<div dir="ltr"><div><div><span style="font-family:georgia,serif"><font size="2"><b><font size="4"><a href="http://rwm.macba.cat/en/sonia/laura-mulvey/capsula" target="_blank"><b><span style="color:rgb(255,0,255)">Ràdio Web MACBA most listened podcasts - September 2017</span></b></a><br></font></b></font><font size="4"><br></font><font size="2"><b><font size="4"><font size="2"><b><font size="4"><a target="_blank" href="http://rwm.macba.cat/en/sonia/matthew-fuller-main/capsula"><b><span style="color:rgb(255,0,255)">1/ SON[I]A #245. Matthew Fuller</span></b></a></font><br></b></font></font></b></font></span><br><span style="font-family:georgia,serif"><font size="2"><b><font size="4"><font size="2"><b><span style="font-family:georgia,serif"><font size="2">Link: <a href="http://rwm.macba.cat/en/sonia/matthew-fuller-main/capsula">http://rwm.macba.cat/en/sonia/matthew-fuller-main/capsula</a><b><br><span class="gmail-"><br></span></b></font></span></b></font></font></b></font></span></div><div><span style="font-family:georgia,serif"><font size="2"><b><font size="4"><font size="2"><b><span style="font-family:georgia,serif"></span></b></font></font></b></font>Matthew Fuller talks about sleep, procedural imperialism, big data, 
post-humanity, and what he calls “denial of service attacks on people’s 
brains”. <br></span><span style="font-family:georgia,serif"><font size="2">+:
 We just published some deleted scenes from this conversation discussing
 issues related to Direct action, software power and protests. <a href="http://rwm.macba.cat/en/extra/matthew-fuller-deleted/capsula">A MUST!</a>  <a href="http://rwm.macba.cat/en/extra/matthew-fuller-deleted/capsula">http://rwm.macba.cat/en/extra/matthew-fuller-deleted/capsula</a></font></span><br></div><span style="font-family:georgia,serif"></span></div><span style="font-family:georgia,serif"><font size="2"><a href="http://rwm.macba.cat/en/specials/ems-mats-lindstrom/capsula"><br><span style="color:rgb(255,0,255)"><font size="4">2-  </font></span></a></font><a href="http://rwm.macba.cat/en/specials/ems-mats-lindstrom/capsula"><span style="color:rgb(255,0,255)"><font size="4">RADIOACTIVITY #4. Elektronmusikstudion (EMS)</font></span></a><font size="2"><a href="http://rwm.macba.cat/en/specials/ems-mats-lindstrom/capsula"><span style="color:rgb(255,0,255)"><font size="4">. With Mats Lindström</font></span></a><br><br><a href="http://rwm.macba.cat/en/specials/ems-mats-lindstrom/capsula">Link: http://rwm.macba.cat/en/specials/ems-mats-lindstrom/capsula</a><br></font><br><font size="2">In 1953, after attending the first Swedish Radio and Fylkingen Society 
electronic music concert with Pierre Henry and Pierre Schaeffer, Swedish
 artist Öyvind Fahlström wrote a manifesto for concrete poetry. More 
than a decade later, the Swedish Radio broadcasted his pioneer radio 
piece “Fåglar I Sverige (Birds in Sweden)”. In the decades that 
followed, the complexity and broad spectrum of productions coming out of
 the Elektronmusikstudion (EMS), founded by Karl Birger in 1964, made it
 a hub for artists. But while the text-sound scene was in and out of the
 Sound Workshop, Knut Wiggen, the first director of the EMS, channelled 
his energy into the futuristic dream of creating a world-class computer 
music studio for experts and scholars.<span class="gmail-"><br><br></span></font><font size="2"><font size="2"><b><span class="gmail-m_-7171366678603487332gmail-m_-3217297527713998595gmail-"><font size="2"><span style="color:rgb(255,0,255)"><font size="4"><b><a href="http://rwm.macba.cat/en/probes_tag" target="_blank">3- PROBES series. Curated by Chris Cutler</a></b></font></span><br><br></font></span></b><span class="gmail-m_-7171366678603487332gmail-m_-3217297527713998595gmail-"><font size="2">Link: <a href="http://rwm.macba.cat/en/probes_tag" target="_blank">http://rwm.macba.cat/en/<wbr>probes_tag</a><br><br></font><font size="2"><a href="http://rwm.macba.cat/en/probes_tag" target="_blank">PROBES</a> takes
 Marshall McLuhan’s conceptual contrapositions as a starting point to 
analyse and expose the search for a new sonic language made urgent after
 the collapse of tonality in the twentieth century. The series looks at 
the many probes and experiments that were launched in the last century 
in search of new musical resources, and a new aesthetic; for ways to 
make music adequate to a world transformed by disorientating 
