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    <p>Open Humanities Press is pleased to announce the publication of
      Articulating Media: Genealogy, Interface, Situation, edited by
      James Gabrillo and Nathaniel Zetter. <br>
    </p>
    <p><span style="mso-bidi-font-size:12.0pt;font-family: "Times
        New
        Roman",serif;color:windowtext;mso-fareast-language:EN-GB">Like
        all Open Humanities Press books, </span>Articulating Media<span
        style="mso-bidi-font-size:12.0pt;font-family: "Times New
        Roman",serif;color:windowtext;mso-fareast-language:EN-GB">
        is available open access (it can be downloaded for free): <br>
      </span></p>
    <p><span style="mso-bidi-font-size:12.0pt;font-family: "Times
        New
        Roman",serif;color:windowtext;mso-fareast-language:EN-GB"><a
          class="moz-txt-link-freetext"
          href="http://www.openhumanitiespress.org/books/titles/data-farms/">http://www.openhumanitiespress.org/books/titles/articulating-media/</a></span></p>
    <p><b><span style="mso-bidi-font-size:12.0pt;font-family:"Times
          New Roman",serif;
          color:windowtext;mso-fareast-language:EN-GB">Book description:</span></b></p>
    <p>To ‘articulate’ media means to understand them by locating their
      connections in space and time. <em>Articulating Media</em> offers
      new approaches to the writing of technology and the technologies
      of writing by twinning an investigation of language with an
      attention to location. Where does media theory take place? How
      should media theory understand its own occupation of the spaces of
      media? What materialities might survive media’s many articulations
      and associations?</p>
    <p>Diverse in topic and method, the collection’s nine chapters
      analyse those questions of value, representation, and
      categorisation that are held within the languages of media.
      Contributors consider media technologies – following previous
      volumes in the Technographies series – not as mute objects
      addressed through language, but as processes and devices situated
      in the very grammars and vocabularies of their address. Scholars
      of literature, film, musicology, art, design theory, and media
      history evaluate new linguistic possibilities for thinking across
      disciplines and for considering the significance of location to
      media-critical writing. Collectively, the book traces the ways in
      which media vernaculars have shaped the vernaculars of media
      theory, and proposes a few ways in which we might reshape them.</p>
    <p></p>
    <p><b><span style="mso-bidi-font-size:12.0pt;font-family:"Times
          New Roman",serif;
          color:windowtext;mso-fareast-language:EN-GB">Editor Bios</span></b></p>
    <p>James Gabrillo is an assistant professor of musicology and
      ethnomusicology at the University of Texas at Austin. He was
      previously a lecturer at The New School and a postdoctoral fellow
      at Princeton University. </p>
    <p>Nathaniel Zetter is a College Teaching Associate in English at
      Selwyn College, University of Cambridge.</p>
    <p><b><span style="mso-bidi-font-size:12.0pt;font-family:"Times
          New Roman",serif;
          color:windowtext;mso-fareast-language:EN-GB"></span></b></p>
    <p><b><span style="mso-bidi-font-size:12.0pt;font-family:
          "Times New
          Roman",serif;color:windowtext;mso-fareast-language:EN-GB">Series</span></b></p>
    <p>Articulating Media<span
        style="mso-bidi-font-size:12.0pt;font-family: "Times New
        Roman",serif;color:windowtext;mso-fareast-language:EN-GB">
      </span>is published as part of the Technographies series, edited
      by Steven Connor, David Trotter and James Purdon:</p>
    <p><a class="moz-txt-link-freetext"
        href="http://www.openhumanitiespress.org/books/series/low-latencies/">http://www.openhumanitiespress.org/books/series/technographies/</a><br>
    </p>
    <div id="main-header"> <br>
    </div>
    <p>---<br>
    </p>
    <b><span style="mso-bidi-font-size:12.0pt;font-family:"Times
        New Roman",serif;
        color:windowtext;mso-fareast-language:EN-GB">Other recent open
        access</span></b><b><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:windowtext;mso-fareast-language:EN-GB">
        titles</span></b><b><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:windowtext;mso-fareast-language:EN-GB">
        from Open Humanities Press include: <br>
      </span></b>
    <p>Data Farms, edited by Tsvetelina Hristova, Brett Neilson and Ned
      Rossiter: <span style="mso-bidi-font-size:12.0pt;font-family:
        "Times New
        Roman",serif;color:windowtext;mso-fareast-language:EN-GB"><a
          class="moz-txt-link-freetext"
          href="http://www.openhumanitiespress.org/books/titles/data-farms/">http://www.openhumanitiespress.org/books/titles/data-farms/</a></span></p>
    <p><i>Geological Filmmaking</i> by Sasha Litvintseva: <a
        class="moz-txt-link-freetext"
href="http://www.openhumanitiespress.org/books/titles/geological-filmmaking/">http://www.openhumanitiespress.org/books/titles/geological-filmmaking/</a><br>
    </p>
    <p><i>Volumetric Regimes: Material Cultures of Quantified Presence</i>,
      edited by Jara Rocha and Femke Snelting: <a
        class="moz-txt-link-freetext"
href="http://www.openhumanitiespress.org/books/titles/volumetric-regimes/">http://www.openhumanitiespress.org/books/titles/volumetric-regimes/</a></p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><b><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif;
          color:windowtext;mso-fareast-language:EN-GB"> </span></b></p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><span
        style="mso-bidi-font-size:12.0pt;font-family: "Times New
        Roman",serif;color:windowtext;mso-fareast-language:EN-GB"><i>Glitch
