<html><head><meta http-equiv="Content-Type" content="text/html; charset=utf-8"></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><meta http-equiv="Content-Type" content="text/html; charset=utf-8" class=""><div style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><meta http-equiv="Content-Type" content="text/html; charset=utf-8" class=""><div style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><meta http-equiv="Content-Type" content="text/html; charset=utf-8" class=""><div style="word-wrap: break-word; -webkit-nbsp-mode: space; 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letter-spacing: normal; text-transform: none; white-space: normal; word-spacing: 0px; text-decoration: none; -webkit-text-stroke-width: 0px; font-family: Helvetica; font-size: 12px; font-weight: normal; font-style: normal; margin-bottom: 0cm;"><a href="http://neural.it/issues/neural-63-surveillance-surveyed/" class="" style="font-size: 14px;"></a></p><p class="" style="caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-variant-caps: normal; letter-spacing: normal; text-transform: none; white-space: normal; word-spacing: 0px; text-decoration: none; -webkit-text-stroke-width: 0px; margin-bottom: 0cm;"><a href="http://neural.it/issues/neural-67-adversarial-tactics/" style="font-size: 14px;" class="">“Adversarial Tactics” (Neural #67) is still available!</a></p><div class="" style="caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-variant-caps: normal; letter-spacing: normal; text-transform: none; white-space: normal; word-spacing: 0px; text-decoration: none; -webkit-text-stroke-width: 0px; font-family: Helvetica; font-weight: normal; font-style: normal;"><span class="" style="font-size: 14px;">. . . . . . . . . . . . . . . . . . . . . . . . .</span></div><p class="" style="caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-variant-caps: normal; letter-spacing: normal; text-transform: none; white-space: normal; word-spacing: 0px; text-decoration: none; -webkit-text-stroke-width: 0px; font-family: Helvetica; font-weight: normal; font-style: normal; margin-bottom: 0cm;"><span class="" style="font-size: 14px;"><span class=""><a href="http://neural.it/subscribe/#print-subscription" class=""><span class=""><span class=""><b class="">Print Subscription</b></span></span></a>, 3 issues + extra</span><br class=""><span class="">. . . . . . . . . . . . . . . . . . . . . . . . .</span><br class=""><b class="" style="font-weight: normal; font-style: normal; font-family: Helvetica;"><a href="https://shop.exacteditions.com/neural" class=""><span class=""><span class="">Digital Subscription</span></span></a>,</b><span class=""> to access the last 38 issues.</span><br class=""><span class="">. . . . . . . . . . . . . . . . . . . . . . . . .</span><br class=""><a href="http://neural.it/issues/" class="" style="font-weight: normal; font-style: normal; font-family: Helvetica;"><span class=""><span class=""><b class="">Back Issues Pack</b></span></span></a><span class="">, to get all the previous English issues</span><br class=""><span class="">. . . . . . . . . . . . . . . . . . . . . . . . .</span><br class=""><a href="https://www.facebook.com/neural.magazine/" class="" style="font-weight: normal; font-style: normal; font-family: Helvetica;">Facebook</a><span class="">, </span><a href="https://twitter.com/_neural" class="" style="font-weight: normal; font-style: normal; font-family: Helvetica;">Twitter</a><span class="">, </span><a href="https://www.instagram.com/neural_mag/" class="" style="font-weight: normal; font-style: normal; font-family: Helvetica;">Instagram</a><br class=""><span class="">. . . . . . . . . . . . . . . . . . . . . . . . .</span><br class=""><span class="">Autumn 2020, ISSN: 2037-108X</span><br class=""><span class="">. . . . . . . . . . . . . . . . . . . . . . . . .