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charset=utf-8" class=""><div style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><div dir="auto" class="" style="text-align: start; text-indent: 0px; word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;"><div dir="auto" class="" style="text-align: start; text-indent: 0px; word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;"><div dir="auto" class="" style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;"><div dir="ltr" class="" style="text-align: start; text-indent: 0px;"><div dir="ltr" class=""><div dir="ltr" class=""><p class="" style="caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-variant-caps: normal; letter-spacing: normal; text-transform: none; white-space: normal; word-spacing: 0px; text-decoration: none; -webkit-text-stroke-width: 0px; font-family: Helvetica; font-size: 12px; font-weight: normal; font-style: normal; margin-bottom: 0cm;"><a href="http://neural.it/issues/neural-63-surveillance-surveyed/" class="" style="font-size: 14px;"></a></p><p class="" style="caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-variant-caps: normal; letter-spacing: normal; text-transform: none; white-space: normal; word-spacing: 0px; text-decoration: none; -webkit-text-stroke-width: 0px; margin-bottom: 0cm;"><a href="https://neural.it/2024/01/neural-73-negotiating-values-extra-liminal-wild-live-by-kexin-hao/" class="">“Negotiating Values” (Neural #73) is still available!</a></p><div class="">. . . . . . . . . . . . . . . . . . . . . . . . .</div><p class="" style="caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-variant-caps: normal; letter-spacing: normal; text-transform: none; white-space: normal; word-spacing: 0px; text-decoration: none; -webkit-text-stroke-width: 0px; font-family: Helvetica; font-weight: normal; font-style: normal; margin-bottom: 0cm;"><span class="" style="font-size: 14px;"><span class=""><a href="http://neural.it/subscribe/#print-subscription" class=""><span class=""><span class=""><b class="">Print Subscription</b></span></span></a>, 3 issues + extra</span><br class=""><span class="">. . . . . . . . . . . . . . . . . . . . . . . . .</span><br class=""><b class="" style="font-weight: normal; font-style: normal; font-family: Helvetica;"><a href="https://shop.exacteditions.com/neural" class=""><span class=""><span class="">Digital Subscription</span></span></a>,</b><span class=""> to access the last 45 issues.</span><br class=""><span class="">. . . . . . . . . . . . . . . . . . . . . . . . .</span><br class=""><a href="http://neural.it/issues/" class="" style="font-weight: normal; font-style: normal; font-family: Helvetica;"><span class=""><span class=""><b class="">Back Issues Pack</b></span></span></a><span class="">, to get all the previous English issues</span><br class=""><span class="">. . . . . . . . . . . . . . . . . . . . . . . . .</span><br class=""><a href="https://www.facebook.com/neural.magazine/" class="" style="font-weight: normal; font-style: normal; font-family: Helvetica;">Facebook</a><span class="">, </span><a href="https://twitter.com/_neural" class="" style="font-weight: normal; font-style: normal; font-family: Helvetica;">Twitter</a><span class="">, </span><a href="https://www.instagram.com/neural_mag/" class="" style="font-weight: normal; font-style: normal; font-family: Helvetica;">Instagram</a><br class=""><span class="">. . . . . . . . . . . . . . . . . . . . . . . . .</span><br class=""><span class="">ISSN: 2037-108X</span><br class=""><span class="">. . . . . . . . . . . . . . . . . . . . . . . . .