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<p class="MsoNormal"
style="margin:0cm;text-align:left;mso-layout-grid-align:
none;text-autospace:none" align="left"><span
style="mso-bidi-font-size:12.0pt;font-family:
"Times New
Roman",serif;color:windowtext;mso-fareast-language:EN-GB">Open
Humanities Press is pleased to announce the publication of <i>Glitch
Poetics</i></span></p>
<p class="MsoNormal"
style="margin:0cm;text-align:left;mso-layout-grid-align:
none;text-autospace:none" align="left"><span
style="mso-bidi-font-size:12.0pt;font-family:
"Times New
Roman",serif;color:windowtext;mso-fareast-language:EN-GB">by
Nathan
Allen Jones</span></p>
<p class="MsoNormal"
style="margin:0cm;text-align:left;mso-layout-grid-align:
none;text-autospace:none" align="left"><span
style="mso-bidi-font-size:12.0pt;font-family:
"Times New
Roman",serif;color:windowtext;mso-fareast-language:EN-GB"> </span></p>
<p class="MsoNormal"
style="margin:0cm;text-align:left;mso-layout-grid-align:
none;text-autospace:none" align="left"><span
style="mso-bidi-font-size:12.0pt;font-family:
"Times New
Roman",serif;color:windowtext;mso-fareast-language:EN-GB">Like
all
Open Humanities Press books, <i>Glitch Poetics</i> is available
open access (it
can be downloaded for free): </span></p>
<p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><a
href="http://www.openhumanitiespress.org/books/titles/glitch-poetics/"><span
style="mso-bidi-font-size:12.0pt;font-family:"Times New
Roman",serif;
color:blue;mso-fareast-language:EN-GB">http://www.openhumanitiespress.org/books/titles/glitch-poetics/</span></a><span
style="mso-bidi-font-size:12.0pt;font-family:"Times New
Roman",serif;
color:windowtext;mso-fareast-language:EN-GB"></span></p>
<p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><span
style="mso-bidi-font-size:12.0pt;font-family:"Times New
Roman",serif;
color:windowtext;mso-fareast-language:EN-GB"> </span></p>
<p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><b><span
style="mso-bidi-font-size:12.0pt;font-family:"Times New
Roman",serif;
color:windowtext;mso-fareast-language:EN-GB">Book description:</span></b></p>
<p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><span
style="mso-bidi-font-size:12.0pt;font-family:"Times New
Roman",serif;
color:windowtext;mso-fareast-language:EN-GB"> </span></p>
<p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><span
style="mso-bidi-font-size:12.0pt;font-family:"Times New
Roman",serif;
color:windowtext;mso-fareast-language:EN-GB">Glitches are errors
where the
digital bursts or creeps into our everyday lives as fragmented
image, garbled
text and aberrant event. Today, when computational technology is
integrated
ever more closely into bodies and social structures, glitches
are considered by
artists and companies alike as critical and commercial
opportunities, revealing
tears in the real-virtual binary. Glitch has also increasingly
become a
metaphor for understanding the political and ecological shocks
the world pushes
into the mediasphere each day. In <i>Glitch Poetics</i> Nathan
Jones shows how
contemporary writers and artists are integrating the glitch as a
literary
effect, an affective critique and a realist reflection, at a
time characterised
by breakage, corruption and crisis.</span></p>
<p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><span
style="mso-bidi-font-size:12.0pt;font-family:"Times New
Roman",serif;
color:windowtext;mso-fareast-language:EN-GB"><br>
<b>Endorsements:</b></span></p>
<p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><span
style="mso-bidi-font-size:12.0pt;font-family:"Times New
Roman",serif;
color:windowtext;mso-fareast-language:EN-GB"> </span></p>
<p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><span
style="mso-bidi-font-size:12.0pt;font-family:"Times New
Roman",serif;
color:windowtext;mso-fareast-language:EN-GB">Based on a range of
close readings
of contemporary literature by writers including Linda Stupart,
Sam Riviere,
Keston Sutherland, Ben Lerner, Caroline Bergvall, Erica Scourti,
David Peace
and the internet novelists, and drawing on theories of error,
shock, glitch,
critical posthumanism and code, Jones lays the groundwork for
writing that can
productively engage in the new situation for literature in the
context of AI,
the Anthropocene and the post-digital age. His book articulates
the working of
error in literary and media practice at the horizon of human and
machine
language.</span></p>
<p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><i><span
style="mso-bidi-font-size:12.0pt;font-family:"Times New
Roman",serif;
color:windowtext;mso-fareast-language:EN-GB">Glitch Poetics</span></i><span
style="mso-bidi-font-size:12.0pt;font-family:"Times New
Roman",serif;
color:windowtext;mso-fareast-language:EN-GB"> resists
technofuturism,
reinventing errancy as a necessary aesthetic value of (and
crucially against)
our time. </span></p>
<p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><span
style="mso-bidi-font-size:12.0pt;font-family:"Times New
Roman",serif;
color:windowtext;mso-fareast-language:EN-GB"> </span></p>
<p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><i><span
style="mso-bidi-font-size:12.0pt;font-family:"Times New
Roman",serif;
color:windowtext;mso-fareast-language:EN-GB">Charles Bernstein</span></i><span
style="mso-bidi-font-size:12.0pt;font-family:"Times New
Roman",serif;
color:windowtext;mso-fareast-language:EN-GB">, Professor
Emeritus, University
of Pennsylvania.</span></p>
<p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><span
style="mso-bidi-font-size:12.0pt;font-family:"Times New
Roman",serif;
color:windowtext;mso-fareast-language:EN-GB"> </span></p>
<p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><span
style="mso-bidi-font-size:12.0pt;font-family:"Times New
Roman",serif;
color:windowtext;mso-fareast-language:EN-GB">So, body-machinic
posthuman
reader, consider the shock to your system(s) when a glitch-error
interrupts the
coding-decoding mechanisms that govern your operations.
