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width: 100% !important;
padding-left: 0 !important;
padding-right: 0 !important;
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.announcement-logo img {
width: 100% !important;
height: auto !important;
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.cta-button-small {
font-size: 12px !important;
}
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@media screen and (max-width: 667px) {
.share-button,
.cta-button-small {
padding: 7px !important;
font-size: 11px !important;
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.header-logo {
width: 70px !important;
height: 21px !important;
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.header-height-outer {
height: 63px !important;
}
.header-height-inner {
height: 62px !important;
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.margin-header {
width: 16px !important;
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.lrmargin {
width: 16px !important;
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.margin-top-to-title {
height: 49px !important;
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height: 33px !important;
}
.margin-image-to-text {
height: 21px !important;
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.announcement-header-info-inline,
.announcement-content {
font-size: 16px !important;
width: auto !important;
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.margin-center {
width: 16px !important;
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.portrait-image {
width: 100% !important;
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.margin-text-to-footer {
height: 35px !important;
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@media screen and (max-width: 567px) {
.share-button,
.cta-button-small {
padding: 2px 4px !important;
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.margin-header {
width: 14px !important;
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.lrmargin {
width: 14px !important;
}
.header-logo {
width: 64px !important;
height: 19px !important;
}
.header-height-outer {
height: 50px !important;
}
.header-height-inner {
height: 50px !important;
}
.margin-header {
width: 14px !important;
}
.margin-center {
width: 14px !important;
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}
</style>
</head>
<body
style="min-width:100%;-webkit-text-size-adjust:none;color:#232323;margin-top:0;margin-bottom:0;margin-right:0;margin-left:0;padding-top:0;padding-bottom:0;padding-right:0;padding-left:0;font-weight:normal;font-size:18px;font-family:'Freight
Text W01','Times New Roman',serif;width:100%;" bgcolor="#FFFFFF"
text="#000000">
news from a dedicated spectrite... (congratulations!)<br>
<br>
<br>
<table class="body"
style="table-layout:fixed;width:100%;border-collapse:collapsed;-webkit-text-size-adjust:none;color:#232323;margin-top:0;margin-bottom:0;margin-right:0;margin-left:0;padding-top:0;padding-bottom:0;padding-right:0;padding-left:0;font-weight:normal;font-size:18px;font-family:'Freight
Text W01','Times New Roman',serif;" cellpadding="0"
cellspacing="0">
<tbody>
<tr>
</tr>
<tr>
<td
style="border-collapse:collapse;margin-top:0;margin-bottom:0;margin-right:0;margin-left:0;padding-top:0;padding-bottom:0;padding-right:0;padding-left:0;">
<table
style="table-layout:fixed;width:100%;border-collapse:collapsed;line-height:0;"
cellpadding="0" cellspacing="0">
<tbody>
<tr>
<td rowspan="2"
style="background-color:#232323;font-size:0;line-height:0;border-collapse:collapse;margin-top:0;margin-bottom:0;margin-right:0;margin-left:0;padding-top:0;padding-bottom:0;padding-right:0;padding-left:0;"
width="8"><img class="header-height-outer"
src="cid:part1.46E5B8A8.9D6F7889@mikro.in-berlin.de"
alt=""
style="border-width:0;line-height:100%;outline-style:none;text-decoration:none;border-style:none;"
height="70" width="8"></td>
<td class="margin-header"
style="font-size:0;line-height:0;border-collapse:collapse;margin-top:0;margin-bottom:0;margin-right:0;margin-left:0;padding-top:0;padding-bottom:0;padding-right:0;padding-left:0;"
width="20"><img class="margin-header
header-height-inner"
src="cid:part2.1271503D.D5E3F5B7@mikro.in-berlin.de"
alt=""
style="border-width:0;line-height:100%;outline-style:none;text-decoration:none;border-style:none;"
height="69" width="20"></td>
<td class="header-logo"
style="font-size:0;line-height:0;border-collapse:collapse;margin-top:0;margin-bottom:0;margin-right:0;margin-left:0;padding-top:0;padding-bottom:0;padding-right:0;padding-left:0;"
height="69" width="94"><a
href="https://interspire.e-flux.com/link.php?M=133213&N=23088&L=24450&F=H"><img
class="header-logo"
src="cid:part3.A7EC9808.65229776@mikro.in-berlin.de"