technologies.</font><br><font size="2"><br></font><font size="2">You can find the latest instalment of the series, e<a href="http://rwm.macba.cat/en/curatorial/probes-20-1-chris-cutler/capsula" target="_blank">xploring the impact of Indian instruments in Western Music here.</a></font></span><b><span class="gmail-m_-7171366678603487332gmail-m_-3217297527713998595gmail-"><font size="2"><br></font></span></b><br><br><b><b><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><font size="4"><span style="color:rgb(255,0,255)"><b><a href="http://rwm.macba.cat/en/composingwithprocess_tag" target="_blank"><span>4- <span class="gmail-m_-7171366678603487332gmail-m_-3217297527713998595gmail-il">COMPOSING</span></span> <span>WITH</span> <span>PROCESS</span></a> series. Curated by Mark Fell and Joe Gilmore</b></span></font><br></span></span></span></span></span></b></b><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><a href="http://rwm.macba.cat/en/composingwithprocess_tag" target="_blank"><span style="color:rgb(0,0,0)"></span></a></span></span></span></span></span></font></font></span><p style="padding:0px;margin:0px 12px 0px 0px;color:rgb(51,51,51);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255)"><span style="font-family:georgia,serif"><font size="2"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><a href="http://rwm.macba.cat/en/composingwithprocess_tag" target="_blank"><span style="color:rgb(0,0,0)"><br></span></a></span></span></span></span></span></font></span></p><p style="padding:0px;margin:0px 12px 0px 0px;color:rgb(51,51,51);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255)"><span style="font-family:georgia,serif"><font size="2"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><a href="http://rwm.macba.cat/en/composingwithprocess_tag" target="_blank"><span style="color:rgb(0,0,0)">Link</span></a></span></span></span></span></span><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><a href="http://rwm.macba.cat/en/composingwithprocess_tag" target="_blank"><span style="color:rgb(0,0,0)">: </span>http://rwm.macba.cat/en/compos<wbr>ingwithprocess_tag</a></span></span></span></span></span><b><b><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><br><br></span></span></span></span></span></b></b><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><a href="http://rwm.macba.cat/en/composingwithprocess_tag" target="_blank"><span><span class="gmail-m_-7171366678603487332gmail-m_-3217297527713998595gmail-il">COMPOSING</span></span> <span>WITH</span> <span>PROCESS</span></a> is a series, curated by<span style="color:rgb(255,0,255)"> Mark Fell and Joe Gilmore</span>,
 which explores generative approaches to composition and performance 
primarily in the context of experimental technologies and music 
practices of the latter part of the 20th Century. Each episode is 
accompanied by an additional programme, entitled <a href="http://rwm.macba.cat/en/exclusives-tag/" target="_blank">EXCLUSIVES</a>, featuring unpublished sound pieces by leading sound artists working in the field. <br></span></span></span></span></span></font></span></p><p style="padding:0px;margin:0px 12px 0px 0px;color:rgb(51,51,51);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255)"><span style="font-family:georgia,serif"><font size="2"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><br></span></span></span></span></span></font></span></p><p style="padding:0px;margin:0px 12px 0px 0px;color:rgb(51,51,51);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255)"><span style="font-family:georgia,serif"><font size="2"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><font size="4">5- </font><font size="2"><b><font size="4"><a href="http://rwm.macba.cat/en/sonia/laura-mulvey/capsula" target="_blank"><b><span style="color:rgb(255,0,255)">SON[I]A #244. Laura Mulvey</span></b></a></font><br></b><br>Link: <a href="http://rwm.macba.cat/en/sonia/laura-mulvey/capsula" target="_blank">http://rwm.macba.cat/en/sonia/<wbr>laura-mulvey/capsula</a><br><br><span style="color:rgb(255,0,255)">Laura Mulvey</span>
 contextualises, updates, and elucidates on the far-reaching impact of 
this key text, which she revised in later essays such as “Death 24 x a 
Second. Stillness and the moving image”. At the same time, she opens up 
the debate with the notions of the “queer gaze” and the “universal 
whiteness” of Hollywood. Mulvey also defends orality as a form of 
"history from below", citing the example of “compilation films” (films 
that use archival footage re-written with new narrative) as a space for a
 new feminist film practice.