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<p><span
style="font-family:"Calibri",sans-serif;mso-ascii-theme-font:major-latin;mso-fareast-font-family:"Times
New Roman";mso-hansi-theme-font:major-latin;
mso-bidi-theme-font:major-latin;color:black;mso-fareast-language:EN-US">We
are
excited to announce the publication of the latest edition of the
open access
journal <i style="mso-bidi-font-style:normal">Culture Machine.</i>
</span>
</p>
<h1><i style="mso-bidi-font-style:normal"><span
style="font-size:12.0pt;
font-family:"Calibri",sans-serif;mso-ascii-theme-font:major-latin;mso-hansi-theme-font:
major-latin;mso-bidi-theme-font:major-latin;color:black;mso-fareast-language:
EN-US;font-weight:normal">Culture Machine</span></i><span
style="font-size:
12.0pt;font-family:"Calibri",sans-serif;mso-ascii-theme-font:major-latin;
mso-hansi-theme-font:major-latin;mso-bidi-theme-font:major-latin;color:black;
mso-fareast-language:EN-US;font-weight:normal"> 21 (2022): </span><i><span
style="font-size:12.0pt;font-family:"Calibri",sans-serif;mso-ascii-theme-font:
major-latin;mso-hansi-theme-font:major-latin;mso-bidi-theme-font:major-latin;
font-weight:normal">Anthropofictions/Antropoficciones</span></i><span
style="font-size:12.0pt;font-family:"Calibri",sans-serif;mso-ascii-theme-font:
major-latin;mso-hansi-theme-font:major-latin;mso-bidi-theme-font:major-latin;
color:black;mso-fareast-language:EN-US;font-weight:normal">,
guest-edited by Claudio
Celis Bueno & raúl rodríguez freire <br>
</span></h1>
<p class="MsoNormal"
style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span
style="font-family:"Calibri",sans-serif;mso-fareast-font-family:"Times
New Roman";
mso-bidi-font-family:"Times New
Roman";color:black;mso-fareast-language:EN-US"><a
href="https://culturemachine.net/archives/vol-21-antropoficciones/"
class="moz-txt-link-freetext">https://culturemachine.net/archives/vol-21-antropoficciones/</a></span></p>
<p></p>
<p>
</p>
<p></p>
<i style="mso-bidi-font-style:normal"><span
style="font-family:"Calibri",sans-serif;
mso-fareast-font-family:"Times New
Roman";mso-bidi-font-family:"Times New Roman";
color:black;mso-fareast-language:EN-US">Culture Machine</span></i><span
style="font-family:"Calibri",sans-serif;mso-fareast-font-family:"Times
New Roman";
mso-bidi-font-family:"Times New
Roman";color:black;mso-fareast-language:EN-US">
is part of Open Humanities Press:</span>
<p class="MsoNormal"
style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><a
href="http://openhumanitiespress.org"><span
style="font-family:"Calibri",sans-serif;
mso-bidi-font-family:"Times New
Roman";mso-fareast-language:EN-US">http://openhumanitiespress.org</span></a></p>
<p class="MsoNormal"
style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span
style="font-family:"Calibri",sans-serif;mso-fareast-font-family:"Times
New Roman";
mso-bidi-font-family:"Times New
Roman";color:black;mso-fareast-language:EN-US">and
the Radical Open Access Collective:</span>
</p>
<p class="MsoNormal"
style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><a
href="http://radicaloa.disruptivemedia.org.uk"><span
style="font-family:"Calibri",sans-serif;
mso-bidi-font-family:"Times New
Roman";mso-fareast-language:EN-US">http://radicaloa.disruptivemedia.org.uk</span></a><span
style="font-family:"Calibri",sans-serif;mso-fareast-font-family:"Times
New Roman";
mso-bidi-font-family:"Times New
Roman";color:black;mso-fareast-language:EN-US"></span></p>
<p class="MsoNormal"
style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span
style="font-family:"Calibri",sans-serif;mso-fareast-font-family:"Times
New Roman";
mso-bidi-font-family:"Times New
Roman";color:black;mso-fareast-language:EN-US"> </span></p>
<p class="MsoNormal"
style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span
style="font-family:"Calibri",sans-serif;mso-fareast-font-family:"Times
New Roman";
mso-bidi-font-family:"Times New
Roman";color:black;mso-fareast-language:EN-US">---</span></p>
<p class="MsoNormal"
style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span
style="font-family:"Calibri",sans-serif;mso-fareast-font-family:"Times
New Roman";
mso-bidi-font-family:"Times New