alt="e-flux"
style="border-width:0;line-height:100%;outline-style:none;text-decoration:none;border-style:none;"
width="94"></a></td>
<td
style="text-align:right;border-collapse:collapse;margin-top:0;margin-bottom:0;margin-right:0;margin-left:0;padding-top:0;padding-bottom:0;padding-right:0;padding-left:0;">
<table style="border-collapse:collapsed;"
align="right" cellpadding="0" cellspacing="0">
<tbody>
<tr>
<td class="font-haas"
style="border-collapse:collapse;margin-top:0;margin-bottom:0;margin-right:0;margin-left:0;padding-top:0;padding-bottom:0;padding-right:0;padding-left:0;font-family:'Neue
Haas Unica W01',Helvetica,Arial,sans-serif
!important;"><a
href="https://interspire.e-flux.com/link.php?M=133213&N=23088&L=159441&F=H"
class="button-small share-button"
style="color:#232323
!important;text-decoration:none
!important;font-family:'Neue Haas Unica
W01',Helvetica,Arial,sans-serif
!important;font-size:14px;line-height:14px;padding-top:10px;padding-bottom:10px;padding-right:18px;padding-left:18px;border-width:1px;border-style:solid;border-color:#232323;display:inline-block;"><span
class="share-text-prefix">Share on</span>
Facebook</a></td>
<td
style="border-collapse:collapse;margin-top:0;margin-bottom:0;margin-right:0;margin-left:0;padding-top:0;padding-bottom:0;padding-right:0;padding-left:0;"
width="13"><img
src="cid:part2.1271503D.D5E3F5B7@mikro.in-berlin.de"
alt=""
style="border-width:0;line-height:100%;outline-style:none;text-decoration:none;border-style:none;"
height="1" width="13"></td>
<td class="font-haas"
style="border-collapse:collapse;margin-top:0;margin-bottom:0;margin-right:0;margin-left:0;padding-top:0;padding-bottom:0;padding-right:0;padding-left:0;font-family:'Neue
Haas Unica W01',Helvetica,Arial,sans-serif
!important;"><a
href="https://interspire.e-flux.com/link.php?M=133213&N=23088&L=159440&F=H"
class="button-small share-button"
style="color:#232323
!important;text-decoration:none
!important;font-family:'Neue Haas Unica
W01',Helvetica,Arial,sans-serif
!important;font-size:14px;line-height:14px;padding-top:10px;padding-bottom:10px;padding-right:18px;padding-left:18px;border-width:1px;border-style:solid;border-color:#232323;display:inline-block;"><span
class="share-text-prefix">Share on</span>
Twitter</a></td>
</tr>
</tbody>
</table>
</td>
<td class="margin-header"
style="font-size:0;line-height:0;border-collapse:collapse;margin-top:0;margin-bottom:0;margin-right:0;margin-left:0;padding-top:0;padding-bottom:0;padding-right:0;padding-left:0;"
width="20"><img class="margin-header"
src="cid:part2.1271503D.D5E3F5B7@mikro.in-berlin.de"
alt=""
style="border-width:0;line-height:100%;outline-style:none;text-decoration:none;border-style:none;"
height="1" width="20"></td>
</tr>
<tr>
<td colspan="4" class="header"
style="font-size:0;line-height:0;border-collapse:collapse;margin-top:0;margin-bottom:0;margin-right:0;margin-left:0;padding-top:0;padding-bottom:0;padding-right:0;padding-left:0;border-bottom-width:1px;border-bottom-style:dashed;border-bottom-color:#232323;"
height="0"> </td>
</tr>
</tbody>
</table>
</td>
</tr>
<tr>
<td
style="border-collapse:collapse;margin-top:0;margin-bottom:0;margin-right:0;margin-left:0;padding-top:0;padding-bottom:0;padding-right:0;padding-left:0;"><img
class="margin-top-to-title"
src="cid:part2.1271503D.D5E3F5B7@mikro.in-berlin.de"
alt=""
style="border-width:0;line-height:100%;outline-style:none;text-decoration:none;border-style:none;"
height="64" width="1"></td>
</tr>
<tr>
<td
style="border-collapse:collapse;margin-top:0;margin-bottom:0;margin-right:0;margin-left:0;padding-top:0;padding-bottom:0;padding-right:0;padding-left:0;">
<table
style="table-layout:fixed;width:100%;border-collapse:collapsed;"
cellpadding="0" cellspacing="0">
<tbody>
<tr>
<td class="lrmargin" rowspan="3"
style="border-collapse:collapse;margin-top:0;margin-bottom:0;margin-right:0;margin-left:0;padding-top:0;padding-bottom:0;padding-right:0;padding-left:0;"
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style="border-collapse:collapse;margin-top:0;margin-bottom:0;margin-right:0;margin-left:0;padding-top:0;padding-right:0;padding-left:0;font-family:'Neue
Haas Unica W01',Helvetica,Arial,sans-serif
!important;font-size:14px;line-height:14px;padding-bottom:0.75em;">
July 12, 2018 </td>
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Haas Unica W01',Helvetica,Arial,sans-serif
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Taipei Fine Arts Museum </td>
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height="48" width="1"></td>
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style="border-collapse:collapse;margin-top:0;margin-bottom:0;margin-right:0;margin-left:0;padding-top:0;padding-bottom:0;padding-right:0;padding-left:0;">
