<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;" class=""><div class=""><font face="Calibri" class="" style="font-size: 14px;">Dear all,</font></div><div class=""><br class=""></div><div class=""><font face="Calibri" class="" style="font-size: 14px;">We present the results of our 2 year's editorial/curatorial and collaborative research work through these turbulent times<br class="">in the form of our </font><a href="http://www.joaap.org/issue11/issue11note.htm" class="">11th issue- “Culture Beside Itself”</a><font face="Calibri" class="" style="font-size: 14px;"> -<a href="http://www.joaap.org/issue11/issue11note.htm" class="">http://www.joaap.org/issue11/issue11note.htm</a></font></div><div class=""><font face="Calibri" class="" style="font-size: 14px;">-<br class=""></font></div><div class=""><font face="Calibri" class="" style="font-size: 14px;">Issue 11: Journal of Aesthetics & Protest, Culture Beside Itself<br class="">Autonomously edited non-fascist or avant garde collectively edited Newsletters, </font></div><div class=""><font face="Calibri" class="" style="font-size: 14px;">presented as a model for other ways of research and non-institutional work. In that </font></div><div class=""><font face="Calibri" class="" style="font-size: 14px;">way, it is conceptualized in relation to new municipalist and decolonial cultural and theoretical work. </font></div><div class=""><font face="Calibri" class="" style="font-size: 14px;"><br class=""></font></div><div class=""><font face="Calibri" class="" style="font-size: 14px;">The Journal of Aesthetics & Protest is an almost 20-year old autonomous non-academic journal </font></div><div class=""><font face="Calibri" class="" style="font-size: 14px;">that describes itself as a “freak archive” and radical thinking group, publishing outfit and artist’s colective.</font></div><div class=""><a href="http://www.joaap.org" class="">http://www.<font face="Calibri" class="" style="font-size: 14px;">joaap.org </font></a><font face="Calibri" class="" style="font-size: 14px;"><br class=""><br class=""></font></div><div class=""><font face="Calibri" class=""><span class="" style="font-size: 14px;">———————————————</span></font></div><div class=""><font face="Calibri" class="" style="font-size: 14px;"><br class=""></font></div><div class=""><font face="Calibri" class="" style="font-size: 14px;"><br class=""></font></div><div class=""><br class=""></div><div class=""><font face="Calibri" class="" style="font-size: 14px;"><em class="">Culture Beside Itself</em>, the 11th issue is primarilly a compendium of 19 newsetters,<br class="">authored and autonomously edited non- or anti-fascist or avant garde collectives.<br class="">These newsletters were locally distributed before joining our compendium.</font></div><div class=""><font face="Calibri" class="" style="font-size: 14px;"> </font></div><font face="Calibri" class="" style="font-size: 14px;">The editorial/curatorial project began as a way to support and/or initiate more long-term situated<br class="">praxis - praxis with a decidedly critical eye towards whatever mediating force– left or right;<br class="">in support of radical, decolonial, eco-social and progressive ends bound up in those left-mediating forces.