<b><br></b></font></span></span></span></span></span></font></span></p><p style="padding:0px;margin:0px 12px 0px 0px;color:rgb(51,51,51);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255)"><span style="font-family:georgia,serif"><font size="2"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><font size="2"><b><br></b></font></span></span></span></span></span></font></span></p><p style="padding:0px;margin:0px 12px 0px 0px;color:rgb(51,51,51);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255)"><span style="font-family:georgia,serif"><font size="2"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><font size="2"><b><br></b></font></span></span></span></span></span></font></span></p><p style="padding:0px;margin:0px 12px 0px 0px;color:rgb(51,51,51);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255)"><span style="font-family:georgia,serif"><br><font size="2"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><font size="2"><b><font size="2"><font size="4"><b><span style="color:rgb(255,0,255)"><b>E/N/J/O/Y<br><br></b></span></b><br><b><span style="color:rgb(255,0,255)"><b><b><span style="color:rgb(255,0,255)"><b>E/N/J/O/Y<br><br></b></span></b></b></span></b><br></font><b><span style="color:rgb(255,0,255)"><b><font size="4">E/N/J/O/Y<br></font></b></span></b></font></b></font></span></span></span></span></span></font></span></p><p style="padding:0px;margin:0px 12px 0px 0px;color:rgb(51,51,51);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255)"><span style="font-family:georgia,serif"><font size="2"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><font size="2"><b><font size="2"><b><span style="color:rgb(255,0,255)"><b><font size="4"><br></font></b></span></b></font></b></font></span></span></span></span></span></font></span></p><p style="padding:0px;margin:0px 12px 0px 0px;color:rgb(51,51,51);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255)"><br><span style="font-family:georgia,serif"><font size="2"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><font size="2"><b><font size="2"><b><span style="color:rgb(255,0,255)"><b><font size="4"><font size="2"><span style="font-family:georgia,serif"><b><span style="color:rgb(255,0,255)"><b><span class="gmail-m_-4189755772899004826gmail-m_-5891126536296385484gmail-m_-3803706555438859082gmail-"><br></span></b></span></b><span style="color:rgb(255,0,255)"><b><font size="4">+ 2 podcasts you should not miss!!<span class="gmail-"><br></span></font></b></span></span></font></font></b></span></b></font></b></font></span></span></span></span></span></font></span></p><p style="padding:0px;margin:0px 12px 0px 0px;color:rgb(51,51,51);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255)"><br></p><div><span style="font-family:georgia,serif"><font size="2"><span style="background-color:rgb(255,255,255)"><span style="color:rgb(0,0,0)"><span style="color:rgb(255,0,255)"><font size="4"><b><br></b></font></span></span></span></font><span style="color:rgb(255,0,255)"><b><font size="4">1/ </font></b></span></span><font face="georgia, serif"><b>OBJECTHOOD #4. Curated by Roc Jiménez de Cisneros<br></b>Link: <a href="http://rwm.macba.cat/en/specials/objecthood4-nabil-ahmed-arie-altena-agf/capsula" target="_blank">http://rwm.macba.cat/en/<wbr>specials/objecthood4-nabil-<wbr>ahmed-arie-altena-agf/capsula</a><br><br>The
 slippery materiality of untraceable objects: from the arsenic poisoning
 the wells of Bangladesh as told by Nabil Ahmed, to Arie Altena's 
account of the superstition surrounding the Kola Superdeep Borehole in 
Russia, or the bizarre biology of the vampire squid from hell in a 
passage of Vilém Flusser’s ‘Vampyroteuthis Infernalis’ read by AGF.<br><br><span style="color:rgb(255,0,255)"><b><font size="4">2/</font></b></span></font><span style="font-family:georgia,serif"> <b>SON[I]A #221. Franco "Bifo" Berardi</b></span></div><span style="font-family:georgia,serif"><br><a href="http://rwm.macba.cat/en/sonia/franco-bifo-berardi-heroes/capsula" target="_blank">Link: http://rwm.macba.cat/en/sonia/<wbr>franco-bifo-berardi-heroes/<wbr>capsula</a><br><br>Bifo about mass killings in relation to cinema, mental health, neuroplasticity, friendship, irony and, ultimately, hope.</span><p style="padding:0px;margin:0px 12px 0px 0px;color:rgb(51,51,51);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255)"><br><span style="font-family:georgia,serif"><font size="2"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><font size="2"><b><font size="2"><b><span style="color:rgb(255,0,255)"><b><font size="4"><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(255,0,255)"></span></span></font></font></b></span></b></font></b></font></span></span></span></span></span></font></span></p><p style="padding:0px;margin:0px 12px 0px 0px;color:rgb(51,51,51);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255)"><span style="font-family:georgia,serif"><br></span></p><p style="padding:0px;margin:0px 12px 0px 0px;color:rgb(51,51,51);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255)"><span style="font-family:georgia,serif"><br></span></p><p style="padding:0px;margin:0px 12px 0px 0px;color:rgb(51,51,51);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255)"><span style="font-family:georgia,serif"><br><font size="2"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><font size="2"><b><font size="2"><b><span style="color:rgb(255,0,255)"></span></b></font></b></font></span></span></span></span></span></font></span></p><span style="font-family:georgia,serif"><font size="2"><br></font></span></div>