</span><br class=""><span class="">Neural #67, “ Adversarial Tactics”</span></span></p><div class="" style="caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-variant-caps: normal; letter-spacing: normal; text-transform: none; white-space: normal; word-spacing: 0px; text-decoration: none; -webkit-text-stroke-width: 0px; font-family: Helvetica; font-weight: normal; font-style: normal;"><span class=""><span class=""><span class="" style="font-size: 14px;"><b class=""><br class=""></b></span></span></span></div><div class="" style="caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-variant-caps: normal; letter-spacing: normal; text-transform: none; white-space: normal; word-spacing: 0px; text-decoration: none; -webkit-text-stroke-width: 0px; font-family: Helvetica; font-weight: normal; font-style: normal;"><span style="font-size: 14px;" class=""><span class=""><span class=""><span class=""><b class="">Centrefold</b></span>: </span></span><font color="#1d2129" class=""><span class="">Solitary Survival Raft, augmented skin to navigate the sea of uncertainty.</span></font><span class=""> </span></span></div><p class="" style="margin-bottom: 0cm;"><span style="font-size: 14px;" class=""><span class="" style="caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; text-transform: none; white-space: normal; word-spacing: 0px; text-decoration: none; -webkit-text-stroke-width: 0px;"><span class="" style="caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-variant-caps: normal; letter-spacing: normal; text-transform: none; white-space: normal; word-spacing: 0px; text-decoration: none; -webkit-text-stroke-width: 0px;"><span class="" style="caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-variant-caps: normal; letter-spacing: normal; text-transform: none; white-space: normal; word-spacing: 0px; text-decoration: none; -webkit-text-stroke-width: 0px;"><span class=""><b class="">interviews</b></span>:<br class=""></span>.</span></span> </span><span style="font-size: 14px;" class="">Vladan Joler</span></p><div class=""><span class="" style="font-size: 14px;">.</span><span style="font-size: 14px;" class=""> </span><span style="font-size: 14px;" class="">Shinseungback Kimyonghun<br class=""></span></div><div class=""><span class="" style="font-size: 14px;">.</span><span style="font-size: 14px;" class=""> </span><span style="font-size: 14px;" class="">Winnie Soon<br class=""></span></div><div class=""><span class="" style="font-size: 14px;">.</span><span style="font-size: 14px;" class=""> </span><span style="font-size: 14px;" class="">Weidi Zhang</span></div><div class=""><span class="" style="font-size: 14px;"><b class=""><br class=""></b></span></div><div class=""><span class="" style="font-size: 14px;"><b class="">articles</b></span><span style="font-size: 14px;" class="">:</span></div><div class=""><div class=""><span style="font-size: 14px;" class=""><span class="">.</span> </span><span style="font-size: 14px;" class="">Trading Voices</span></div><div class=""><span style="font-size: 14px;" class=""><span class="">.</span> </span><span style="font-size: 14px;" class="">Sonic Surveillance in the Age of AI, Through a Glass Darkly</span></div><div class=""><span class="" style="font-size: 14px;"><b class=""><br class=""></b></span></div><div class=""><span class="" style="font-size: 14px;"><b class="">reports</b></span><span style="font-size: 14px;" class="">:</span></div><div class=""><span class="" style="font-size: 14px;">. </span><span style="caret-color: rgb(73, 73, 89); color: rgb(73, 73, 89); font-family: Karla-Regular, "DejaVu Sans", Arial, Helvetica, sans-serif; font-size: 13.600000381469727px;" class="">Dither Studies and Straightened Trees</span></div><ul style="border: 0px; margin: 0px 0px 18px; padding: 0px; vertical-align: baseline; list-style: none; font-size: 13.600000381469727px; caret-color: rgb(73, 73, 89); color: rgb(73, 73, 89); font-family: Karla-Regular, "DejaVu Sans", Arial, Helvetica, sans-serif;" class=""><li style="border: 0px; margin: 0px 0px 6px; padding: 0px; vertical-align: baseline; line-height: 1.2;" class=""><span style="caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: Helvetica; font-size: 14px;" class="">. </span>MNEMOSCOPIO and rs548049170_1_69869_TT (The Other Shapes of Me)</li></ul><div class=""><span class="" style="font-size: 14px;"><b class="">news</b></span><span style="font-size: 14px;" class="">:</span></div></div><div class=""><div class=""><span class="" style="font-size: 14px;">.</span><span style="font-size: 14px;" class=""> </span><span style="font-size: 14px;" class="">Invisible Social Network, meeting machines</span></div><div class=""><span class="" style="font-size: 14px;">.