Roman";color:black;mso-fareast-language:EN-US"> </span></p>
<p><i style="mso-bidi-font-style:normal"><span
style="font-size:12.0pt;
font-family:"Calibri",sans-serif;mso-ascii-theme-font:major-latin;mso-hansi-theme-font:
major-latin;mso-bidi-theme-font:major-latin;color:black;mso-fareast-language:
EN-US;font-weight:normal">Culture Machine</span></i><span
style="font-size:
12.0pt;font-family:"Calibri",sans-serif;mso-ascii-theme-font:major-latin;
mso-hansi-theme-font:major-latin;mso-bidi-theme-font:major-latin;color:black;
mso-fareast-language:EN-US;font-weight:normal"> 21 (2022): </span><i><span
style="font-size:12.0pt;font-family:"Calibri",sans-serif;mso-ascii-theme-font:
major-latin;mso-hansi-theme-font:major-latin;mso-bidi-theme-font:major-latin;
font-weight:normal">Anthropofictions/Antropoficciones</span></i><span
style="font-size:12.0pt;font-family:"Calibri",sans-serif;mso-ascii-theme-font:
major-latin;mso-hansi-theme-font:major-latin;mso-bidi-theme-font:major-latin;
color:black;mso-fareast-language:EN-US;font-weight:normal">,
guest-edited by
Claudio Celis Bueno & raúl rodríguez freire</span></p>
<p class="MsoNormal"
style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span
style="font-family:"Calibri",sans-serif;mso-fareast-font-family:"Times
New Roman";mso-bidi-font-family:"Times New
Roman";color:black;
mso-ansi-language:EN-US;mso-fareast-language:EN-US" lang="EN-US">For
the first time in its 22
year history, an issue of <i>Culture Machine </i>appears in
languages other
than English, reflecting not only the appreciation that the
journal has
received in recent years beyond the so-called Global North, but
also ongoing
discussions about linguistic hierarchies and other epistemic
injustices in
academic publishing. <i>Anthropofictions,</i> guest-edited by
our colleagues
Claudio Celis Bueno and raúl rodríguez freire, a philosopher of
technology and
a literary theorist working in Chile, is not, however, about
specific regions
of the planet where the majority of people speak Spanish or
Portuguese. Nor is
the issue even about how such languages translate the question
concerning
technology/extraction. Instead, <i>Anthropofictions</i>
concerns the
construction and deconstruction of anthropological fiction in a
time of
technological domination, and thus re-enacts <i>Culture
Machine’s</i>
foundational commitment to the task of thinking. <br>
</span></p>
<p class="MsoNormal"
style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span
style="font-family:"Calibri",sans-serif;mso-fareast-font-family:"Times
New Roman";mso-bidi-font-family:"Times New
Roman";color:black;
mso-ansi-language:EN-US;mso-fareast-language:EN-US" lang="EN-US"><br>
</span><span
style="font-family:"Calibri",sans-serif;mso-ascii-theme-font:major-latin;mso-fareast-font-family:"Times
New Roman";mso-hansi-theme-font:major-latin;
mso-bidi-theme-font:major-latin;color:black;mso-ansi-language:EN-US;mso-fareast-language:
EN-US" lang="EN-US"></span></p>
<p class="MsoNormal"
style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span
style="font-family:"Calibri",sans-serif;mso-ascii-theme-font:major-latin;mso-fareast-font-family:"Times
New Roman";mso-hansi-theme-font:major-latin;
mso-bidi-theme-font:major-latin;color:black;mso-fareast-language:EN-US">Contents </span></p>
<p class="MsoNormal"
style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><a
href="https://culturemachine.net/vol-16-drone-cultures/editorial/"><span
style="font-family:"Calibri",sans-serif;mso-ascii-theme-font:major-latin;
mso-hansi-theme-font:major-latin;mso-bidi-theme-font:major-latin">Editorial</span></a><span
style="font-family:"Calibri",sans-serif;mso-ascii-theme-font:major-latin;
mso-hansi-theme-font:major-latin;mso-bidi-theme-font:major-latin"> -
Culture
Machine</span></p>
<p class="MsoNormal"
style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><a
href="https://culturemachine.net/vol-21-antropoficciones/antropoficciones-etica-tecnica-y-politica-no-humana-para-otros-mundos-posibles/"
target="_blank"><span
style="font-family:"Calibri",sans-serif;mso-ascii-theme-font:
major-latin;mso-hansi-theme-font:major-latin;mso-bidi-theme-font:major-latin">Antropoficcciones:
ética, técnica y política no-humana para otros mundos posibles</span></a><span
style="font-family:"Calibri",sans-serif;mso-ascii-theme-font:major-latin;
mso-hansi-theme-font:major-latin;mso-bidi-theme-font:major-latin"><br>
Claudio Celis Bueno and raúl rodríguez freire</span></p>
<p class="MsoNormal"
style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><a
href="https://culturemachine.net/vol-21-antropoficciones/narrativa-alexandre-nodari/"><span
style="font-family:"Calibri",sans-serif;mso-ascii-theme-font:major-latin;
mso-hansi-theme-font:major-latin;mso-bidi-theme-font:major-latin">Narrativa</span></a><span
style="font-family:"Calibri",sans-serif;mso-ascii-theme-font:major-latin;
mso-hansi-theme-font:major-latin;mso-bidi-theme-font:major-latin"><br>
Alexandre Nodari</span></p>
<p class="MsoNormal"
style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><a
href="https://culturemachine.net/vol-21-antropoficciones/volver-a-signos-y-formas-de-ficcion-antropologia-y-literatura-andrea-torres-perdigon/"
target="_blank"><span
style="font-family:"Calibri",sans-serif;mso-ascii-theme-font:
major-latin;mso-hansi-theme-font:major-latin;mso-bidi-theme-font:major-latin">Volver
a signos y formas: de ficción, antropología y literatura</span></a><span
style="font-family:"Calibri",sans-serif;mso-ascii-theme-font:major-latin;
mso-hansi-theme-font:major-latin;mso-bidi-theme-font:major-latin"><br>
Andrea Torres Perdigón</span></p>
<p class="MsoNormal"
style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><a
href="https://culturemachine.net/vol-21-antropoficciones/imagenes-materialistas-para-el-antropoceno-giro-geologico-en-las-piezas-kasiterit-2019-y-altiplano-2018-ivan-pinto-veas/"
target="_blank"><span
style="font-family:"Calibri",sans-serif;mso-ascii-theme-font:
major-latin;mso-hansi-theme-font:major-latin;mso-bidi-theme-font:major-latin">Imágenes
materialistas para el Antropoceno</span></a><span
style="font-family:"Calibri",sans-serif;
mso-ascii-theme-font:major-latin;mso-hansi-theme-font:major-latin;mso-bidi-theme-font:
major-latin"><br>
Iván Pinto Veas</span></p>
<p class="MsoNormal"
style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><a
href="https://culturemachine.net/vol-21-antropoficciones/para-acabar-con-la-imagen-extractivista-del-pensamiento-una-ficcion-filosofica-sara-baranzoni-paolo-vignola/"
target="_blank"><span
style="font-family:"Calibri",sans-serif;mso-ascii-theme-font:
major-latin;mso-hansi-theme-font:major-latin;mso-bidi-theme-font:major-latin">Para
acabar con la imagen extractivista del pensamiento: una
ficción filosófica</span></a><span
style="font-family:"Calibri",sans-serif;mso-ascii-theme-font:major-latin;mso-hansi-theme-font:major-latin;mso-bidi-theme-font:major-latin"><br>
Sara Baranzoni & Paolo Vignola</span></p>
<p class="MsoNormal"
style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><a
href="https://culturemachine.net/vol-21-antropoficciones/relacionalidades-humano-artefactuales-lecturas-de-otra-filosofia-de-la-tecnica-natalia-fischetti/"
target="_blank"><span
style="font-family:"Calibri",sans-serif;mso-ascii-theme-font:
major-latin;mso-hansi-theme-font:major-latin;mso-bidi-theme-font:major-latin">Relacionalidades
humano-artefactuales. Lecturas de otra filosofía de la técnica</span></a><span
style="font-family:"Calibri",sans-serif;mso-ascii-theme-font:major-latin;
mso-hansi-theme-font:major-latin;mso-bidi-theme-font:major-latin"><br>
Natalia Fischetti</span></p>
<p class="MsoNormal"
style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><a
href="https://culturemachine.net/vol-21-antropoficciones/imaginacao-radical-no-para-o-fim-do-mundo-estudo-fuga-ou-alguns-sussurros-sobre-viver-outramente-kevin-hacling-alves-gomes/"
target="_blank"><span
style="font-family:"Calibri",sans-serif;mso-ascii-theme-font:
major-latin;mso-hansi-theme-font:major-latin;mso-bidi-theme-font:major-latin">Imaginação
radical no/para o fim do mundo: estudo, fuga, ou alguns
sussurros sobre viver
outramente</span></a><span
style="font-family:"Calibri",sans-serif;mso-ascii-theme-font:
major-latin;mso-hansi-theme-font:major-latin;mso-bidi-theme-font:major-latin"><br>