</span><br class=""><span class="">Neural #73, “ Negotiating Values”</span></span></p><div class="" style="caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-variant-caps: normal; letter-spacing: normal; text-transform: none; white-space: normal; word-spacing: 0px; text-decoration: none; -webkit-text-stroke-width: 0px; font-family: Helvetica; font-weight: normal; font-style: normal;"><span class=""><span class=""><span class="" style="font-size: 14px;"><b class=""><br class=""></b></span></span></span></div><div class="" style="caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-variant-caps: normal; letter-spacing: normal; text-transform: none; white-space: normal; word-spacing: 0px; text-decoration: none; -webkit-text-stroke-width: 0px; font-family: Helvetica; font-weight: normal; font-style: normal;"><span class=""><span class=""><span class=""><span class=""><b class="">Centrefold</b></span>: </span></span><font color="#1d2129" class=""><span class="">It Could Be You.</span></font><span class=""> </span></span></div><p class="" style="margin-bottom: 0cm;"><span class=""><span class=""><span class="" style="caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; text-transform: none; white-space: normal; word-spacing: 0px; text-decoration: none; -webkit-text-stroke-width: 0px;"><span class="" style="caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-variant-caps: normal; letter-spacing: normal; text-transform: none; white-space: normal; word-spacing: 0px; text-decoration: none; -webkit-text-stroke-width: 0px;"><span class="" style="font-family: Helvetica; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-variant-caps: normal; letter-spacing: normal; text-transform: none; white-space: normal; word-spacing: 0px; text-decoration: none; -webkit-text-stroke-width: 0px;"><span class=""><b class="">interviews</b></span>:<br class=""></span></span></span></span></span></p><div class=""><span class="">.</span> Budhaditya Chattopadhyay</div>. Kexin Hao<br class="">. Pei-Ying Lin<br class="">. Vivian Caccuri</div><div dir="ltr" class=""><p class="" style="margin-bottom: 0cm;"><span class=""><span class=""><b class="">articles</b></span>:<br class=""></span></p><div class=""><span class="">.</span> Accessing the Fiduciary Transactions of the Intellect and Imagination</div>. Folding the Past into the Present</div><div class=""><div class=""><br class=""></div><div class=""><div class=""><div class=""><span class=""><span class=""><b class="">reports</b></span><span class="">:</span></span></div><div class=""><div class=""><span class="">.</span> Transmediale 2023</div><div class=""><span class=""><span class="">.</span> KIKK Festival</span></div></div></div><div class=""><span class="" style="font-size: 14px;"><b class=""><br class=""></b></span></div><div class=""><span class=""><span class=""><b class="">news</b></span><span class="">:</span></span></div></div><div class=""><div class=""><span class="" style="font-size: 14px;"><span class="">.</span><span class=""> </span></span>From Paradigm to Paradigm, into the Biomic Time, sounding deconstructing haiku.</div>. Forest Scratching, Sounding Polaroids, derivate sound ecologies.<br class="">. Blind Camera, sound representing space.<br class="">. ConeSF: A Campaign to Rein In Robotaxis, hacking unstoppable machines.<br class="">. Collectivize Facebook, a legal matter.<br class="">. Offshore Capital, unveil critical invisible data.<br class="">. Phase Shift, hunting antennas.<br class="">. Song from Plastic, sounding plastic garbage.<br class="">. hyd~, resonating ecological fears.<br class="">. Dalam Debu dan Abu, (Within the Dust and Ashes), sonifying terra preta bacteria.<br class="">. A.I. Interprets A.I. Interpreting ‘Against Interpretation’ (Sontag 1966), machine logic understanding.<br class="">. Flora Ex Machina, hidden sounds of the trees.<br class="">. Perhaps, art begins with the fireflies, ancient bioluminescence<br class="">. A Monocular Dialogue, AI idol.<br class="">. MetaTouch, tactile metaverses.<div class=""><span class="" style="font-size: 14px;"><b class=""><br class=""></b></span></div><div class=""><span class="" style="font-size: 14px;"><span class=""><b class="">books/dvds</b></span><span class="">:</span></span></div></div></div><div dir="ltr" class=""><div class=""><span class="" style="font-weight: bold; font-size: 14px;"><span class="">.