</span><span class="" style="font-size: 14px;"> </span><span style="font-size: 14px;" class="">Radio Amnion, sounding to the deep ocean<br class=""></span></div><div class=""><span class="" style="font-size: 14px;">.</span><span class="" style="font-size: 14px;"> </span><span style="font-size: 14px;" class="">I heard TALKING IS DANGEROUS, socially distanced performance art<br class=""></span></div><div class=""><span class="" style="font-size: 14px;">.</span><span class="" style="font-size: 14px;"> </span><span style="font-size: 14px;" class="">Phonoptic Readers, pattern-based optical sounds<br class=""></span></div><div class=""><span class="" style="font-size: 14px;">.</span><span class="" style="font-size: 14px;"> </span><span style="font-size: 14px;" class="">High Fidelity Wasteland I: 100 Year Old Quicksilver Cloud, sonifying decay<br class=""></span></div><div class=""><span class="" style="font-size: 14px;">.</span><span class="" style="font-size: 14px;"> </span><span style="font-size: 14px;" class="">Nature Morte, welcome to my studio<br class=""></span></div><div class=""><span class="" style="font-size: 14px;">.</span><span class="" style="font-size: 14px;"> </span><span style="font-size: 14px;" class="">Not For You, systematic TikTok confusion<br class=""></span></div><div class=""><span class="" style="font-size: 14px;">.</span><span class="" style="font-size: 14px;"> </span><span style="font-size: 14px;" class="">Codependent Algorithms, highly calculated misunderstandings<br class=""></span></div><div class=""><span class="" style="font-size: 14px;">.</span><span class="" style="font-size: 14px;"> </span><span style="font-size: 14px;" class="">Capture, facial recognising the power<br class=""></span></div><div class=""><span class="" style="font-size: 14px;">.</span><span class="" style="font-size: 14px;"> </span><span style="font-size: 14px;" class="">Cacophonic Choir, outside the choir<br class=""></span></div><div class=""><span class="" style="font-size: 14px;">.</span><span class="" style="font-size: 14px;"> </span><span style="font-size: 14px;" class="">Environmental Bike, pollution sound<br class=""></span></div><div class=""><span class="" style="font-size: 14px;">.</span><span class="" style="font-size: 14px;"> </span><span style="font-size: 14px;" class="">Octopus, manifesting the remote visiting presence<br class=""></span></div><div class=""><span class="" style="font-size: 14px;">.</span><span class="" style="font-size: 14px;"> </span><span style="font-size: 14px;" class="">Machine Unlearning, the charm of neural conditioning<br class=""></span></div><div class=""><span class="" style="font-size: 14px;">.</span><span class="" style="font-size: 14px;"> </span><span style="font-size: 14px;" class="">Organscape, orchestrating mechanical nature<br class=""></span></div><div class=""><span class="" style="font-size: 14px;">.</span><span class="" style="font-size: 14px;"> </span><span style="font-size: 14px;" class="">The Candle, robotic philosophical failure</span></div><div class=""><span class="" style="font-size: 14px;"><b class=""><br class=""></b></span></div><div class=""><span class="" style="font-size: 14px;"><b class="">books/dvds</b></span><span style="font-size: 14px;" class="">:</span></div></div></div><div dir="ltr" class=""><div class=""><span class="" style="font-size: 14px;">.</span><span style="font-size: 14px;" class=""> </span><span style="font-size: 14px;" class="">(edited by) Achim Szepanski / Ultrablack Of Music / Mille Plateaux</span></div><div class=""><span class="" style="font-size: 14px;">.</span><span class="" style="font-size: 14px;"> </span><span style="font-size: 14px;" class="">(edited by) Benjamin Beil, Gundolf S. Freyermuth, and Hanns Christian Schmidt / Playing Utopia, Futures in Digital Games / transcript<br class=""></span></div><div class=""><span class="" style="font-size: 14px;">.</span><span class="" style="font-size: 14px;"> </span><span style="font-size: 14px;" class="">(edited by) Hava Aldouby / Shifting Interfaces, an anthology of presence, empathy, and agency in 21st- century media arts / Leuven University Press<br class=""></span></div><div class=""><span class="" style="font-size: 14px;">.