          Poetics </i>by Nathan Allen Jones:</span> <a
        href="http://www.openhumanitiespress.org/books/titles/glitch-poetics/"><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif; color:blue;mso-fareast-language:EN-GB">http://www.openhumanitiespress.org/books/titles/glitch-poetics/</span></a></p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><b><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif;
          color:windowtext;mso-fareast-language:EN-GB"></span></b></p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><b><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif;
          color:windowtext;mso-fareast-language:EN-GB"><br>
        </span></b></p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><b><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif;
          color:windowtext;mso-fareast-language:EN-GB"></span></b></p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><i><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif;
          color:windowtext;mso-fareast-language:EN-GB">Más allá del
          derecho de autor, editado</span></i><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:windowtext;mso-fareast-language:EN-GB">
        by Alberto López Cuenca and Renato Bermúdez Dini: </span></p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><a
href="http://www.openhumanitiespress.org/books/titles/mas-alla-del-derecho-de-autor/"><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif; color:blue;mso-fareast-language:EN-GB">http://www.openhumanitiespress.org/books/titles/mas-alla-del-derecho-de-autor/</span></a></p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><br>
    </p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><i><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif;
          color:windowtext;mso-fareast-language:EN-GB">Bifurcate: There
          Is No Alternative</span></i><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:windowtext;mso-fareast-language:EN-GB">,
        edited by Bernard Stiegler and the Internation Collective: </span><a
href="http://www.openhumanitiespress.org/books/titles/bifurcate/"><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif; color:blue;mso-fareast-language:EN-GB">http://www.openhumanitiespress.org/books/titles/bifurcate/</span></a><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:windowtext;mso-fareast-language:EN-GB"></span></p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><i><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif;
          color:windowtext;mso-fareast-language:EN-GB"> </span></i></p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><i><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif;
          color:windowtext;mso-fareast-language:EN-GB">La naturaleza
          como acontecimiento: El señuelo de lo possible</span></i><span
        style="mso-bidi-font-size:12.0pt; font-family:"Times New
        Roman",serif;color:windowtext;mso-fareast-language:EN-GB">
        by Didier Debaise: </span><a
href="http://www.openhumanitiespress.org/books/titles/la-naturaleza-como-acontecimiento/"><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif; color:blue;mso-fareast-language:EN-GB">http://www.openhumanitiespress.org/books/titles/la-naturaleza-como-acontecimiento/</span></a><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:windowtext;mso-fareast-language:EN-GB"></span></p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><i><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif;
          color:windowtext;mso-fareast-language:EN-GB"> </span></i></p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><i><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif;
          color:windowtext;mso-fareast-language:EN-GB">Fabricating
          Publics: The Dissemination of Culture in the Post-truth Era</span></i><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:windowtext;mso-fareast-language:EN-GB">,
        edited by Bill Balaskas and Carolina Rito: </span><a
href="http://www.openhumanitiespress.org/books/titles/fabricating-publics/"><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif; color:blue;mso-fareast-language:EN-GB">http://www.openhumanitiespress.org/books/titles/fabricating-publics/</span></a><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:windowtext;mso-fareast-language:EN-GB"></span></p>
    <a
href="http://www.openhumanitiespress.org/books/titles/mas-alla-del-derecho-de-autor/"><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:blue;mso-fareast-language:EN-GB"></span></a><span
      style="mso-bidi-font-size:12.0pt;font-family:"Times New
      Roman",serif; color:windowtext;mso-fareast-language:EN-GB"></span>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><i><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif;
          color:windowtext;mso-fareast-language:EN-GB"> </span></i></p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><i><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif;
          color:windowtext;mso-fareast-language:EN-GB">Feminist, Queer,
          Anticolonial Propositions for Hacking the Anthropocene:
          Archive</span></i><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:windowtext;mso-fareast-language:EN-GB">,
        edited by Jennifer Mae Hamilton, Susan Reid, Pia van Gelder and
        Astrida Neimanis:</span></p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><a
href="http://www.openhumanitiespress.org/books/titles/feminist-queer-anticolonial-propositions-for-hacking-the-anthropocene/"><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif; color:blue;mso-fareast-language:EN-GB">http://www.openhumanitiespress.org/books/titles/feminist-queer-anticolonial-propositions-for-hacking-the-anthropocene/</span></a><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:windowtext;mso-fareast-language:EN-GB"></span></p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:windowtext;mso-fareast-language:EN-GB"> </span></p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><i><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif;