</span><span class=""> </span></span>Edited by Felix Stalder, Janez Fakin Janša / From Commons to NFTs / Aksioma</div>. Miguel Carvalhais / Art and Computation / V2_<br class="">. Edited by Ruth Catlow, Penny Rafferty / Radical Friends – Decentralised Autonomous Organisations and the Arts / Torque Editions<br class="">. Edited by Rob La Frenais, Ewen Chardronnet / Space Without Rockets / UV Éditions<br class="">. Edited by Joanna Zylinska with Goldsmiths Media / The Future of Media / Goldsmiths Press<br class="">. Charlotte Klink / Electric Seeing: Positions in Contemporary Video Art / Transcript Verlag<br class="">. Adam Lauder / Out of School, Information Art and the Toronto School of Communication / McGill-Queen’s University Press<br class="">. Rachel O’Dwyer / Tokens: The Future of Money in the Age of the Platform / Verso<br class="">. Garnet Hertz / Art + DIY Electronics / The MIT Press<br class="">. Mark Shepard / There Are No Facts, Attentive Algorithms, Extractive Data Practices, and the Quantification of Everyday Life / The MIT Press<br class="">. Salomé Voegelin / Uncurating Sound, Knowledge with Voice and Hands / Bloomsbury Academic<br class="">. Gilles Aubry / Sawt, Bodies, Species. Sonic Pluralism in Morocco / adocs<br class="">. Nina Kraus / Of Sound Mind, How Our Brain Constructs a Meaningful Sonic World / The MIT Press<br class="">. Edited by Michael Nardone / OEI #98–99: Aural Poetics / OEI<br class="">. R. Trebor Scholz / Own This! / Verso<br class=""></div><div dir="ltr" class=""><p class="" style="margin-bottom: 0cm;"><span class=""><b class=""><span class=""><span class=""> </span><span class="" style="caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: Helvetica; font-size: 14px; font-style: normal; font-variant-caps: normal; letter-spacing: normal; text-transform: none; white-space: normal; word-spacing: 0px; text-decoration: none; -webkit-text-stroke-width: 0px;">music reviews</span></span>:</b></span></p><span class=""><span class=""><div class=""><span class="" style="font-size: 14px; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; text-transform: none; white-space: normal; word-spacing: 0px; text-decoration: none; -webkit-text-stroke-width: 0px;">. </span>Thomas Köner : Daikan / Banlieue Du Vide : Mille Plateaux</div></span></span>. AGF / Harrga / Lafawndah & Trustfall / Chino Amobi / Savvas Metaxas : Future Chorus : Hypermedium<br class="">. Angélica Castelló : Catorce reflexiones sobre el fin : Gruenrekorder<br class="">. Arash Akbari : Amnestic Continuum : Farpoint Recordings<br class="">. Autorhythm : Songs for the Nervous System : thanatosis produktion<br class="">. Carmen Jaci : Happy Child : Noumenal Loom<br class="">. Claudio Rocchetti : Decay Music n . 5: Labirinto verticale : Die Schachtel<br class="">. CM von Hausswolff & Chandra Shukla : Travelogue [Bali] : Touch<br class="">. Franck Vigroux : Magnetoscope : raster<br class="">. Giovanni Lami : Monumento Fiume : Kohlhaas<br class="">. Holy Similaun : Radicor al flort, espert on’ill il erb, aor Raetia : Kohlhaas<br class="">. Jens Brand : RATCHETS & MOTORS : Staalplaat<br class="">. Kjell Bjørgeengen and Chris Cogburn : Fear of the Object : True Blanking<br class="">. Langham Research Centre and John Butcher : Six Hands at an Open Door : Persistence Of Sound<br class="">. Luca Forcucci : Terra : Crónica<br class="">. Radio Noise Collective : Extended Stereo : FibrrRecords<br class="">. The Asocial Telepathic Ensemble : The Asocial Telepathic Ensemble : Corvo Records<br class="">. Andrea Borghi : Palsecam : Aposiopèse<br class="">. Vindicatrix : One or Several Tigers : Cellule 75<br class="">. VV. AA : Les Éspaces Electroacoustiques III : col legno<br class=""></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></body></html>