<html><head></head><body><div class="ydp5eab7117yahoo-style-wrap" style="font-family: courier new, courier, monaco, monospace, sans-serif; font-size: 16px;"><div><div><br></div><div dir="ltr" data-setdir="false"><div><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr">smoltech - exhibition project with workshops and concerts</div><div dir="ltr"><br></div><div><br></div><div>exhibition (works by mathr)</div>
opening Friday 26th November 2021, 7pm<br>
artist talk Saturday 4th December 2021, 5pm<br>
until Saturday 11th December 2021<br>
CT20, 73 Tontine Street, Folkestone CT20 1JR, <a href="http://ct-20.org" rel="nofollow" target="_blank">ct-20.org</a><br>
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workshops<br>
Clive with mathr - Saturday 15th January 2022, 12-5pm<br>
Improviz with Rumble‑San - Saturday 22nd January 2022, 12-5pm<br>
IKLECTIK, "Old Paradise Yard", 20 Carlisle Lane (Royal Street corner) next to Archbishop's Park, London SE1 7LG, <a href="http://iklectikartlab.com" rel="nofollow" target="_blank">iklectikartlab.com</a><br>
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concert with mathr, xname, rumblesan, digital selves & heavy lifting<br>
Saurday 29th January 2022, 7-10pm<br>
IKLECTIK, "Old Paradise Yard", 20 Carlisle Lane (Royal Street corner) next to Archbishop's Park, London SE1 7LG, <a href="http://iklectikartlab.com" rel="nofollow" target="_blank">iklectikartlab.com</a><br>
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curatorial text<br>
<br>
The exhibition is presented as expressing concern about
techno-surveillance capitalism and abuse of power of hyper-structures
such as industrial-scale operation data centres consuming a massive
amount of electricity, and server farms consisting of thousands of
computers which require a large amount of power to run and to keep cool.
Also, crypto mining has grown exponentially in the last few years,
growing their energy consumption. In other words, cryptocurrency mining
surpasses entire countries’ energy consumption, so it urges to spread
awareness about the potential environmental costs of technology.<br>
<br>
Furthermore, we are entering an age of mass extinction brought on by
excesses of technology resources exploitation, when obsolescence becomes
a transformative situation of the human social landscape. Economically
and ecologically, e-waste presents a massive environmental catastrophe,
transforming planetary geological eras and environments.<br>
<br>
The exhibition proposes using technology in an ethical/ecological
applicability, searching for a lower ecological impact, representing an
alternative to Big Tech (Google, Amazon, Facebook, Microsoft, Apple).
Most of these alternatives are connected to the open- source movement
and also degrowth. Smoltech is one of these technological movements
representing an alternative to tech development, usage, and consumption.
Smoltech is a movement to reduce wasteful technology use. It promotes a
long-term usage of technology, discouraging throw away culture,
preventing e-waste, and developing hacker practices in media archaeology
labs that collect old computers and tech for their survival.<br>
<br>
Individuals are using their newly expanded practical freedom to act and
cooperate with others in ways that improve the practised experience of
democracy, justice and development of a critical culture and community,
where collaboration and self-organisation are shared across both
business and free software / open hardware, as declared by Yochai
Benkler. The degrowth movement proposes an autonomous perspective
towards capitalism and the globalised world through artivism, care
revolution and climate justice based on the environmental movement and
radical ecology democracy, proposing food sovereignty practices that
serve as a model for Technological Sovereignty. In addition, degrowth
practices apply the principles of free software movement and the
commons’ policies towards a solidarity economy and unconditional basic
income.<br>
<br>
The exhibition consists of different works such as pure-data sound works
and different audio-visual, multimedia, and interactive installations.
The artist works using free software and develops his programs to create
beautiful fractals, digital creations and new media environments.
Claude Heiland-Allen’s (aka mathr) works show the relationship between technology and creativity
using computing to challenge conservative positions of technological
corporations because of the potential for social change that new/old
media and open source have. The audiences will gain an aesthetical
experience within the exhibition by combining computer science,
performance art, music, technology, fractals, maths, and software
programming.<br>
<br>
<br>
Curated by Laura Netz.<br>
smoltech | <a href="http://netzzz.net" rel="nofollow" target="_blank">netzzz.net</a><br>
<a href="http://netzzz.net/smoltech/" class="ydpbe9af03dyiv1217440234ydpdbcb5fe0yiv0345576666ydp8e4494f8yiv7369098156" rel="nofollow" target="_blank">http://netzzz.net/smoltech/</a></div><div><br></div><div><br></div><div><br></div></div><div>Supported using public funding by Arts Council England. <br></div></div><br><br></div><div><br></div></div><div class="ydp5eab7117signature"><div id="ydp5eab7117yiv0015844678yui_3_13_0_ym1_9_1390848688376_81" style="font-family:HelveticaNeue, 'Helvetica Neue', Helvetica, Arial, 'Lucida Grande', sans-serif;background-color:rgb(255, 255, 255);"><br></div></div></div></div></body></html>