</span><span class="" style="font-size: 14px;"> </span><span style="font-size: 14px;" class="">(edited by) Sabine Himmelsbach, Angelique Spaninks, Ariane Koek / Real Feelings, Emotion and Technology / Christoph Merian Verlag<br class=""></span></div><div class=""><span class="" style="font-size: 14px;">.</span><span class="" style="font-size: 14px;"> </span><span style="font-size: 14px;" class="">(edited by) Tanya Ravn Ag / Digital Dynamics in Nordic Contemporary Art / intellect<br class=""></span></div><div class=""><span class="" style="font-size: 14px;">.</span><span class="" style="font-size: 14px;"> </span><span style="font-size: 14px;" class="">Ksenia Fedorova / Tactics of Interfacing, Encoding Affect in Art and Technology / MIT Press<br class=""></span></div><div class=""><span class="" style="font-size: 14px;">.</span><span class="" style="font-size: 14px;"> </span><span style="font-size: 14px;" class="">Charlton D. McIlwain / Black Software, The Internet & Racial Justice, from the AfroNet to Black Lives Matter / Oxford University Press<br class=""></span></div><div class=""><span class="" style="font-size: 14px;">.</span><span class="" style="font-size: 14px;"> </span><span style="font-size: 14px;" class="">Brian Massumi / Architectures of the Unforeseen : Essays in the Occurrent Arts / Univ. of Minnesota Press<br class=""></span></div><div class=""><span class="" style="font-size: 14px;">.</span><span class="" style="font-size: 14px;"> </span><span style="font-size: 14px;" class="">Budhaditya Chattopadhyay / The Nomadic Listener / Errant Bodies Press<br class=""></span></div><div class=""><span class="" style="font-size: 14px;">.</span><span class="" style="font-size: 14px;"> </span><span style="font-size: 14px;" class="">Caleb Kelly / Tangible/Intangible: The Sound of Sculpture / Govett-Brewster Art Gallery<br class=""></span></div><div class=""><span class="" style="font-size: 14px;">.</span><span class="" style="font-size: 14px;"> </span><span style="font-size: 14px;" class="">Christoph Collenberg and Jakob Gengenbach / un|sounding the self — a portrait / Gruenrekorder<br class=""></span></div><div class=""><span class="" style="font-size: 14px;">.</span><span class="" style="font-size: 14px;"> </span><span style="font-size: 14px;" class="">Damon Krukowski / Ways of Hearing / MIT Press<br class=""></span></div><div class=""><span class="" style="font-size: 14px;">.</span><span class="" style="font-size: 14px;"> </span><span style="font-size: 14px;" class="">Lev Manovich / Cultural Analytics / MIT Press<br class=""></span></div><div class=""><span class="" style="font-size: 14px;">.</span><span class="" style="font-size: 14px;"> </span><span style="font-size: 14px;" class="">Siegfried Zielinski / Variations on Media Thinking / Univ. of Minnesota Press<br class=""></span></div><div class=""><span class="" style="font-size: 14px;">.</span><span class="" style="font-size: 14px;"> </span><span style="font-size: 14px;" class="">Valentina Tanni / Memestetica. Il settembre eterno dell’arte / Nero Editions</span></div></div><div dir="ltr" class=""><p class="" style="caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; text-transform: none; white-space: normal; word-spacing: 0px; text-decoration: none; -webkit-text-stroke-width: 0px; margin-bottom: 0cm;"><span class="" style="font-size: 14px;"><span class=""><b class="">music reviews</b></span>:</span></p><span class=""><span class=""><div class=""><span class="" style="caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: Helvetica; font-size: 14px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; text-transform: none; white-space: normal; word-spacing: 0px; text-decoration: none; -webkit-text-stroke-width: 0px;">. </span><span style="font-size: 14px;" class="">AtomTM: <3: Raster</span></div></span></span><div class=""><span class="" style="font-size: 14px;">.</span><span class="" style="font-size: 14px;"> </span><span style="font-size: 14px;" class="">Alva Noto: Xerrox Vol. 4: Noton<br class=""></span></div><div class=""><span class="" style="font-size: 14px;">.</span><span class="" style="font-size: 14px;"> </span><span style="font-size: 14px;" class="">Black Burst Sound Generator: Black Burst Sound G.: Moozak <br class=""></span></div><div class=""><span class="" style="font-size: 14px;">.