (1976), "Born in Flames" (1983) i "Working
Girls" (1986)-, about inductive and deductive filmmaking, about filming
without a script, about the importance of editing, about style, about
the use of documentary strategies in fiction films, about alternative
distribution as a form of activism, about the lack of women in the film
world and about her notion of television as the future of audiovisual
media.</span></div><div><span style="font-family:georgia,serif"><b><br>4- MEMORABILIA. COLLECTING SOUNDS WITH... Andy Votel. Part II</b><br><br>Link: <a href="http://rwm.macba.cat/en/research/memorabilia-andy-votel-collection/capsula">http://rwm.macba.cat/en/research/memorabilia-andy-votel-collection/capsula</a><br><br>A selection of records that use eccentric voice manipulation techniques;
from human existentialism and sound poetry to electronic, mechanical
and computer distortion<br></span><br><font size="2"><span style="font-family:georgia,serif"><a href="http://rwm.macba.cat/en/sonia/zach-blas/capsula" target="_blank">5-</a><b><b><a> SON[I]A #238. Zach Blas</a></b></b><br><br><span style="color:rgb(51,51,51);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255);display:inline;float:none">Link: <a href="http://rwm.macba.cat/en/sonia/zach-blas/capsula" target="_blank">http://rwm.macba.cat/en/sonia/<wbr>zach-blas/capsula</a><br><br><a href="http://rwm.macba.cat/en/sonia/zach-blas/capsula" target="_blank">Zach Blas </a>talks about utopian plagiarism, biometrics, life patterns, and
unthinkable moments; about identity, opacity, and paranodes; about
speculation understood in terms of usefulness, and about how we can go
about conceiving sensual alternatives to the internet’s total
mono-narrative today.<br><br><br></span></span></font><font face="georgia, serif"><font face="georgia, serif"><b><font face="georgia, serif"><span style="color:rgb(255,0,255)"><b><font size="4">E/N/J/O/Y<br><br><br><br><br></font></b></span></font></b></font></font><font size="2"><span style="font-family:georgia,serif"><font color="#ff00ff"><b>+ 2 u should not miss! ;-)<br><br><br></b></font></span></font><font size="2"><span style="font-family:georgia,serif"><b><span style="color:rgb(0,0,0)"><b><span style="font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255);display:inline;float:none">1-</span><a title="ON LISTENING #1" href="http://rwm.macba.cat/en/research/on-listening-1/capsula" style="padding:0px;margin:0px;text-decoration:none" target="_blank"><span style="padding:0px;margin:0px"> ON LISTENING #1. Thinking (through) the ear.</span></a></b></span></b><br></span></font><br><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(51,51,51);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255);display:inline;float:none">Link: <a href="http://rwm.macba.cat/en/research/on-listening-1/capsula" target="_blank">http://rwm.macba.cat/en/resear<wbr>ch/on-listening-1/capsula</a></span><b><span style="color:rgb(51,51,51);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255);display:inline;float:none"><b><br><br></b></span></b></span></font><p style="padding:0px;margin:0px 12px 0px 0px;color:rgb(51,51,51);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255)"><font size="2"><span style="font-family:georgia,serif">Can
we think through listening? Seth-Kim Cohen, Christoph Cox, Julian
Henriques, Casey O’Callaghan, Peter Szendy and Salomé Voegelin discuss
why thinking should not be at odds with resonating...</span></font></p><p style="padding:0px;margin:0px 12px 0px 0px;color:rgb(51,51,51);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255)"><font size="2"><span style="font-family:georgia,serif"></span></font><br><font size="2"><span style="font-family:georgia,serif"><b><span style="color:rgb(51,51,51);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255);display:inline;float:none"><b>2- FONS ÀUDIO #45. Malcom Le Grice</b><br></span></b></span></font><font size="2"><span style="font-family:georgia,serif"><b><span style="color:rgb(51,51,51);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255);display:inline;float:none"><br>Link: <a href="http://rwm.macba.cat/en/specials/fons-audio-malcolm-le-grice/capsula" target="_blank">http://rwm.macba.cat/en/specia<wbr>ls/fons-audio-malcolm-le-<wbr>grice/capsula</a><br></span></b><br><b><span style="color:rgb(51,51,51);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255);display:inline;float:none"><span style="color:rgb(51,51,51);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255);display:inline;float:none">Malcolm
Le Grice talks about his 1970 work "Berlin Horse", which is part of the
MACBA Collection and moves on to expanded cinema, materialist
structuralism, latency, suspense, and the representation of time in his
work.</span><b><br></b></span></b></span></font></p><font size="2"><span style="font-family:georgia,serif"><b><span style="color:rgb(51,51,51);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255);display:inline;float:none"></span></b></span></font></div></div>