<a
href="https://interspire.e-flux.com/link.php?M=133213&N=23088&L=21762&F=H"
style="color:#232323 !important;text-decoration:none
!important;"><img
src="cid:part14.72964FBD.3CB1ABD9@mikro.in-berlin.de"
alt=""
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width="1000"></a> </td>
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style="border-collapse:collapse;margin-top:0;margin-bottom:0;margin-right:0;margin-left:0;padding-top:0;padding-bottom:0;padding-right:0;padding-left:0;"
width="48"><img class="lrmargin"
src="cid:part2.1271503D.D5E3F5B7@mikro.in-berlin.de"
alt=""
style="border-width:0;line-height:100%;outline-style:none;text-decoration:none;border-style:none;"
height="1" width="48"></td>
<td class="font-haas"
style="border-collapse:collapse;margin-top:0;margin-bottom:0;margin-right:0;margin-left:0;padding-top:0;padding-bottom:0;padding-right:0;padding-left:0;font-family:'Neue
Haas Unica W01',Helvetica,Arial,sans-serif
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<p class="caption" style="font-family:'Neue Haas
Unica W01',Helvetica,Arial,sans-serif
!important;margin-top:0.75em;font-size:12px;line-height:1.3;color:#5a5a5a;">Shu
Lea Cheang,<em> BRANDON, </em>1998–99. Collection
of the Solomon R. Guggenheim Museum in New
York. Courtesy of the artist.
</p>
</td>
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style="border-collapse:collapse;margin-top:0;margin-bottom:0;margin-right:0;margin-left:0;padding-top:0;padding-bottom:0;padding-right:0;padding-left:0;"
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src="cid:part2.1271503D.D5E3F5B7@mikro.in-berlin.de"
alt=""
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height="1" width="48"></td>
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alt=""
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height="42" width="1"></td>
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alt=""
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height="1" width="48"></td>
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Text W01','Times New Roman',serif !important;">
<div class="announcement-content"
style="max-width:700px;overflow:hidden;letter-spacing:0.01em;">
<p class="announcement-header-info-inline"
style="margin-right:0;margin-left:0;padding-top:0;padding-bottom:0;padding-right:0;padding-left:0;margin-bottom:1.4em;margin-top:0;"><b>
Artist Shu Lea Cheang to Represent Taiwan
Pavilion at 2019 Venice Biennale
</b><br>
May 11–November 24, 2019
<br>
<br>
<b>Taiwan Pavilion at the Venice Biennale</b>
<br>
Venice <br>
Italy
<br>
<br>
<a
href="https://interspire.e-flux.com/link.php?M=133213&N=23088&L=21762&F=H">www.tfam.museum</a>
<br>
</p>
<div class="announcement-text">
<p>The 2019 Taiwan Pavilion at the 58th Venice
Biennale, organized by Taipei Fine Arts
Museum, will feature Shu Lea Cheang as
representative artist. She is the first woman
artist to be selected since the Taiwan
Pavilion began holding single-artist
exhibitions. The 2019 Taiwan Pavilion
nominating committee was composed of a variety
of professionals including independent
curators, performing arts planners, artists,
and art critics, affording broader room for
debate and inspiration.</p>
<p>Taipei Fine Arts Museum director Ping Lin
remarks: “The Venice Biennale Taiwan Pavilion
is an international platform. Once every two
years, we gather the Taiwanese contemporary
art world together to imagine what this
platform can be. In recent years Taiwanese
artists and art institutions have elevated
their participation in the global art
community, generating a more refined and
complex network of connections. For this
reason, the nominating committee employed a
greater level of strategic thinking, coloring
their artist recommendations with stronger
overtones of global strategy. Shu Lea Cheang,
a pioneer of net art, not only in Taiwan but
around the world, emerged as the first
choice.”</p>
<p>Cheang remarks: “Since my net art work <i>BRANDON</i>
(1998-1999), a trajectory charged with detours
and deviations has teleported me to Palazzo
delle Prigioni, Venice, where crimes and
punishment are revisited in a 16th century
prison setting. My growing up in Taiwan was
much associated with a tightly controlled
society under Taiwan's martial law
(1949-1987). My return to Taiwan after decades
of living abroad has exposed me to a
liberated, intricate and generous new
generation with whom I have only now begun to
become acquainted. To be representing Taiwan
in its current complex state is a tremendous
task, and I am grateful to be accompanied on
this venture by the visionary curator Paul B.