</span><span class="" style="font-size: 14px;"> </span><span style="font-size: 14px;" class="">Andreas Bülhoff and Marc Matter: ɅV – A Sound Writing Tool: Research and Waves<br class=""></span></div><div class=""><span class="" style="font-size: 14px;">.</span><span class="" style="font-size: 14px;"> </span><span style="font-size: 14px;" class="">Black To Comm: Oocyte Oil & Stolen Androgens: Thrill Jockey<br class=""></span></div><div class=""><span class="" style="font-size: 14px;">.</span><span class="" style="font-size: 14px;"> </span><span style="font-size: 14px;" class="">Bronius Kutavičius: Last Pagan Rites – From the Yotvingian Stone: Music Information Centre Lithuania <br class=""></span></div><div class=""><span class="" style="font-size: 14px;">.</span><span class="" style="font-size: 14px;"> </span><span style="font-size: 14px;" class="">Eric La Casa: Intérieurs: Swarming<br class=""></span></div><div class=""><span class="" style="font-size: 14px;">.</span><span class="" style="font-size: 14px;"> </span><span style="font-size: 14px;" class="">Fabio Perletta + Luigi Turra: Ma 間: 901 Editions<br class=""></span></div><div class=""><span class="" style="font-size: 14px;">.</span><span class="" style="font-size: 14px;"> </span><span style="font-size: 14px;" class="">Pedro Rebelo: Listen to me: Crónica <br class=""></span></div><div class=""><span class="" style="font-size: 14px;">.</span><span class="" style="font-size: 14px;"> </span><span style="font-size: 14px;" class="">Florian Wittenburg: Beyond The Traceries: Wandelweiser<br class=""></span></div><div class=""><span class="" style="font-size: 14px;">.</span><span class="" style="font-size: 14px;"> </span><span style="font-size: 14px;" class="">Francisco López: untitled (2019): Esc.rec<br class=""></span></div><div class=""><span class="" style="font-size: 14px;">.</span><span class="" style="font-size: 14px;"> </span><span style="font-size: 14px;" class="">Kotra & Zavoloka: Silence: Kvitnu<br class=""></span></div><div class=""><span class="" style="font-size: 14px;">.</span><span class="" style="font-size: 14px;"> </span><span style="font-size: 14px;" class="">Mads Emil Nielsen + Katja Gretzinger + Nicola Ratti: Framework 3: Arbitrary<br class=""></span></div><div class=""><span class="" style="font-size: 14px;">.</span><span class="" style="font-size: 14px;"> </span><span style="font-size: 14px;" class="">Marcin Pietruszewski: The New Pulsar Generator Recordings Volume 1: fancyyyyy<br class=""></span></div><div class=""><span class="" style="font-size: 14px;">.</span><span class="" style="font-size: 14px;"> </span><span style="font-size: 14px;" class="">mHz: Function: Important<br class=""></span></div><div class=""><span class="" style="font-size: 14px;">.</span><span class="" style="font-size: 14px;"> </span><span style="font-size: 14px;" class="">Michael Lightborne: Ring Road Ring: Gruenrekorder<br class=""></span></div><div class=""><span class="" style="font-size: 14px;">.</span><span class="" style="font-size: 14px;"> </span><span style="font-size: 14px;" class="">Nebulo: Parallaxes: Le Cabanon<br class=""></span></div><div class=""><span class="" style="font-size: 14px;">.</span><span class="" style="font-size: 14px;"> </span><span style="font-size: 14px;" class="">Ulrich Troyer: NOK 2020: 4Bit<br class=""></span></div><div class=""><span class="" style="font-size: 14px;">.</span><span class="" style="font-size: 14px;"> </span><span style="font-size: 14px;" class="">VV. AA.: Pre – Palsecam 1994 – 1999: Pionierska<br class=""></span></div><div class=""><span class="" style="font-size: 14px;">.</span><span class="" style="font-size: 14px;"> </span><span style="font-size: 14px;" class="">Yannis Kyriakides & Andy Moor: Pavilion: Unsounds</span></div><div dir="ltr" class="gmail_signature" style="caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; text-transform: none; white-space: normal; word-spacing: 0px; text-decoration: none; -webkit-text-stroke-width: 0px; font-size: 12px;"><div dir="ltr" class=""><div class=""><div dir="ltr" class=""><div class=""><div dir="ltr" class=""><div class=""><span class="" style="color: rgb(11, 83, 148);"></span></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></body></html>