          color:windowtext;mso-fareast-language:EN-GB">The Interfact: On
          Structure and Compatibility in Object-Oriented Ontology</span></i><span
        style="mso-bidi-font-size: 12.0pt;font-family:"Times New
        Roman",serif;color:windowtext;mso-fareast-language: EN-GB">
        by Gabriel Yoran: </span><a
        href="http://www.openhumanitiespress.org/books/titles/the-interfact/"><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif; color:blue;mso-fareast-language:EN-GB">http://www.openhumanitiespress.org/books/titles/the-interfact/</span></a><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:windowtext;mso-fareast-language:EN-GB">
      </span></p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:windowtext;mso-fareast-language:EN-GB"> </span></p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><i><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif;
          color:windowtext;mso-fareast-language:EN-GB">La magie
          réaliste: objets, ontologie et causalité</span></i><span
        style="mso-bidi-font-size:12.0pt; font-family:"Times New
        Roman",serif;color:windowtext;mso-fareast-language:EN-GB">
        by<b> </b>Timothy Morton: </span><a
href="http://www.openhumanitiespress.org/books/titles/la-magie-realiste/"><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif; color:blue;mso-fareast-language:EN-GB">http://www.openhumanitiespress.org/books/titles/la-magie-realiste/</span></a><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:windowtext;mso-fareast-language:EN-GB">
      </span></p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:windowtext;mso-fareast-language:EN-GB"> </span></p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><i><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif;
          color:windowtext;mso-fareast-language:EN-GB">hyposubjects: on
          becoming human<b> </b></span></i><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:windowtext;mso-fareast-language:EN-GB">by
        Timothy Morton and Dominic Boyer: </span><a
        href="http://www.openhumanitiespress.org/books/titles/hyposubjects/"><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif; color:blue;mso-fareast-language:EN-GB">http://www.openhumanitiespress.org/books/titles/hyposubjects/</span></a><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:windowtext;mso-fareast-language:EN-GB"></span></p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:windowtext;mso-fareast-language:EN-GB"> </span></p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><i><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif;
          color:windowtext;mso-fareast-language:EN-GB">Psychopolitical
          Anaphylaxis: Steps Towards a Metacosmics</span></i><span
        style="mso-bidi-font-size:12.0pt; font-family:"Times New
        Roman",serif;color:windowtext;mso-fareast-language:EN-GB">
        by Daniel Ross: </span><a
href="http://www.openhumanitiespress.org/books/titles/psychopolitical-anaphylaxis/"><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif; color:blue;mso-fareast-language:EN-GB">http://www.openhumanitiespress.org/books/titles/psychopolitical-anaphylaxis/</span></a><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:windowtext;mso-fareast-language:EN-GB">
        <br style="mso-special-character: line-break">
        <br style="mso-special-character:line-break">
      </span></p>
    <i><span style="mso-bidi-font-size:12.0pt;font-family:"Times
        New Roman",serif;
        color:windowtext;mso-fareast-language:EN-GB">A Stubborn Fury:
        How Writing Works in Elitist Britain</span></i><span
      style="mso-bidi-font-size:12.0pt;font-family: "Times New
      Roman",serif;color:windowtext;mso-fareast-language:EN-GB"> by
      Gary Hall: </span><a
      href="http://www.openhumanitiespress.org/books/titles/a-stubborn-fury"><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:blue;mso-fareast-language:EN-GB">http://www.openhumanitiespress.org/books/titles/a-stubborn-fury</span></a><span
      style="mso-bidi-font-size:12.0pt;font-family:"Times New
      Roman",serif; color:windowtext;mso-fareast-language:EN-GB"> <br
        style="mso-special-character: line-break">
    </span>
    <p></p>
    <p></p>
    <pre class="moz-signature" cols="72">
</pre>
    <p></p>
    <pre class="moz-signature" cols="72">-- 
Gary Hall
Professor of Media
Director of the Centre for Postdigital Cultures, Coventry University:
<a class="moz-txt-link-freetext" href="http://www.coventry.ac.uk/research/areas-of-research/postdigital-cultures">http://www.coventry.ac.uk/research/areas-of-research/postdigital-cultures</a>

Website: <a class="moz-txt-link-freetext" href="http://www.garyhall.info">http://www.garyhall.info</a>
Mastodon: @garyhall@hcommons.social

Director of Open Humanities Press: <a class="moz-txt-link-freetext" href="http://www.openhumanitiespress.org">http://www.openhumanitiespress.org</a> 


Latest:

Journal article (open access) 'Defund Culture': <a class="moz-txt-link-freetext" href="https://www.radicalphilosophy.com/commentary/defund-culture">https://www.radicalphilosophy.com/commentary/defund-culture</a>

Book review: ‘Review of Bitstreams: The Future of Digital Literary Heritage' by Matthew Kirschenbaum: <a class="moz-txt-link-freetext" href="https://www.journals.uchicago.edu/doi/10.1086/721475">https://www.journals.uchicago.edu/doi/10.1086/721475</a>

Blog post: 'Well, I Guess I Rather Asked For That, Didn't I: Review of A Stubborn Fury in Postdigital Science and Education': <a class="moz-txt-link-freetext" href="http://garyhall.squarespace.com/journal/?SSScrollPosition=237">http://garyhall.squarespace.com/journal/?SSScrollPosition=237</a>













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