<div dir="ltr"><div class="gmail_quote"><div dir="ltr"><div class="gmail_quote"><div dir="ltr"><div class="gmail_quote"><div dir="ltr"><div class="gmail_quote"><div><center><table border="0" cellpadding="0" cellspacing="0" height="100%" width="100%" id="m_-4931507650442182206m_-5160142500650017603m_-6009787122380097414m_-8116974162322499753bodyTable" style="background-color:rgb(255,255,255)"><tbody><tr><td id="m_-4931507650442182206m_-5160142500650017603m_-6009787122380097414m_-8116974162322499753root" align="center" valign="top"><table align="center" border="0" cellpadding="0" cellspacing="0" width="100%" style="max-width:660px"><tbody><tr><td style="background-position:center;background-repeat:no-repeat;background-size:cover" valign="top"><table border="0" cellpadding="0" cellspacing="0" width="100%" style="table-layout:fixed"><colgroup><col span="1"><col span="1"><col span="1"><col span="1"><col span="1"><col span="1"><col span="1"><col span="1"><col span="1"><col span="1"><col span="1"><col span="1"></colgroup><tbody><tr><td style="background-color:#ffffff;background-position:center;background-repeat:no-repeat;background-size:cover;padding-top:24px" valign="top" colspan="12" width="100%"><table border="0" cellpadding="0" cellspacing="0" width="100%"><tbody><tr><td style="padding-left:48px;padding-right:48px" align="center" valign="top"><img width="564" style="width:564px;height:auto;max-width:100%" alt="" src="https://dim.mcusercontent.com/cs/f21da134fe5dac06be12c8317/images/185fe548-e265-42d5-9381-6ca819221164.jpg?w=564&dpr=2"></td></tr><tr><td style="padding-left:48px;padding-right:48px;padding-top:24px" valign="top"><div style="font-size:14px;text-align:left;width:100%"><p><strong><span style="color:#9f3ef8">[CALL FOR PAPERS]</span></strong><br><strong>Dossier #44</strong> <strong><span style="color:rgba(0,0,0,0.87)">Manuscrítica Journal</span></strong><span style="color:rgba(0,0,0,0.87)">,</span><strong><span style="color:rgba(0,0,0,0.87)"> </span></strong>ISSN 2596-2477</p><h3><span style="color:#9f3ef8">Immaterial Archives, challenges of creation in the digital context</span></h3><p><span style="color:rgb(0,0,0)">One of the recurring concerns throughout technological transformation, especially those marked by the development of computation and digital media, refers to how one could think about creativity and the notion of archive/file in an increasingly technology-centered scenario. At the same time that techno-culture provokes uncertainties about authorship, automation, and control of the act of creation, it also reveals a spread of experimentation, marked by the appropriation of practices, materialities, and files.</span></p><p><span style="color:rgb(0,0,0)">Due to the transit between analog and digital, and the computational paradigm as a procedure for creation, interaction, and “remediation”, new layers are added to the complexity of the processes which, in its turn, defy the studies of genetic criticism.</span></p><p><strong><span style="color:rgb(0,0,0)">Themes of interest include, but are not limited to, the following topics:</span></strong></p><ul><li><p><span style="color:rgb(0,0,0)">The effervescence of archives/files of a self-referential, ephemeral, or immaterial nature;</span></p></li><li><p><span style="color:rgb(0,0,0)">The new spaces of memory and essayistic creation: the ubiquity of online digital storage (social media, platforms, blogs, and games as supports for creation);</span></p></li><li><p><span style="color:rgb(0,0,0)">Digital archives/files and analog practices: how the storage of digital images reverberates in the act of creation;</span></p></li><li><p><span style="color:rgb(0,0,0)">Questioning the idea of distributed and/or remote subject;</span></p></li><li><p><span style="color:rgb(0,0,0)">Potentialities of co-authorship and technological symbiosis in the act of creation;</span></p></li><li><p><span style="color:rgb(0,0,0)">Challenges in the documentation and representation of works and exhibition of a hybrid and computational nature;</span></p></li><li><p><span style="color:rgb(0,0,0)">"Telematic art", poetics and interactions;</span></p></li><li><p><span style="color:rgb(0,0,0)">Individual or collective works and/or exhibitions for online digital systems;</span></p></li><li><p><span style="color:rgb(0,0,0)">Modes of presence: institutional projects of exhibition, presentations, and curatorship created for online digital systems;</span></p></li><li><p><span style="color:rgb(0,0,0)">Datasets as a material of creation: potentialities;</span></p></li><li><p><span style="color:rgb(0,0,0)">Unarchive web-pages: how to deal with process traces;</span></p></li><li><p><span style="color:rgb(0,0,0)">Error, chance e interference: glitch art and/or fractal art;</span></p></li><li><p><span style="color:rgb(0,0,0)">Cybernetics and feminism: the processual/procedural as a multiplier of perspectives;</span></p></li><li><p><span style="color:rgb(0,0,0)">Computational vision and operational images;</span></p></li><li><p><span style="color:rgb(0,0,0)">Artificial intelligence, algorithms, machine learning, and creativity.