Disruption to the
textual condition occurs as voice misrecognition and cycles of
translation
malform and corrupt the poetics of authorial production. The
desire for
ideological resistance may or may not be short-circuited by the
predictive
algorithm manifest in remediating performance and its disruption
of literary
habits. The old attachment to tactical intervention remains, an
aspiration
still making its way through the charged circuits of culture,
looking for a way
to break down the rule-governed barriers between aspiration and
effective
agency. The pathetic subroutines, often destined to crash,
derive from
provisional looping of interference patterns that constantly
reorder our
codified reality. In <i>Glitch Poetics</i> Jones selects vivid
examples of the
ways the glitch can be used deliberately to produce an
uncomfortable
intervention in the current conditions of posthuman capitalist
culture. Or can
it? Read and decide, based on your own bodily-machinic
receptivity to
‘technological timings’ and ‘leaky intrusions’ across the
‘creepy porousness’
of your boundaries.</span></p>
<p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><span
style="mso-bidi-font-size:12.0pt;font-family:"Times New
Roman",serif;
color:windowtext;mso-fareast-language:EN-GB"> </span></p>
<p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><i><span
style="mso-bidi-font-size:12.0pt;font-family:"Times New
Roman",serif;
color:windowtext;mso-fareast-language:EN-GB">Johanna Drucker</span></i><span
style="mso-bidi-font-size:12.0pt;font-family:"Times New
Roman",serif;
color:windowtext;mso-fareast-language:EN-GB">, Breslauer
Professor of
Bibliographical Studies and Distinguished Professor in the
Department of
Information Studies, UCLA.</span></p>
<p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><span
style="mso-bidi-font-size:12.0pt;font-family:"Times New
Roman",serif;
color:windowtext;mso-fareast-language:EN-GB"> </span></p>
<p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><i><span
style="mso-bidi-font-size:12.0pt;font-family:"Times New
Roman",serif;
color:windowtext;mso-fareast-language:EN-GB">Glitch Poetics</span></i><span
style="mso-bidi-font-size:12.0pt;font-family:"Times New
Roman",serif;
color:windowtext;mso-fareast-language:EN-GB"> figures glitch
radically as a key
aesthetic condition of the contemporary moment. A powerful
exploration of how
glitch works across writing, art and bodies, it reconfigures our
understanding
of technology as an aesthetic force that structures our world.</span></p>
<p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><i><span
style="mso-bidi-font-size:12.0pt;font-family:"Times New
Roman",serif;
color:windowtext;mso-fareast-language:EN-GB"> </span></i><span
style="mso-bidi-font-size:12.0pt;font-family:"Times New
Roman",serif;
color:windowtext;mso-fareast-language:EN-GB"></span></p>
<p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><i><span
style="mso-bidi-font-size:12.0pt;font-family:"Times New
Roman",serif;
color:windowtext;mso-fareast-language:EN-GB">Olga Goriunova</span></i><span
style="mso-bidi-font-size:12.0pt;font-family:"Times New
Roman",serif;
color:windowtext;mso-fareast-language:EN-GB">, Professor of
Media, Royal
Holloway University of London.</span></p>
<p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><span
style="mso-bidi-font-size:12.0pt;font-family:"Times New
Roman",serif;
color:windowtext;mso-fareast-language:EN-GB"><br
style="mso-special-character:
line-break">
<br style="mso-special-character:line-break">
</span></p>
<p class="MsoNormal"
style="margin:0cm;text-align:left;mso-outline-level:
2" align="left"><b><span
style="mso-bidi-font-size:12.0pt;font-family:"Times New
Roman",serif;
color:windowtext;mso-fareast-language:EN-GB">Author Bio </span></b></p>
<p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><span
style="mso-bidi-font-size:12.0pt;font-family:"Times New
Roman",serif;
color:windowtext;mso-fareast-language:EN-GB"> </span></p>
<p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><span
style="mso-bidi-font-size:12.0pt;font-family:"Times New
Roman",serif;
color:windowtext;mso-fareast-language:EN-GB">Nathan Allen Jones
is Lecturer in
Fine Art (Digital Media) at Lancaster University. Exploring the
dynamic
relationship between the newest media, language and art
discourse, he has
written and made artworks about unicode, blockchain, speed
readers and peer-to-peer
networks. He is also a co-founder (with Sam Skinner) of Torque
Editions, whose
publications include <i>Artists Re:Thinking the Blockchain</i>
(2017) and <i>The
Act of Reading</i> (2015), and exhibitions with Tate,