<br class="">The issue is a work of political solidarity and book arts; we wanted to take seriously our practice as editor/orgaizers. <br class=""><br class="">---<br class=""></font><div class=""><div class=""><div class=""><br class=""></div><font face="Calibri" class="" style="font-size: 14px;"><br class="">In addition to our lllustrated editorial, the issue also contains four article that reflect on the issue's subject of focus.<br class="">- Print media theorist <a href="https://eur01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fymlpcl9.com%2F7b2d5mybataehqwyazawjjaaabuqb%2Fclick.php&data=01%7C01%7Ccup02mh%40gold.ac.uk%7C6b322a8ca9d844ab0ef008d821ac6338%7C0d431f3f20c1461c958a46b29d4e021b%7C0&sdata=wjjHe84FMelArf1z7jw05G5MWm3kOC5sd0ODw%2FS3%2BEs%3D&reserved=0" originalsrc="https://ymlpcl9.com/7b2d5mybataehqwyazawjjaaabuqb/click.php" shash="U8l1G2FhVImt8baXkCmRRPyNKHVZGZKQoXyDkTWI0QT1TT+L2I7I76DtDHp0aKK6kZOyTUwysshhiZGwG/QDJJ/OzGHGSxQ7bezWpPEmmSM9Scz7QgT1ndFkx02dd4heIldzMIv1f+DBsQZNQPGuv1zvffKEWEYWAhXcNuaw464=" class="">Nick Thoburn on the newsletter form as a possibly communist object</a>.</font></div><div class=""><font face="Calibri" class="" style="font-size: 14px;">- <a href="https://eur01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fymlpcl9.com%2F2f806myhakaehqwyapawjjalabuqb%2Fclick.php&data=01%7C01%7Ccup02mh%40gold.ac.uk%7C6b322a8ca9d844ab0ef008d821ac6338%7C0d431f3f20c1461c958a46b29d4e021b%7C0&sdata=Oe61rPuB9YNWk7%2BK8X%2BjyCeVlTHlGBiqiZIdOz2%2F4bg%3D&reserved=0" originalsrc="https://ymlpcl9.com/2f806myhakaehqwyapawjjalabuqb/click.php" shash="BqRrusIX2OmeEWC084C9yCHicMDRkdq9pXvxze3fVRXJbelgOsNexJNd68vOYxZXTs44BOvMlTi2Gc4NAAZ+tQznFiRqzBjmxDiRbH2DygM2dSfKRJwqhmnJDYt/fQ0yePjfsiAuYKPKNOFhtFQ8gD502Q3qdkI+DgRxJKjzUlA=" class="">Out of the Woods Collective on eco-fascism, practice and place</a><br class="">- Critical Theorist<a href="https://eur01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fymlpcl9.com%2F184f9mywaraehqwyapawjjaaabuqb%2Fclick.php&data=01%7C01%7Ccup02mh%40gold.ac.uk%7C6b322a8ca9d844ab0ef008d821ac6338%7C0d431f3f20c1461c958a46b29d4e021b%7C0&sdata=rQhsF9IH2hl%2B8J0ApHFk1geCbn0qsicWyJ1MwC%2BOcDc%3D&reserved=0" originalsrc="https://ymlpcl9.com/184f9mywaraehqwyapawjjaaabuqb/click.php" shash="C47Ri0QBAjQ9mp3vYdUkwp6QZWVcdfLHJAqw5M785qqA8d2EBg51Ll1KZthTk+HaKOoO3xYzus2HPA3UgRmRtujqLqOURE1j9b1+LvBfZ8XRBz4C1lW9/ErHiv9qPifq/bgRCwRr1LLIDEkjcOI4JhrdaMkFSoOGoIkgA5gF9OA=" class=""> Hammam Aldouri on the limits of the art world's liberal universalism- via LA MOCA and Marina Abramovic</a><br class="">- <a href="https://eur01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fymlpcl9.com%2F66b25myqadaehqwyaoawjjacabuqb%2Fclick.php&data=01%7C01%7Ccup02mh%40gold.ac.uk%7C6b322a8ca9d844ab0ef008d821ac6338%7C0d431f3f20c1461c958a46b29d4e021b%7C0&sdata=Flr3Gl0yQp7IkzVjkqTWvYx4WGnrxbwW2wfI2QvRC3E%3D&reserved=0" originalsrc="https://ymlpcl9.com/66b25myqadaehqwyaoawjjacabuqb/click.php" shash="KJU63a4sJeT7WHZGCYOQPkwh77onKAbunYKd3TNlmijYd4I1I2+VDY8QUcZOheCgW/hDJSotBVnITx3aqq7T+znS9LupTyCkJF/ninXxaUJqfkz7nqch/IBX344o+B+0goBFAX+v0yiZJFIyR5hVFEKt4We1WgaEsJSgay2v8xQ=" class="">Tools