</span></p></li></ul><p>The submitted works may be written in Spanish, French, English, and Portuguese.</p><p><strong><span style="color:#9f3ef8">DEADLINE:</span></strong> June 30th, 2021</p></div></td></tr><tr><td style="padding-left:48px;padding-right:48px;padding-top:24px" align="center" valign="top"><table align="center" border="0" cellpadding="0" cellspacing="0"><tbody><tr><td style="background-color:#9f3ef8;border-radius:0;text-align:center" valign="top"><a href="https://www.revistas.usp.br/manuscritica/about/submissions" style="background-color:#9f3ef8;border-radius:0;border:2px solid #9f3ef8;color:#ffffff;display:inline-block;font-family:'Helvetica Neue',Helvetica,Arial,Verdana,sans-serif;font-size:14px;font-weight:bold;font-style:normal;padding:16px 28px;text-decoration:none;min-width:30px" target="_blank">Make a submission</a></td></tr></tbody></table></td></tr><tr><td style="padding-left:48px;padding-right:48px;padding-top:24px" valign="top"><div style="font-size:14px;text-align:center;width:100%"><p><a href="https://www.revistas.usp.br/manuscritica/about" target="_blank">ABOUT THE JOURNAL</a></p></div></td></tr><tr><td style="padding-top:24px" valign="top"><table align="center" border="0" cellpadding="0" cellspacing="0" width="100%"><tbody><tr><td style="background-position:center;background-repeat:no-repeat;background-size:cover" valign="top"><table border="0" cellpadding="0" cellspacing="24" width="100%" style="table-layout:fixed"><colgroup><col span="1"><col span="1"><col span="1"><col span="1"><col span="1"><col span="1"><col span="1"><col span="1"><col span="1"><col span="1"><col span="1"><col span="1"></colgroup><tbody><tr><td style="background-position:center;background-repeat:no-repeat;background-size:cover" valign="top" colspan="12" width="100%"><table border="0" cellpadding="0" cellspacing="0" width="100%"><tbody><tr><td align="center" valign="top"><table border="0" cellpadding="0" cellspacing="0" width=""><tbody><tr><td style="padding-left:24px;padding-top:24px;padding-right:24px" valign="top"><a href="https://www.facebook.com/Manuscr%C3%ADtica-Revista-de-Cr%C3%ADtica-Genética-273549499495661/?ref=page_internal" style="display:inline-block" target="_blank"><img width="44" style="border:0;width:44px;height:auto;max-width:100%" alt="Facebook icon" src="https://dim.mcusercontent.com/https/cdn-images.mailchimp.com%2Ficons%2Fsocial-block-v2%2Fcolor-facebook-48.png?w=44&dpr=2"></a></td><td style="padding-left:24px;padding-top:24px;padding-right:24px" valign="top"><a href="https://www.revistas.usp.br/manuscritica/index" style="display:inline-block" target="_blank"><img width="44" style="border:0;width:44px;height:auto;max-width:100%" alt="Website icon" src="https://dim.mcusercontent.com/https/cdn-images.mailchimp.com%2Ficons%2Fsocial-block-v2%2Fcolor-link-48.png?w=44&dpr=2"></a></td><td style="padding-left:24px;padding-top:24px;padding-right:24px" valign="top"><a href="mailto:manuscritica@gmail.com" style="display:inline-block" target="_blank"><img width="44" style="border:0;width:44px;height:auto;max-width:100%" alt="Email icon" src="https://dim.mcusercontent.com/https/cdn-images.mailchimp.com%2Ficons%2Fsocial-block-v2%2Fcolor-email-48.png?w=44&dpr=2"></a></td></tr></tbody></table></td></tr></tbody></table></td></tr></tbody></table></td></tr></tbody></table></td></tr><tr><td style="padding-top:24px" valign="top"><table align="center" border="0" cellpadding="0" cellspacing="0" width="100%"><tbody><tr><td style="background-color:transparent;background-position:center;background-repeat:no-repeat;background-size:cover" valign="top"><table border="0" cellpadding="0" cellspacing="24" width="100%" style="table-layout:fixed"><colgroup><col span="1"><col span="1"><col span="1"><col span="1"><col span="1"><col span="1"><col span="1"><col span="1"><col span="1"><col span="1"><col span="1"><col span="1"></colgroup><tbody><tr><td style="background-position:center;background-repeat:no-repeat;background-size:cover" valign="top" colspan="12" width="100%"><table border="0" cellpadding="0" cellspacing="0" width="100%"><tbody><tr><td align="center" valign="top"><div style="font-size:10.5px;text-align:center;display:inline-block;color:#797979;width:100%"><p>
</p><div><span>Manuscrítica. Revista de Crítica Genética. ISSN: 2596-2477.</span><div><div>Av. Prof. Luciano Gualberto, 403 Sala 18</div><span>São Paulo</span>, <span>São Paulo</span>  <span>05508-900</span> <div>Brazil</div></div></div></div></td></tr></tbody></table></td></tr></tbody></table></td></tr></tbody></table></td></tr></tbody></table></td></tr></tbody></table></td></tr></tbody></table></td></tr></tbody></table></center></div></div></div></div><div dir="ltr" data-smartmail="gmail_signature"><div dir="ltr"><div><div dir="ltr"><div><div dir="ltr"><div><div dir="ltr"><div><div dir="ltr"><div><br></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div>