Furtherfield and FACT,
Liverpool.</span></p>
<p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><span
style="mso-bidi-font-size:12.0pt;font-family:"Times New
Roman",serif;
color:windowtext;mso-fareast-language:EN-GB"> </span></p>
<p class="MsoNormal"
style="margin:0cm;text-align:left;mso-layout-grid-align:
none;text-autospace:none" align="left"><b><span
style="mso-bidi-font-size:12.0pt;font-family:
"Times New
Roman",serif;color:windowtext;mso-fareast-language:EN-GB">Series</span></b></p>
<p class="MsoNormal"
style="margin:0cm;text-align:left;mso-layout-grid-align:
none;text-autospace:none" align="left"><span
style="mso-bidi-font-size:12.0pt;font-family:
"Times New
Roman",serif;color:windowtext;mso-fareast-language:EN-GB"> </span></p>
<p class="MsoNormal"
style="margin:0cm;text-align:left;mso-layout-grid-align:
none;text-autospace:none" align="left"><span
style="mso-bidi-font-size:12.0pt;font-family:
"Times New
Roman",serif;color:windowtext;mso-fareast-language:EN-GB">The
book
is published as part of the MEDIA : ART : WRITE : NOW series
edited by Joanna
Zylinska: </span><a
href="http://www.openhumanitiespress.org/books/series/media-art-write-now/"><span
style="mso-bidi-font-size:12.0pt;font-family:"Times New
Roman",serif;
mso-fareast-language:EN-GB">http://www.openhumanitiespress.org/books/series/media-art-write-now/</span></a><span
style="mso-bidi-font-size:12.0pt;font-family:"Times New
Roman",serif;
color:windowtext;mso-fareast-language:EN-GB"></span></p>
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style="mso-bidi-font-size:12.0pt;font-family:"Times New
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color:windowtext;mso-fareast-language:EN-GB"> </span></p>
</div>
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style="mso-bidi-font-size:12.0pt;font-family:"Times New
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style="mso-bidi-font-size:12.0pt;font-family:"Times New
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color:windowtext;mso-fareast-language:EN-GB">Other recent
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Roman",serif;
color:windowtext;mso-fareast-language:EN-GB">The Interfact: On
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style="mso-bidi-font-size:
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<p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><i><span
style="mso-bidi-font-size:12.0pt;font-family:"Times New
Roman",serif;
color:windowtext;mso-fareast-language:EN-GB">La magie
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ontologie et causalité</span></i><span
style="mso-bidi-font-size:12.0pt;
font-family:"Times New
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style="mso-bidi-font-size:12.0pt;font-family:"Times New
Roman",serif;
color:windowtext;mso-fareast-language:EN-GB"> </span></p>
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<br style="mso-special-character:line-break">
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<p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><i><span
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Programming: A Handbook
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<pre class="moz-signature" cols="72">--
Gary Hall
Professor of Media
Director of the Centre for Postdigital Cultures, Coventry University:
<a class="moz-txt-link-freetext" href="http://www.coventry.ac.uk/research/areas-of-research/postdigital-cultures">http://www.coventry.ac.uk/research/areas-of-research/postdigital-cultures</a>
<a class="moz-txt-link-freetext" href="http://www.garyhall.info">http://www.garyhall.info</a>
Director of Open Humanities Press: <a class="moz-txt-link-freetext" href="http://www.openhumanitiespress.org">http://www.openhumanitiespress.org</a>
Website <a class="moz-txt-link-freetext" href="http://www.garyhall.info">http://www.garyhall.info</a>
Join the Open Humanities Press reading group group here:
<a class="moz-txt-link-freetext" href="https://mailchi.mp/3f8a99230083/untitled-page">https://mailchi.mp/3f8a99230083/untitled-page</a>
Latest:
Journal article (open access) 'Defund Culture': <a class="moz-txt-link-freetext" href="https://www.radicalphilosophy.com/commentary/defund-culture">https://www.radicalphilosophy.com/commentary/defund-culture</a>
Journal article (open access): 'Pluriversal Socialism - The Very Idea': <a class="moz-txt-link-freetext" href="http://journalcontent.mediatheoryjournal.org/index.php/mt/article/view/126">http://journalcontent.mediatheoryjournal.org/index.php/mt/article/view/126</a>
</pre>
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