for Action artist collective, on the creation of non-fascist avant garde collective spectacle</a></font></div><div class=""><font face="Calibri" class="" style="font-size: 14px;"> </font></div><div class=""><font face="Calibri" class="" style="font-size: 14px;"> </font></div><div class=""><font face="Calibri" class="" style="font-size: 14px;">Newsletters from:<br class=""><strong class="">Anti-fascist Culture</strong> (Athens, Thessaloniki & beyond)<br class=""><strong class="">Black Book Assembly </strong>(Hong Kong, Wuhan, and elsewhere)<br class=""><strong class="">Museum Adjacen</strong><a href="https://eur01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fymlpcl9.com%2F4cc93jsuaxaehqwyagawjjanabuqb%2Fclick.php&data=01%7C01%7Ccup02mh%40gold.ac.uk%7C6b322a8ca9d844ab0ef008d821ac6338%7C0d431f3f20c1461c958a46b29d4e021b%7C0&sdata=P3HJ3awWbrqXuGAROSQabGHVw43GrakhHky4MWTkibE%3D&reserved=0" originalsrc="https://ymlpcl9.com/4cc93jsuaxaehqwyagawjjanabuqb/click.php" shash="jwMhIs1fG88p83J9WcPzKRqwP+AfsIUwqSejee+oXDNo9KQXku2qafXwnUvuWuAQ0F88+8A76lZs3nLG9jEU34GmT8FgPtTxjatlwGtFGiF9DuwO0u0F/TlnqAEq5OleGicPJu6IHCVfIIEk3BkCMsh3ET9Tqwr9tCb0pzdeF8c=" class="">t </a>(Los Angeles)<br class=""><strong class="">The Center for Enchantment</strong> (Albany)<br class=""><strong class="">We TBD</strong> (Los Angeles)</font></div><div class=""><font face="Calibri" class="" style="font-size: 14px;"><strong class="">Zizi de Vitruve</strong> (Strasbourg)<br class=""><strong class="">Around the Table</strong> (London)<br class=""><strong class="">La Foresta/Evening Class</strong> (Rovereto & London)<br class=""><strong class="">Five Years</strong> (London)<br class=""><strong class="">Never Again/Anti-Fascist Yea</strong><a href="https://eur01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fymlpcl9.com%2F01baejsqavaehqwyatawjjaaabuqb%2Fclick.php&data=01%7C01%7Ccup02mh%40gold.ac.uk%7C6b322a8ca9d844ab0ef008d821ac6338%7C0d431f3f20c1461c958a46b29d4e021b%7C0&sdata=vL2XFR1OUYpwM%2BlfogeienceUClVAttkWz5yAPBZ1r4%3D&reserved=0" originalsrc="https://ymlpcl9.com/01baejsqavaehqwyatawjjaaabuqb/click.php" shash="K7PE22aYeDGl1lnC4XkcfC3RMGwZUVoJLzzg+G7Um3R1R2SIghIWxs9c2q/DnYnk0+LfEjEX+Za0aJiLblrgxFxCC8hvoNV1Xcl5jTEC0BcPZiaoHYp43yTFTSM+/GTeYmMnGmtO6PifmqNd/Fwl11Em+5bq/ccPNrxH+juNi2Y=" class="">r</a> (Warsaw)<br class=""><strong class="">Woodbine </strong>(Ridgewood Queens, New York)<br class=""><strong class="">collective @ .ac</strong> (Lancashire)<br class=""><strong class="">ReadingRoom </strong>(Utrecht)<br class=""><strong class="">Evening Class </strong>(London)<br class=""><strong class="">The Re-Imagining Value Action Lab/RiVAL </strong>(Thunder Bay)<br class=""><strong class="">DSA Ecosocialist WG</strong> (Santa Cruz)<br class=""><strong class="">Critical Practice Notes</strong> (Los Angeles)<br class=""><strong class="">The Casual School Collective</strong> (Canberra)<br class=""><strong class="">Pro Arts Gallery & Commons </strong>(Oakland)<br class=""><br class=""></font></div></div></body></html>