Preciado and the dedicated VB team at the
Taipei Fine Arts Museum.”</p>
<p><b>Contemporary Net Art pioneer</b><br>
Shu Lea Cheang (1954-) grew up in Taiwan and
established her own distinctive perspective of
art while living in the West, quickly carving
out a terrain of her own in the internet
world. Considering herself a “digital nomad,”
her artistic footprints span Asia, Europe and
North America. Her work encompasses such forms
as net art installation, feature-length films,
and art actions, in which she explores and
rethinks the middle ground between technology
and humanity in the era of globalization,
repeatedly engaging in dialectic on social and
political issues such as gender and body
politics, ethnic and cultural diversity,
history, and the environment.</p>
<p>The works of Shu Lea Cheang have always
revolved around the nature of
electronic/digital technology, emphasizing
collective participation and intervention. In
the 1980s Cheang was active in the production
of independent videos and grass-roots
television programs, as well as documenting
the street demonstrations taking place at the
time in New York. She also began working in
video art, launching her career as an artist.
In the 1990s she began to explore net art,
creating installations combining computer
programs and video interaction that connected
virtual networks with real spaces. She also
started a series of creative, performance and
action projects. Her work <i>BRANDON</i>
(1998-1999) was the first web art commissioned
and collected by the Solomon R. Guggenheim
Museum in New York. Since 2000 she has
anchored her works in the scenario of a
post-netcrash age, developing a science
fiction narrative as a countervailing force
amidst the chorus of optimism about the future
of the internet. Cheang’s work initiates an
alternative imagining of the internet beyond
its essential function as digital
communication technology, transforming it into
an artistic medium of collective creation, and
inviting viewers to enter its milieu to
discuss contemporary social issues. By
creating collective experiences that cross
cultures and bridge the virtual and real
worlds to promote the redistribution of ideas
with the aim of achieving genuine social
action, she manifests the concept of
contemporary art as a form that spans physical
boundaries in the digital age.</p>
<p><b>International curation</b><br>
To strengthen the international connections of
the Taiwan Pavilion and open up multiple
dialogues with the global art community,
Taipei Fine Arts Museum and Shu Lea Cheang
jointly agreed to invite the Spanish
philosopher Paul B. Preciado (1970-) to serve
as curator of the Taiwan Pavilion, in light of
his apprehension of the creative context and
the tacit understanding he has formed with the
artist through long-term cooperation. Preciado
earned a Ph.D. in Philosophy and Theory of
Architecture from Princeton University and
studied under Jacques Derrida in New York
City. Preciado is today one of the leading
thinkers in the fields of gender, sexuality,
and body studies, following the steps of
Michel Foucault and Judith Butler. He has
taught at Université Paris VIII-Saint Denis
and at New York University, served as Head of
Research at the Museum of Contemporary Art of
Barcelona, and was Curator of Public Programs
for documenta 14 in 2017. With his solid
reputation as
academic scholar and curator, Preciado’s
visionary projects dovetail with the Shu Lea
Cheang’s creative background, lending the
upcoming Taiwan Pavilion an interpretive
approach able to penetrate the tension of the
artworks.</p>
<p>Regarding the curation of the Taiwan
Pavilion, Preciado states: “We are living
through a moment of planetary transformation
with the advent of artificial intelligence,
sophisticated warfare technologies, genetic
engineering, and global internet. This is a
paradigm shift only comparable to the one that
took place with the invention of the printing
press and global colonization. The political
and poetic potentiality of this moment is as
big as the risks of building new forms of
oppression and exclusion. We need new grammars
and new images in order to forge a new
subjectivity, to invent new ways of feeling
and desiring. I see Shu Lea Cheang’s work as
one of the most powerful creative and
experimental tools to navigate this
transition. Bringing together many underground
traditions, from transfeminism, queer and
anti-racist politics, as well as science
fiction narrative, video art, and performance,
Shu Lea Cheang’s work is a reflection on what
it means to be
free, to act freely within contemporary
society. The historic halls of the Palazzo
delle Prigioni Venice, the former prison of
the Palazzo Ducale, are an exquisite site to
think about the conditions of contemporary
subjection, about the constructed limits
between normalcy and deviancy, as well as to
imagine new emancipatory practices.”</p>
<p>Further information on Shu Lea Cheang can be
found at: <a
href="https://interspire.e-flux.com/link.php?M=133213&N=23088&L=159442&F=H">mauvaiscontact.info</a></p>
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