Kevin Hacling Alves Gomes</span></p>
<p class="MsoNormal"
style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><a
href="https://culturemachine.net/vol-21-antropoficciones/the-case-of-thinking-machines-posthumanism-and-techno-human-hybrydity-in-childrens-literature-shubneet-kaur-kharbanda/"
target="_blank"><span
style="font-family:"Calibri",sans-serif;mso-ascii-theme-font:
major-latin;mso-hansi-theme-font:major-latin;mso-bidi-theme-font:major-latin">The
Case of Thinking Machines: Posthumanism and Techno-Human
Hybridity in
Children’s Literature</span></a><span
style="font-family:"Calibri",sans-serif;
mso-ascii-theme-font:major-latin;mso-hansi-theme-font:major-latin;mso-bidi-theme-font:
major-latin"><br>
Shubhneet Kaur Kharbanda</span></p>
<p class="MsoNormal"
style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><a
href="https://culturemachine.net/vol-21-antropoficciones/cuerpos-permeables-microbioma-imaginacion-y-existencia-compartida-marilyn-payrol-moran/"
target="_blank"><span
style="font-family:"Calibri",sans-serif;mso-ascii-theme-font:
major-latin;mso-hansi-theme-font:major-latin;mso-bidi-theme-font:major-latin">Cuerpos
permeables: microbioma, imaginación y existencia compartida</span></a><span
style="font-family:"Calibri",sans-serif;mso-ascii-theme-font:major-latin;
mso-hansi-theme-font:major-latin;mso-bidi-theme-font:major-latin"><br>
Marilyn Payrol Morán</span></p>
<p class="MsoNormal"
style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><a
href="https://culturemachine.net/vol-21-antropoficciones/a-civilizacao-do-plastico-o-plastico-da-civilizacao-maleabilidades-evando-nascimento/"
target="_blank"><span
style="font-family:"Calibri",sans-serif;mso-ascii-theme-font:
major-latin;mso-hansi-theme-font:major-latin;mso-bidi-theme-font:major-latin">A
civilização do plástico / o plástico da civilização:
maleabilidades</span></a><span
style="font-family:"Calibri",sans-serif;mso-ascii-theme-font:major-latin;mso-hansi-theme-font:major-latin;mso-bidi-theme-font:major-latin"><br>
Evando Nascimento</span></p>
<p class="MsoNormal"
style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><a
href="https://culturemachine.net/vol-21-antropoficciones/list-of-contributors/"
target="_blank"><span
style="font-family:"Calibri",sans-serif;mso-ascii-theme-font:
major-latin;mso-hansi-theme-font:major-latin;mso-bidi-theme-font:major-latin">List
of Contributors</span></a></p>
<pre class="moz-signature" cols="72">--
Gary Hall
Professor of Media
Director of the Centre for Postdigital Cultures, Coventry University:
<a class="moz-txt-link-freetext" href="http://www.coventry.ac.uk/research/areas-of-research/postdigital-cultures">http://www.coventry.ac.uk/research/areas-of-research/postdigital-cultures</a>
<a class="moz-txt-link-freetext" href="http://www.garyhall.info">http://www.garyhall.info</a>
Director of Open Humanities Press: <a class="moz-txt-link-freetext" href="http://www.openhumanitiespress.org">http://www.openhumanitiespress.org</a>
Website <a class="moz-txt-link-freetext" href="http://www.garyhall.info">http://www.garyhall.info</a>
Join the Open Humanities Press reading group group here:
<a class="moz-txt-link-freetext" href="https://mailchi.mp/3f8a99230083/untitled-page">https://mailchi.mp/3f8a99230083/untitled-page</a>
Latest:
Journal article (open access) 'Defund Culture': <a class="moz-txt-link-freetext" href="https://www.radicalphilosophy.com/commentary/defund-culture">https://www.radicalphilosophy.com/commentary/defund-culture</a>
Book review: ‘Review of Bitstreams: The Future of Digital Literary Heritage' by Matthew Kirschenbaum: <a class="moz-txt-link-freetext" href="https://www.journals.uchicago.edu/doi/10.1086/721475">https://www.journals.uchicago.edu/doi/10.1086/721475</a>
Blog post: 'Culture and the University as White, Male, LIBERAL HUMANIST, Public Space': <a class="moz-txt-link-freetext" href="http://garyhall.squarespace.com/journal/2022/9/23/culture-and-the-university-as-white-male-liberal-humanist-pu.html">http://garyhall.squarespace.com/journal/2022/9/23/culture-and-the-university-as-white-male-liberal-humanist-pu.html</a>
</pre>
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