<html><head><meta http-equiv="Content-Type" content="text/html; charset=utf-8"></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space; font-size: 25px;" class=""><div class="page" title="Page 120"><div class="layoutArea"><div class="column"><p style="font-size: 19px;" class="">Theory on Demand #44<br class=""><strong class="">Dispatches from Ukraine:</strong><br class=""><strong class="">Tactical Media Reflections and Responses</strong></p><p style="font-size: 19px;" class="">edited by Maria van der Togt and 11111 &23%#719</p><div class="page" title="Page 120" style="font-size: 19px;"><div class="layoutArea"><div class="column"><p class="">This publication marks the first results of the Tactical Media Room Ukraine project, launched in February 2022 in Amsterdam after the shocking Russian full-scale invasion of Ukraine. Tactical Media Room is a network of activists, journalists, scholars, and artists linked by the exchange of ideas and practices—all aimed at supporting Ukrainian media and confronting Russian state propaganda. Together, the network of experts initiated a screening and a series of meetings that took place mainly in Amsterdam. Based on these meetings, Dispatches from Ukraine: Tactical Media Reflections and Responses showcases initiatives, critique, and essays that provide insights into the ways information circulates in time of war.</p><p class="">This edition also aims at overcoming the Eurocentric approach through inviting Ukrainian journalists, artists, and thinkers to share their observations and personal experience of living through war in the digital age. It allows the collected reflections to be grounded and situated within the certain context of Ukrainian, Belarusian and Russian long-lasting conflicts. While on the one hand, perspectives on info-war and the array of urgents matters at a distance are presented, on the other hand, this publication also focuses on what is missing from outside of the war-zones.</p><p class="">Contributors<br class="">Elmaz Asan, Franco ‘Bifo’ Berardi, Andrii Dostliev, Lia Dostlieva, Olexii Kuchanskyi, Karyna Lazaruk, Geert Lovink, Lera Malchenko, Svitlana Matviyenko, Maria Plichta, Ellen Rutten, Sander Steffann, Marc Tuters, Michał ‘rysiek’ Woźniak.</p></div></div></div><p style="font-size: 19px;" class="">Printed on Demand ISBN: 978-94-92302-86-1</p></div></div></div><p style="font-size: 19px;" class="">Contact</p><p style="font-size: 19px;" class="">Institute of Network Cultures<br class="">Email: <a href="mailto:info@networkcultures.org" class="">info@networkcultures.org</a><br class="">Web: <a href="http://www.networkcultures.org" class="">http://www.networkcultures.org</a></p><p style="font-size: 19px;" class="">Order a copy or download this publication free of charge at <a href="http://networkcultures.org/publications" class="">http://networkcultures.org/publications</a>.</p><p style="font-size: 19px;" class="">This publication is licensed under the Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International.</p><p style="font-size: 19px;" class="">Order a print copy <a href="https://www.lulu.com/shop/-11111-23719-and-maria-van-der-togt/dispatches-from-ukraine/paperback/product-dwd672.html?q=dispatches+from+ukraine&page=1&pageSize=4" class="">HERE</a><br class="">Download the .pdf <a href="http://networkcultures.org/wp-content/uploads/2022/07/ToD44_withCover.pdf" class="">HERE</a></p><br style="box-sizing: border-box; color: rgba(255, 255, 255, 0.9); font-family: Inter, "Helvetica Neue", "Source Sans Pro", "Source Han Sans SC", "Source Han Sans CN", "Hiragino Sans GB", "Hiragino Kaku Gothic", "Microsoft Yahei UI", Helvetica, Arial, sans-serif; font-size: 15px; font-variant-ligatures: normal; letter-spacing: -0.08px; orphans: 2; white-space: pre-wrap; widows: 2; background-color: rgb(44, 107, 237); text-decoration-thickness: initial;" class=""><br class=""></body></html>